 Hi, rhai, mae'n David Fyrmangol, ac mae'n dynfyrdd. A'n ddiddordeb yn yw'r ysgol, mae'n gwybod i'r rhai, yw ysgol ffawr, sy'n gwybod i'r seis. Fy enw i'r ysgol, mae'n gwybod i'r hwch, yn ymgylch, yw ysgol, hwch 16, mae'n ddiddorol yn mil, mae'n ddiddorol i'r ddaf, mae'n ddiddorol i'r hwch, yn ymgylch, yn ymgylch, ac yn ymgylch, mae'n ddiddorol i'r hwch, ac mae'n gwybod 3.3 mm, ac mae'n gweithio'n gweld ac mae'n gweithio'n ddwy'n gwneud i ddeimlo'n gwybod i ddoch yn y ffashar. Mae'r briffeithio ddwy'n gwybod i'n ddwy'n gwybod. Mae gwybod i ddwy, fel oed yn ei ddod, a'r ddwy'n gwybod fel gwybod yn y gallu cyflog. Felly, yna dwi'n darparu sut yn eich gw'isio fydd oedd, rwy'n gweithio unru, Ionon iawn sy'n ei llunio, yr hyn yn ystod chi oherwydd yn ymarfer. Gwyddi i bwrth gallwch chi'n mynd i chi'nuffleau ar eich lle, Wrth gwrth yn y ddweud, i'n rhoi eich ddegu y byd, i chi'n gweithio'r bobl, i'ch ddegu'r bobl ffysg oeddy, i chi'n gefn Е. felly i ddymistwch i ddechrau, fan o'r cyfwysg yma. Yna fy diogel arddangos o'r cyfwysgau dyma. Rwy'n cyfwysg o Gymru, fel yma, lle mae'r ffordd dda i'r llwythol a'r llwythol yn ychydig autyn nhw'n ei ddoch. Mae'r ffordd yma'r glwst hwnnw, yn beth yw'n maen nhw. Fel hynd, mae'n byw'r mynd edrych. Felly mae'r hachol, mae'r hachol fyrtu i wneud. Felly mae'r hachol i wych yn gwneud eich bodi'r bodi syniad o'r hachol. Maen nhw'n gwneud o'r hachol. Mae'r bach, oherwydd ift i'r gwaith. A dyna, mae e'n fyddwch o'r holl o gwneud o'r holl o'r holl o'r holl o'r holl o'r holl o'r holl o'r holl. Ac rwy'n ddweud i'ch llwyddiol i'r llwyddiol eich dyn nhw, felly mae ni'n meddwl yn Fel Mw bathing i'ch meddygu glwydgol i'r rwynt Cymru, a'rlinell i'r dyn ni'r ddweud i gael y tîm yn maith. Felly mae'r llwyddiol eich dyn nhw ni'n meddwl eich dyn nhw. Dyna'r ddaf nhw'n meddwl i'n meddwl eich ddweud i ddim nhw'n ei ddu iawn i gael'i lwyddiol. Mandau'r ddweud i'r ddweud i gael i'r ddweud So I lock it down on my turn. I'll use the back on my scissors here and take off the Xs. Push the bead forward again. I'll always make sure that bead sits at the front. My next piece to go on will be the synthetic quill. I'll use a tie that fully on and usually put an angled cut. I don't know if you can see that. There is an actually angled cut in that. You can angle that to whatever you prefer. So once you lock that into position, Mae'r ddodd yn ei ddodd yn fwy o'ch glas i'ch gynig. Rwy'n gwybod yn cael eu bod yn rhan o'r llwy. Ydw i'n rhan. Felly mae'r llwyd i'n rhan o'r ffordd i'r llwyd yma. Mae'n ymddag i'n mynd i ddodd yn gweithio'r llwyd. Rwy'n rhoi gwnewch. Mae'n gweld yn ffordd. Felly mae'n bod yn meddwl yn gweithio'r bodig. Mae'n meddwl ond yw'n meddwl... ...ynydd yn yr hynny... Rhyw gwybod yw rhywbodaeth, zeidio'r cyfle a gyddechrau'r dynion mwy o'r athwybod i'r pethol, i ddim yn bach o'r cyfligol o'r hwerfodd iawn, drwy'r gyff Holyfodd iawn, ac mae'r llwfodd iawn ni'n mynd i'r wlad. Roedd o'n gweld 15 o 20 gradi. Rwy'n meddwl y rhan ydyn nhw'n moyn y ddyn nhw'n ar y baen wedi'u pwgyng ychydig yn gweld gyda gwyddon o'n gweld, a rydyn ni weld. Felly dyna'n oed yn argyfryd ar hyn i ddedd. Ie nid yn gwneud gail ar hyn yn gynradd i'r bodi, ac yn llwg yn rhaid yn loed â'r byd o'ch cyfnod, ac yn gyfnod yn fod o'r colli yn ôl, ac yn yr oed yn ychydig roeddiol. Felly isi'n gweithio ni'n gweithio. Remi amser. attempts oed oed o'r holl ddydog i'r byd. Mae oedd yn ymd单 tud, ond mae wnaeth yma felly i chi'n railwch. Mor i'r stewunol. Ond mae'n gwybod iawn o'r dda. Mae'n ei wneud All Tys. Rwy'n dechrau i chi dŵr. Prydych yn y tîm, mae'n pannau'r ddau i chi yn oedd ar gyfer. Ond ydych yn y cwm yn iawn. accompanying. Mae'n rai'r dda er mwyn i ddim wneud. As in when you want to form a shape completely. So that there I would say is a bit roughly where I want to be. I'll go back down the shank and at this point you'd maybe want to tie in a wire of your choice. You could use gold, silver, orange, whatever you like, sit in the colour of the fly. With that something I'm going to use a particular wire. I'm just going to use the basic body because it will be coated with a burg bond. Just shortly. So I'm going back up to roughly where I feel the coil should stop. OK. Next point, take my coil and pull on it back towards itself and down. Nice and tight and you just overlap it if you want it to look like it's meant to look. I tend to lap the first one and then match the second one in so you get that nice striped effect of the coil. Because it's synthetic it really stands out much more than a normal standard everyday coil would. It gives you a nice segmented body. So again, once I've got that up to the neck rail, make sure I've got the alignment right. So I want that colour all the way up. There we go. Lock it in. I'll then take that piece and lock that off. I'm not worried too much about the colour because the colour of the point is a locking point for everything. Two or three turns at the top. Then trim off the excess. That's the coil part finished with. The next thing I'll do here is I'll wind up the body or the colour of the fly to suit. I'm not too fast. We're making it ideally perfect as long as you get the material trapped underneath it. You don't want to make a great big collar. There's a reason for this colour to be where it is. I'll show you that in just a second. So I want to level off the back of the actual bead that holds the bead exactly where it should. Now that I've done that, I'll use my work finesse tool to lock that off now. Because this is a UTC thread you can spin it or unspin it and widen the thread or narrow the thread as you see fit. That helps when you want to put dubbing on a collar. In this case I just want to go nice and flush and flat. So I've tied that in and just put it down nice and tight lock off point now. Then I'll just trim that off nice and neat to the actual fly. So now that I've done that, my next venture is going to be using an alumnus golf product. Which again you can use on most subjects like this to give you that vibrant hotspot. So what I'm doing here is I'll tilt it up so I can see the fly point where I want this alumnus resin to go. And I'll use the tip of the dubbing needle to give me a small amount of it. I'll then dab that onto the very side of the fly, not masses of it. So if you can rotate the dubbing needle as you apply it then you won't apply too much. Which is very easy to do. I'll just take a swipe at the side of the bead. So if I turn that round now you'll see roughly where that liquid is now lying. It still is in liquid form. So again I'll do the other side now. Same idea, lovely parallel to one another. Hotspot green nymph and if I turn that back you'll see the way that you can use it up onto the bead itself. It's getting the shape of it right, the colour right. Once you've got that there, you've got it right. You're happy enough you can then use your db torch to set that where it is. Give that a few seconds. Rotate it onto the other side. Give that a few seconds. For the purpose of this, fly once I've set it. I like to make sure it's really set before I apply anything else. So that should be setting off for me now to just apply a thin or clear varnish. Same idea as probably you've seen before. You can apply this straight to the actual subject. You would work that round with your dubbing needles as required and onto the head itself. I tend to coat everything right the way round. Make sure you touch that tail. If you want a glassy bead effect that's what you'll try to achieve with it. Should you need any more you can always put a little dab on your dubbing needle like so. Rotate your fly where you want it and build it on as you go. What you're trying to achieve here is locking all these colours in. Making the body look like it's one complete item. Like it's locked in there. It makes the fly stand out so much more to the eye. For the fish's point of view you've got that trigger point there to help things as they are. So fairly happy with that. I tend to rotate it device. Sometimes it lets the sediment settle back and forward till you hit it with the UV torch. So I'm hitting that with the UV torch now along the back of it. And allowing it to stay upside down means that any resin build up will go along the back of the fly. So again I'll hold in the torch where it is. I'll just rotate it nice and slow all the way round. You can see that colour really standing out. Really nice bright green against that olive. Again just work your way back and forward a few times to make sure that's really going to take the UV light and set. So this is what I call the olive hotspot grilling bug. And that's the finished article.