 Now, the Roma Wine Company of Fresno, California presents... Suspense! Tonight, Roma Wines bring you Mr. Lloyd Nolan as star of 19 Deacon Street, a suspense play produced, edited and directed for Roma Wines by William Spear. Suspense, Radio's Outstanding Theatre of Thrills is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines. Those excellent California Wines that can add so much pleasantness to the way you live, to your happiness and entertaining guests, to your enjoyment of everyday meals. Yes, right now a glass full would be very pleasant as Roma Wines bring you Mr. Lloyd Nolan in a remarkable tale of... Suspense! Ah, what a business, what a business. Do you know how it is when you're keeping something to yourself, something that scares you, something that nobody else will believe? Well, if I tell you how it really happened you'll say I'm nuts, but if I don't talk then for sure I'll go nuts, listen. Did you ever have a dame get under your skin till you were ready to hang yourself with your own belt just to be rid of a... Yeah, she did that to me, that blonde, that beautiful blonde. And the funny thing is, we never even met. Ties is my business wholesale. I came to Chicago with a red hot line and an exclusive to the Middle West all sewed up. All I had to do was find a place to do business and a place to live. You think that's easy, eh? You should see Chicago these days. Well, some ham actor on the train tipped me off to a theatrical room and house at 19 Deakin Street. I only wished he'd broken his neck before he saw me. Anyhow, I go to this place and from the outside it looks alright. Wait a minute or two and finally an old dame comes out looking like a tired old duchess. Good afternoon. Uh, yeah. I'm looking for a room, ma'am. I'm very sorry, we have no vacancy. Oh? Well, an actor on the train said that maybe it put me up. Are you an actor? Uh, yeah, sort of. Well, I do hate to turn you away if you're in the theater. There was a time when we catered exclusively to theatrical people. Oh, any kind of a room would be okay. Well, come in, young man. We'll see what we can do. We have a room that we don't rent. It's not really fixed up for renting, but I'd like... Now, look, lady, I'm not particular. I'm away all day. All I want is places to sleep, see? Come upstairs. I just know I shouldn't have promised myself. Now, young man, I'm going to show this to you on one condition. What's that? This room belongs to someone very dear to me. She's away. I've never rented it because... Well, I expect her back. Oh, yeah? I want you to promise that no matter what, you will not move anything or ask any questions about her. That's a funny thing to ask. Some people wouldn't understand. Promise? Okay, it's a deal. I'll turn on the light. Well, do you like it? Well, I don't know. It's kind of feminine, isn't it? Yes. Yellow fluffy curtains. Costumed dolls. Cold cream, grease paint. Dressing gown. Mmm. Nice perfume. And, hey, lady, stockings. Ain't this a little unusual? We haven't changed it at all. You don't realize this, young man, but you're standing in a shrine. Am I? Oh, what? We haven't touched her room because someday she'll be back and she'll find everything just as she left it. Is this her picture on the mantle here? Yes. Isn't she beautiful? Well, you can say that again. I never even saw such a beautiful dame. And notice the long golden hair. Oh, if you could really see it. Long and shimmering like thin strands of purist gold. And she'll be back. Well, when do you expect her? I don't know. What didn't she say? No, she didn't say a word. One day she was here and the next day she was gone without a word. Well, how long ago? In a few days it'll be ten years. Well, I took the room. If I knew then what trouble it would bring me out of slept in the park instead. When a landlady left, I went over to the mantle and I looked at the blond's picture. Yeah, she was really one beautiful dame. And there was something else about her. Some little thing I couldn't pin down. Well, I took the French doll off the pillow and flopped down. But from where I lay I could look right at the picture. I looked and I felt the back of my neck crawl. Finally I couldn't stand it any longer. I jumped up and I turned the picture to the wall. And then I dozed off. And there she was, crying just her face. Soft gray eyes and her golden hair. Strands are pure gold like the old dame said. Yeah. What was she crying about? What was wrong? I didn't get it. Laverne. Laverne. What's the matter, Laverne? Mr. Swartz. Laverne. Mr. Swartz. What are you crying? Mr. Swartz, are you all right? Oh, yeah. Just a minute. I'm all right. Just a bad dream, I guess. But I heard you're calling out. You were calling Laverne. Who? Laverne. That's who you were calling, wasn't it? I don't know. Laverne. Yeah, I guess I was. How did you know, Mr. Swartz? How did you know her name was Laverne? Well, I don't know. I don't know how I knew. I knew her name. I knew the name of the blonde. But I never met her. I pestered the landlady for details, but the old dame wouldn't talk. So I locked the door. I went to work to find out for myself. I emptied all the dresser drawers out on the bed. Plenty of nice clothes, plenty of shoes and dresses and intimate things, you know, but not one scrap of paper to tell you anything about the girl herself. Not a letter, not a card, not an envelope, nothing. Then I got my first break. In a little jacket, I found the key. It had a tag on it, and the figure nine was written on the tag. There was nothing locked in the room, though. And the key should fit. But maybe some place I'd find the locket was made for. And later, high on the closet door, I found a telephone number scrawled with eyebrow pencil. Briar gate one, two, seven, three. I went downstairs to the hall phone. No one was around. I felt like a jerk dialing a number that had been written more than ten years ago, but I put the nickel in. Then I started dialing. B, R, I, one, two, seven, three. A busy signal. That meant the number was still alive. And maybe, just maybe, somebody on the other end could tell me about Laverne. And now or later, I was still dialing that number and still getting a busy signal. So I finally give up and went to my room. My business was at a mine of some stale babe wanted to disappear. I had my own headaches. I had 400 dozen fancy neckties to get rid of. Laverne was... she was still in that room. I felt it in my bones. And I couldn't sleep. In the morning, I started out to look for a place to set up shop. There was plenty groggy, but I told myself that if I didn't sell those neckties, I'd find myself back in the bargain basement of Rosenblatt's department store, which was a sobering thought. So I started walking down to Madison Street. It's a warm day, and I'm walking fast, and suddenly I look up and I'm on State Street. Now, I know that town pretty well. I don't have to go anywhere near State Street to get to Madison, but here I am. I'm on State Street, and I'm standing in front of an old building. All around me, I see hawk shops, flop houses, tattoo joints, you know, the kind of neighborhood. And right in front of me, this old building, all boarded up. Suddenly I get the brainwave that this is the kind of a joint I need for my business. Looked like it hadn't been used for 50 years, so the rent couldn't be too high, and it's big and central. So I just ankle around to the alley, try the back door. I figure there must be a caretaker or somebody around so I give a yell. Anybody in here? No dice. This is kind of funny because I can see a light shining through the crack in the boards. So I start pounding on the door. Hey, open up. Open up, will you? What do you think you're doing? Oh, hello, officer. I just thought that there'd be a janitor around. Does it look like there'd be anybody around with the doors all padlocked like this? Yeah, but look, there's a light burning inside. It's just a work light on the stage. I want to rent the joint. Where can I find the owner? Rent it, huh? You'd better get in touch with Jasper Florens. What, the big stage producer? That's right, he used to run this little burleque house before he was in the chips. Got his start here. You can probably get him on the phone at his office. Miss Productions. Oh, hello. I'd like to speak to Mr. Florens, please. Oh, who's calling, please? My name's, uh, Swartz. What did you wish to talk to Mr. Florens about, please? He's very busy. Yeah, yeah. Now, look, I ain't no ham act. They're looking for a job. I want to rent some space from him. Rent space? Yeah, the old Florens theater on State Street. Oh. Well, hello. I'm sorry, but the Florens theater is not for rent. Not for rent. But why? Well, okay, okay, have it your way. I burned up the nerve of that guy letting his theater sit there empty while I needed it so bad. Well, I want it back to the house a little later as soon as I get what's inside of it. I get that queer feeling again. It was just like that blonde was standing there waiting for me. Well, I walked in and went to my room. I got out a detective mystery and tried to pass the time away, but it didn't work. I couldn't think of a thing, except a burn. Then I lay back on the bed and I must have been dead tired because of nothing flat I was out. And there she was again. That beautiful girl sobbing. This time I was sure she was trying to say something to me, trying to get a message of some kind to me, but I just couldn't understand. What was she trying to say? What was she asking me to... to find her? Roma Wines are bringing you as star Mr. Lloyd Nolan in 19 Deacon Street by Larry Marcus and Robert Light. Roma Wines' presentation tonight in Radio's Outstanding Theatre of Thrill's Suspense. In the Acts of Suspense, this is Truman Bradley for Roma Wines. This year, Thanksgiving is more than our traditional Pilgrims' Harvest Festival. More than thanks for the good harvest from the soil of our great land. It's an humble Thanksgiving that the world is at peace. Thanks for God-granted overseas victories. Thanks for cherished freedom at home. Thanks for loved ones with us again. Today, in many American homes, wine, Roma wine is a symbolic of this day of thanks as the traditional turkey. As millions of Americans feast in hamlets, villages, towns, and cities, glassfuls of Roma wine are lifted in heartfelt thankfulness. How fitting, too, with Roma California Burgundy, a wine grown in the soil of America, reflecting the goodness of nature and the patient toil of free men. Roma Burgundy, a red, robust wine, truly delicious, delightful, distinguished in any company with any food. Serve cool. Remember, because of uniformly fine quality cost, more Americans enjoy Roma than any other wine. R-O-M-A, Roma wines. And now Roma wines bring back to our Hollywood soundstage, Lloyd Nolan, as Morrie Swartz, Ty Salesman, and Raconteur, in 19 Deacon Street, a play well calculated to keep you in suspense. After that, I was afraid to sleep. So I grabbed my hat and ran out of the house. I stopped at a joint down the street and ordered some coffee. And while I'm, while I'm sitting there, I all of a sudden remember what my Uncle Basil, he's my mother's brother, used to say. He says, if you want to forget something that's bothering you, just concentrate on something else, anything else. Well, what could I concentrate on? Then I thought of the theater, the Florence Theater. Other guys had tried to run it for years and failed, but I needed it. And if I use my brain for that one thing, if I did nothing but plan ways of breaking Florence down, I might be able to level myself out and at the same time save the deal. Later that morning, I got in touch with an agent I knew and he gave me Florence's address. So I take a care bot there. It was on Lakeshore Drive in Burberry, Hoy Paloy. Florence was sitting in this study. He looked just like his perches. Long gray-looking, a nice sort of a smile. His necktie was lousy, though. Well, we had quite an argument. Did I understand that you're interested in the Florence Theater? That's right. I tried to see you at your office, but I couldn't get past your secretary. That's why I thought I'd take a chance to see you here. I see. You're rather persistent, aren't you, Mr. Swartz? Well, it means a lot to me, Mr. Florence. I understand it's been closed for years, but you see, it's just what... Secretary told you I didn't want to rent the theater, didn't he? Well, sure he did, but Mr. Florence did. Did you ever have a hunch? A hunch? Yes, of course. Well, do you generally play your hunches? Well, sometimes. Well, I got a hunch about your theater. I see. Well, I'd like very much to help you, but I'm afraid it's out of the question. But why? Well, it's where I produced my first shows. It has memories for me. Some pleasant, some not so pleasant. Reopening that theater would be like... Well, like reopening a part of my past that I... I'd rather keep closed. Oh, no, but ain't that kind of silly, Mr. Florence? I wouldn't put on shows there. All I want to do is... I admire your persistence, Mr. Swartz, but the answer will always be no. Okay. You win for now. But I ain't giving up. Because when I want something real bad, I get it. And I want your theater bad for... well, for personal reasons. Now, here's my card. I've written my phone number on it in case you change your mind. You'll change your mind, Mr. Florence. You think so? Yeah, I think so. As you say, I'm persistent. Hello? Uh, Mr. Bogart? No, this ain't Mr. Bogart. I'm just kidding. This is Swartz again. Oh, you? Yeah, you're still sure you don't want to rent that theater? Still very sure, Mr. Swartz. Look, Swartz, I want you to stop hounding me. It's not doing anybody any good standing empty. That's for me to decide. I want you to leave me alone. Do you hear me? I want you to leave me alone! Yeah, and that's how it went. And it worked at first. For a while, I really forgot about Laverne. And I got Florence plenty nervous. But every time I went back to 19 Deacon Street, I wondered who was more nervous, him or me. And all the time I'm dogging Florence, I'm still sneaking in calls to that phone number I found in the closet at Briargate 1273. And I'm still getting busy signals. And then one night, as I'm listening to the busy signal, I get mad. Hey, operator! Operator! This is the operator, sir. Well, what's going on around here? For three days and nights I've been dialing this number and all I've gotten is a busy signal. I'll connect you with my supervisor. Well, what good's that gonna do? Look, is there any way of finding out who this number belongs to? Surely, sir. Unless it's an unlisted number, I can get that information by dialing 2080. You mean that I can find out who's at the other end of this phone by dialing that number? There's nothing like that back home. Yes, sir. Chicago has that service. Oh, and I spent three days listening to a busy signal. Say, lady, where can I dial for brains? So I dialed 2080. And that's how I found the place. It's a little rundown spaghetti joint named Joe's. Over in the corner I see the telephone has been giving me the busy signal and no wonder. It's a public phone booth. And now, right now, one guy is in it and two others are waiting for it. I like to go over and climb on a stool. What can I get for you? Say, you, Joe? Yeah, what can I get for you? How long you had this place, Joe? Fourteen and nearly fifteen years away. You've seen a lot of people come and go, huh? Yeah, shoes plenty. What can I get for you, huh? You got a memory for faces? Look, you see I'm busy. Mister, I got no time for games. You want something or you don't want something? Yeah, Joe, take a look at this picture. Shoes. Yeah, so what? You're recognizing, huh? Yeah, she's been in here a long, long time ago. What's her name, Joe? I can't remember her name. She was a show girl, I think. Claire something. Hey, what? Wasn't it Laverne, Joe? Yeah, yeah, that's all right. Laverne Claire. She's always coming with the big shot. The big shot? Well, he wasn't a so big a shot then, but he was a goner, places. And then she gilded him or went off with some other guy. I remember very good, because he used to come in here after that and sit here alone all the time. Break him up pretty bad. Hey, Ann, who is this big shot? You remember that, Joe? Oh, sure, sure. The bigger producer, Jasper Florence. Now, what can I get for you, huh? Jasper Florence, the poor guy. Here I've been hounding him for that theater and he's holding out because it'd break his heart to let it go. He won't rent because he's a chunk of his life. A bad chunk is in that theater. Well, that's what a damn can do to you. But what a mean damn she must be. Well, anyway, I begin to feel better. First thing, tomorrow I'd go out and find another place to do business and start selling ties. But when I go home, I was in for another surprise. On my door was a note from the landlady. Jasper Florence called. He's changed his mind about the theater and will meet you there at eight o'clock. Well, figure that one. I looked at my watch and it was five after eight already. I get to the theater about 20 past. Nobody's there. I wait around for a few minutes and then I look down at the front door. The padlock I saw on it the other day is gone. So I give the door a little push. Swing's open. Now, it's just like any other theater lobby, white tile, brass rails, cobwebs, all over everything, of course. So I go on down into the house and there in the center of the stage is that one big work like the cop told me that they've been keeping all these years. But I quit, duck, that Florence must be, to keep electricity going for 10 years. And in the center of the stage is a big organ. And the light behind it sends screwy shadows up against the wall. I walk down the long aisle and then up the stairs onto the stage. As I walked across it, I could hear my footsteps echo. I never could resist listening to a echo, so I yelled up, hello! I'm acting like a kid whistling in the dark. Look, Maury, you're all alone here. There's nothing to be afraid of. Well, then I see the organ, so I walk over to that and I run my hands across the keys. I quit that in a hurry. And as I wipe the dust off my fingers, I look up into the flies. I look and I see sandbags hanging and must weigh 150 pounds. I'm just taking a gander around the stage when I see somebody move. I was sure of it, just offstage. A guy moved in the darkness. Don't ask me why, but I started to walk toward him very quietly. Yeah, he was there, I could see now. Come out of there, you! He didn't move. So I walked over closer and I... Oh, it was a dressing room. And the guy I saw reflected was... was Maury Swartz! That's right, me! Maury Swartz reflected in the dressing room... dressing room table mirror. Well, just then I... I sent a door to another dressing room across the hall. The door was closed, but something about it made me stare. It was the number on the door. Number nine. I remember the key I picked up in Laverne's room and a flash I had it out of my pocket and I was trying it at the door. Number nine, the tag said, and it worked. My knees were shaking and sweat was rolling down my face. I opened the door as wide as I could, and I stepped in. And then I stepped on something. It was dark. I couldn't figure what it was, so I lit a match. And there were the white bones of a skeleton. And beside them, long golden strands of hair. And then I knew my heart was beating a mile a minute and I stowed back to the stage. I got there and started for the footlights when suddenly I looked up. The master curtain was crashing down on me. I jumped back! Florence, where are you? You can't see me, Swartz, but I can see you. I'm up here in the fly gallery in the shadows. But you're well-lighted by the work life. There's a very good target down there. I will do that, Swartz. If you make one move to put out that lighter to get away, I'll cut these counterweights and you'll be smashed to nothing. You... you killed Laverne, didn't you, Florence? You killed her and then you closed your theater and you locked it up so she'd never be found. No one knew you wouldn't rent. And what are you going to do about it, Mrs. Swartz? You don't have much of a chance, do you? There's no way off that stage, is there? Well, I... I can get out the wings, Florence. I'll walk, my friend. Before you make it, I'll drop these sandbags on you. Oh, yeah. Well, maybe in a minute or two. I'll make a dash. Maybe I'll be faster than you will. And then what, Florence? Then you'll fry for killing that girl. She had it coming and so have you, my friend, for being a meddler. And you're going to get it. I'm cutting the weights loose now. No, Florence! Will you please? That's a long way to fall. And then off a way to die. Even for you, Florence. Well, there's a story. If you don't believe it, there's nothing I can do. Florence was leaning over, cutting those ropes in the guardrail of that old theater giveaway. And it was curtains for him. Well, I hope I entertain you. Oh, and by the way, if you happen to need any ties, you know, I got a nice new line in. I hope you won't think it's sacrilegious, but these ties, you see, they come in all colors. And they got a girl's picture on them. It's a cute idea, huh? I call it the Laverne Tie. So don't forget, well, look me up. I got a little stand in Rosenblatt's department store. You can't miss it. It's right in the bargain basement. Roma Wines have brought you Lloyd Nolan, a star of 19 Dickens Street. Tonight's study in Suspense. This is Truman Bradley for Roma Wines, the sponsor of Suspense. Welcoming guests with Roma, California Sherry is becoming an American custom, says famed hostess Elsa Maxwell. Glorious golden amber Roma Sherry served cool is a delicious appetizer before the meal. The perfect first call for dinner. Delightful later in the evening, too. Roma Sherry is a happy mellow wine with natural fragrance, cream rich with natural grape sugar sweetness, and nut-like taste. If you prefer a real dry Sherry, get Roma pale dry Sherry. Like all Roma California wines, Roma Sherry's are true wines, always unvaryingly good. You can now enjoy the taste luxury of Roma wines at the lowest prices in years, at savings as much as one-fourth. Grown from choicest grapes, unhurriedly perfected by age-old skill, bottled at Roma wineries in California's choicest vineyards. Get your favorite Roma wines now for holiday entertaining. If you insist on Roma wines, Roma wines offer you so much for so little. That's Roma, R-O-M-A, Roma wines. Lloyd Nolan appeared through the courtesy of 20th Century Fox Film Corporation and can now be seen in their production The House on 92nd Street. Next Thursday, Roma wines bring you Miss Nancy Kelly in Suspense, Radio's Outstanding Theatre of Thrills. Presented by Roma wines, R-O-M-A made in California for enjoyment throughout the world. This is CBS, the Columbia Broadcasting System.