 ...experience. Technology will get closer audience closer. Raising awareness through technology. I've got this. And she's it's own. Channel Musicians will never virtual theology experiment. That is a chicken with it. On the make of God. Unreal to read. Sunday at 8PM on Channel Musician. Who's that scene in the show? Who's had the opportunity to check it out? Alright, well, we'll give you the link afterwards. It's a long one. But you definitely should check it out. It's been a good, amazing documentary. So we have the producer of the documentary here on hand. We're going to talk to Shen. Shen's from Channel Musician. So I'm going to model where we're at. We'll see. A quick Q&A. How do you work to start? I mean, this is a... Maybe people with more background to the documentary. And where is your team from? Sure. I'm from Egypt. I was born here. Six months. I think about eight months ago. I had zero knowledge of what we are. So I'm doing a project in Rwanda. I'm a company and a boss. You're doing a project with me now. So I think that's the problem. That's how I do research. And the first place I found locally. There's a lot of content in the U.S. and the U.K. and stuff. The first thing I found was Asia. So this is the first place that I came. And I had work and I found people. And from there, I took a quick course. Four months course. UDT and I created it. Then they... My challenge was to make four VR and five VR content based on a topic called Challenge to Work. So the topics were... Climate change, aging population, cyber security, future work. Future work and tech are combined into one. So they wanted great public awareness. So create a content to promote this series challenge. So I said, who's going to do this? I said, who's going to find people who will do this? But just... That's the user. And I said, well, that's never going to happen. So I went out and I said, what are you doing there? I said, do it. I'm going to make you know. I said, make you know. Blast the making of. So I went out looking for people to create VR. And within the budget, it's all I had. Plus I created a small year on this topic. And I realized that reality for the institutes, polytechnics. And that's where I got three of the projects that started by my new polytechnic, passing polytechnic, aging institute. Most of the VRs, at least as people are here. So I got all these small people at work project. And then just for climate change, I did something like, you may create it, or go one way, about 200 years. I would like to affect the nature of the structure that it involves. For aging, we chose dementia and shorted 360 video with animations and drawings to show that discomfort that dementia patient goes through. So I was currently reminded my boss wanted something like that. So I created a day-to-day brown-brown situation an x-point frame, a hexer, a shaw, and everything goes off with the graph that's going in. Finally, one of the features of working tech that's even closer to what you guys are showing me. Quite a basic level. How to master polytechnic, which is to see how a developer works. When you buy an intro, you can go in, you can choose the energies and when you do the changes to your form and the statistics, how big data goes into the green changes on the ground. So we created that and I filmed a lot of process. How do you provide the scores, the censure, the topics? How do you actually achieve those? Yeah, it's a better form for aging. I do go through their content. I found out dementia is something that needs really more awareness and we have dementia campaign as I mentioned earlier. So we spoke to some of the hospitals and they've supported us and they've asked expertise and vision and all those stuff. So overall with your team, how big was it in those four big productions? Plus the big one that you have. The three people. Yeah, but we didn't do that in the last 40 years. We were just building the project teams around us. What's your final biggest challenge? Post production or bus. There's always bus. Do you see how there's an age difference that you want to bring in because the show is going on there and you can see the beginning. So a few weeks before I had to bring in the speech to the people to experience it and there's always bus. There's always something to get better and we'd like to be better and we can do a decent production. There was a big fight before because what I did was I packed up the project and I wanted to take some adults and nurses to experience it. And there's this theory of what we want to do and all the others to take care of it. So I kind of wanted to bring in using these three slides. I mentioned I'm ready. I'm going to connect you to our six slides. If you think you want an upgrade for what you need to do on the show, the 360 effect, 8K and some six cameras. In camera wise, we're mostly there. But what we have focused on is why we took this project of the one that I had in the army inside of New York. She said New York, to explore more around New York. Since it's only been two weeks in New York, I was impressed. So we're still exploring all of those stories in New York. So when you're looking at, say, years from now, looking at the crystal ball, looking at the crystal ball, right now I'm the VR promoter. So the thing is, idols and traditional media, it's all about idols and funding and all the art. So my first big test on that story now, I think some of the reviews should not be a good thing to do. I can share here that it's in the product and how far we can push it. So we can anticipate more from channel musicians. So I'm going to check a challenge to know season two exactly. It's all about playing. So I'm also going to keep on the channel. If you leave it for a little bit, we'll have the VR and each other play this example. So I'm going to take a look at the program for those who actually can see the show. It's a terrific show. I mean, it really did really well put together. I think the experience again on this slide, the actual VR, the day-to-day sequence, was there anything that went out the way we didn't want to go? Is there anything that went out the way we didn't want to go? So we didn't have to step on the break for the details. And neither actually really. Any surprises? I've got traditional films and I'll be discussing about it. You can call, make, share, type, you can have a free frame. I think for instance, my team, five business people, I use them for weeks. So I call, make, share, and I'll run up. You can have my file and I can take it out of this and hold it in the front. Students, I used to do stuff problems like professionals, and the other things. How many hours did we work on this? By the way, Jen has also had some team around the problem this last four months. Isn't VR built to last from the perspective of very immersive space? Isn't it? In the long term, there's a problem. Somebody has to make a setup to see if they cannot meet the same short. There is a question about the background so it's quite nice. We should check it out. We'll try to interview you. Just go to Jen and ask the address. I'm sure you can find it. The last thing I think we always look for creators that are ready to view. So it's actually out there creating on-demand so if there's any second notes I'll just make you ask. It's an easy search. Just look on toggle from real to real. I found it in the wheels. Ashima, do you want to do some analysis? Yes. We're going to round it up. Definitely.