 check this out you're mentioning that you don't feel like it's things are breaking apart enough so are you just talking from my technical point of view right now that he is breaking apart in terms of his emotional state just checking touches you don't have any honor do you you all right I think what I would do is if you want to maximize intensity here and make it feel more organic that's a thing you mentioned one that's gonna kill anything that's human and especially at this point tense and you know stressed the way it is anything that's spliny with with too much of a nice arc overall so you don't even even that already is gonna kill it for you if you do this smooth sideways and this here like it's almost as if you want to just start I don't mind this like he's in a reflection but then I will make this a bit more you know he will go like this stop a bit I mean that was far right go a little bit hold a bit go over there go over there and even this will be more like one stop two stops it's almost I almost burred like in short bursts it's just a bit more abrupt but you could also just start from here if you're too concerned you don't have any honor and then this is what I mentioned before where if you track his nose it's it's doing basically this which is a bit too beautiful it's too nice you don't have any honor do you and in here too is when you go not too as in nice round the arcs but you're going up and you see how it's almost as if you want you attract his nose here any honor do you all right I'll take the sound off just look at the nose curls curls up and down it's almost like a bouncing ball curl curl whoop and down and that so there's a lot of stuff where it feels like you're doing that and that that kind of takes the organic part out of it because you don't quite believe his state of mind with arcs like that so what I would do is bring the audio back a bit you don't have any honor so it's what you don't have any honor so it's you don't have any honor you don't have any you can keep the the right to left I would just really really really minimize your your ups and downs here so it's not so much that and that but it's more that holds that you can almost do something more like that to give it a bit sharp sharpness to it you don't have any honor do you and then sushi through here so you want to stay down longer any honor do you right and then on honor it's really on all after he says honor honor that's when he sharpens up and goes up have any honor do you and then any honor do you do you even then you can go stay and stay stay stay like really minimize your ease into that and overshoot the honor do you and instead of doing one big movie do you will be a the nose will go down on do and then your head would do kind of a sideways twist to you down on do and you have a sideways thing but really your curves right now feel like they're like that and you want to get moments where it's almost like this right where it goes down ever so slide ease in and sharp down again you want to take those you know if you have your keys here you really want to take away those roundy tangents any honor do you and then do you and that would go like I mean you go like this you can counter rotate the head a bit so that the nose around here so he's already leaning which is fine but his kastai is staying kind of put looking at the guy but not too much you don't want to completely counter it but just so it's not so down my two here down and over so it's down hold of it and then over you careful here that is a weird see how that those go straight and then something to the right feels like if you do through your arc you know it's basically like this and you want to ease into that a bit more give us a bit more of a curve because at this point it's you're already having such a big move that you know by this point probably tilt the head a bit here and the rotated in wise that the nose around here ish they'll kind of soften that sudden turn you and that's great I love still that that's great you that's great and then on cow I would just do almost a linear key where the nose goes from here to here in a really sharp way you really want to feel that explosion and it could be that the nose spacing is this and yeah maybe one frame here and then next would be here so he's a tiny bit out of it but really bow like a really big explosion and then keep that and all the thing you need to do is watch this cheek bone boom look at that that's your wall right there or a mouse is boom so you have to take your roots your root goes screen left visually and then suddenly goes to the right and you really have to ease into that so somewhere you have a linear key so just blind that key to soften that and then you could have this point the nose a bit like you have a slight rotation in the while and a slight tilt over to also help with that direction change and then that's it you don't have any honor do you so this is your big offender right it's little twirl twirls here and then how smoothly this goes up and down because it doesn't feel like it's tied into the body moves and especially the audio I think that to me is where the organic part breaks down it just it feels like he's I see splines and I don't I don't feel how that head is motivated by the chest and the words and the energy that comes out of that right that gets better just that feel that little abrupt direction change and then your arms here feel a bit too even in timing and they're a bit I cash because it is not that much like that wrist would be going up like that fingers it's my awesome thing here right it's a bit more line with the forearm because it doesn't feel so I cash and your timing feels like the curve is doing kind of that as opposed to maybe yeah like here you want to be a bit more abrupt and chaotic because it is you know it is tied to the audio for watches here you so it's you and he goes up a bit and you could go up and then pause a tiny bit and then he goes round it gets a really exaggerated quick move that kind of anticipates almost this right you and not like as in like a huge way but it has a bit of a up and pause bit faster and then you want to stay in this position because he's really tense now so during all of this this softens that whole intensity so keep that a bit higher and then he goes coward and maybe two frames before two frames after you can kind of try it then his arms shoot down the way you have it you all right that is it thank you all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way like and subscribe would be awesome all right thank you