 Honestly, this movie, I think every single person on it said it was the favorite movie they ever worked on individually and together and it's a bunch of bad naughty people. So everybody was always getting everybody else in the shit, you know And it was just a great set to be a part of. And then we had Alana as a backdrop That's when we weren't working. We had Alana to explore. Yeah, you know, so it was cool. Robin, the Pico Rivera, it's a pretty cool scene, you know We got to have the cool ski masks and all that and being in full gear and everything. For me, the final shoot out with Girard, you know, the last gunfight scene between he and I was a tough scene to shoot physically, just a lot of action, a lot of running, jumping over fences and running through trash places was not the best. That was our infamous corridor scene. We trained a lot for that scene. All movies about that scene. All of the build-up and all the training was for that corridor scene where we kind of moved tactically. We spent so much time learning this like military move where we would peel out a center peel, it's called. That was eight days of pure action, you know, where we fired us at something like 350,000 rounds of bullets, you know, between all of us. It will be one of the biggest shootouts in film history. What's great is as we've talked about how much you climb into these characters and the truth and the complexity so you're with them and any action sequence is ten times more interesting when you've really been living their lives and this is that showdown and it's coming together. What I love as well as with the audience is they're kind of with the good guys and they're with the bad guys because you love the bad guys and you understand them and there's a lot about the good guys you don't love but you understand them all so you're with them through this chase and it does feel really like an end to an epic saga. We go through the cars and kind of get out. It looks good, it sounds good, so it had to work as a unit and we spent all this time training for it and then we got there on the day to shoot it and none of the guns worked. All the guns jammed and so we spent the day that we were shooting the corridor scene pretending to shoot rather than actually shooting, which is a little anticlimactic. You know, we got through it. Oh, none at all. That was the cool part. I definitely was excited for most of the months shooting waiting for the driving scene and then they said, Shay, you're going to be on the flatbed of this truck in the Mustang with Pablo throwing your body around. 25, 30 miles an hour? Yeah, no, left. Just throwing our bodies around. So I mean it was a cool bonding experience with my man Pablo. Obviously we don't have real bullets in the guns. That's kind of the difference between that. Real life and fake movie set, but it is very loud and it feels visceral like it does in the movie when you have all the sounds there. All I could think of when we were shooting that scene was what happens to all those people in the cars? Oh my God, poor people. Poor people. Yeah, shouldn't have went that route for work. Shouldn't have driven that way. That's all. I've had that quite a few times at the gun jam. Always. While we actually, we just go on and they gave me some, some, some limits. You had a couple of limits. Requires a little bit more performance. Yeah, there would be times you would see him going, and you need nothing to happen. You go, okay, he's had a gun jam again. And he's like this, oh yeah, I'm going to keep going, I'm going to keep going. I'm going to shake my gun a little bit more. Oh no, no, no, those are all real tattoos. Yeah, what do you get? Every one of them. You want to see? You sweat and the seals start coming off and we had a great hair and makeup team and they definitely got their fair share of drama as well with the tattoo. They got to work out.