 All right, let's check this out here She's so pretty cool. I love all this. All right, and I saw This is the model. It's gonna be awesome and This is all based on This kind of reference there Side view very cool. I Like all this so my comments would be And this depends how long you want to linger in that pose anything like this I would Bring out that arm a little bit to have room to twist that hand so that the sword is flatter to camera basically More like this Gotta be careful when you are in transitional poses or Breakdowns or anything even the hell poses where The sword is flat like this to camera. It just kind of kills The heft of it. It makes it also very small. So this is the starting pose I'd be careful about that. I think throughout It's not too bad. Like that's all Nice you could probably go a bit lower there And then throughout like things like these I would roll it out so you can see just a bit more. So it's just not so flat. This is all Working on like passing poses like this again. I would lower it. It gives it also a bit weight I can always kind of is lower than something like this. It makes it feel a bit too light Careful about that That's just for this I think the action is cool. I love that he has this at the beginning where he goes That's cool This one. I think we can Broadcast a bit Clear this was a bit of a I'm charging this and only at the end. I'm moving my shield So I think when you go like this, it would be cool to Almost bring that shield in wider rotate so it covers the face, you know, even on something like this you almost end up Kind of gravity towards a face. So you wish there was a face and imagine if he starts going forward Or it and the and the shield widens rotate it so that it's only it's a big shape change and color change We're really focusing now on that shield and then as it goes forward Then you get into what you have here and then we really follow What you did there it might also be interesting to go Instead of this, what is it doing like he's going back there? So maybe this Has the shield all the way back there with a more twisted Back to the camera head here Sort out here just kind of pushing Some of the turns you might have to twist over and rotate over the feet there until I go twisty there But something where we don't have too many too many overlapping shapes You got a head you got the sword behind it. You got the shield behind it And if we could Overswing a bit more and then bring that shield down back there into that Might be cleaner even then the shield could be a bit lower so that we just have The cleanest silhouette even if it's slightly over the heads Will help Because even this slash you can imagine could just be like this So that the beginning the sword could even be this high, you know the arm Could be higher into something like this And then you go So you would have splined out one here there There there type of stuff So I would think in terms of arcs and sometimes cleaner silhouettes like that's nice And then you rest there, which I don't mind going into that And this one Could also have something where it's like almost a swing And then straight in and maybe it could be a cool moment of And the arm goes From this into like a A in middle pose You know like a sub pose type of thing where we're we're swinging To draw attention to the sword again into that pose and in that way it's a broader Stap versus a Swing that we're not quite finishing this almost feels a bit too stifled where like wait, are we the swing shouldn't it be lower? And then it's this with a tangent there But with a tangent there it gets a bit uncomfortable shape-wise and then It's not really a swing like what is he doing? Why is he not swinging? Oh, it's a stab So that's why I feel like could be interesting to be a bit of a Almost like a flourish notes to draw attention to this Hold it there put in like a full on stab That's cool. The only concern I have with this is again overlapping shapes. You got leg. We got arm. We got sword And it's could be just what if it also really broken wrist. You're gonna have to Rotate that wrist back curl the fingers a bit just give this a bit of a more comfortable feel to it I mean, you know who's to say you can always push that block further away So you don't have to change too much animation wise just kind of move that forward and move then the sword a bit more forward So you could do something where the stab could be If you keep something like this, maybe the stab is not here, but you go from this to this to this With somehow it's just lower and by it being lower you can also hold on just take those drawings out imagine. It's lower your Your line of action is going to be also more like this. You have a you have a more dynamic Forward line versus this that's almost straight So that could help you And reason why I'm saying is that if this is lower body is lower Then you have a bigger contrast going from low to High right bigger contrast to bring all this up and You avoid this. I don't it gets a bit tricky with Well, if that sword is this low, I don't have to reach lower. How am I going to bring that that foot higher? I'm just trying to separate these that's why I was thinking well What if the sword is lower and that way we can see more of the foot? So maybe not maybe you're gonna have to put the Sort higher so then we have a cleaner separation between the leg and the arm or It could be Someone in between lower, but then maybe the it's it's the other leg. You can't because your leg is back there That one's tricky. I mean could be Foot up here crossing over Into this That could also be something Gets better here. I'm just trying to separate this was here really really losing the silhouette That's all cool though Push off Again, it might be That's really broken there with the wrist to watch out once you get into that but maybe you can do an interesting Swingy Another nice clean arc because it's almost like a bit slightly more control. I do like a little flourish With that at the end so then the sword is high up here Then it can go almost like one more little Flourish down there back into action like he's so confident that Into this Go be the end pose The rest works. I would just not have to handle here where his butt is That's because it's a tangent right there. So you can bring that arm further out set the handle Whatever that's called the guard or whatever that's called it is further away from his Buttocks and then we have that and maybe even separating the shield I do like that. It comes out there. All I would do is change the color between the background and the sword So maybe the sword could be slightly brighter I wouldn't brighten up the background because he has a nice silhouette. So maybe in a slightly different color From the sword and the brighter like a glowy all white. Maybe something like that But that's kind of that I think broader terms Again, the actions are cool like the little details Strong poses especially this at the beginning is neat going into Basically that idea of I'm starting and now let's go incorporating those kind of flourishes every now and then Which potentially might be too like character E And less straightforward mechanics. That's totally up to you. Just wanted to throw it out there and Yeah, as you do Keep this in mind in terms of the silhouettes. You're gonna have big shoulder pads. You have a crown How that's gonna work out unless you take it off and it's more like this Maybe not like that. You know, just think about how the end silhouettes going to be if he has this big cape Whoa, I just hit full screen if that big, um, you know not cape but kind of around The legs if that's going to be there how that is going to affect the silhouette So if you do something like this Can you do that will that thing be able to stretch? As far it's going to cover all of this what else is there in terms of silhouette and so on so just As you make those uh notes as you apply those notes Whatever you want to or whichever notes you want to apply to look up to you just think of what is the final character design And um, how is that going to potentially change or force you to change some of those poses? All right. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you