 Hey everyone, this is Kenny and today I will like to dial in some Soundgarden-ish tone using the Blackstar Silverline and I'm using the Architect software to dive in super deep into tone shaping world. So his sound, he was using a lot of the neck pickup, at least the songs that I like. Neck pickup on his humbucker guitar and neck pickup humbucker, a lot of muni guitars you think, oh it's too boomy, but no, if you listen back it's actually, you can really still hear the clarity, the tightness and no separation nicely, so you have to really get that sound dialed in properly or else it gets too much. The key point is to have not a lot of gain. So what I have it is, I've said the voice as super crunch, but I have to gain down to like 1.7, so it's not a lot of gain and it sounds like this. You can hear the gain, not as gainy, still hear the notes, the strings, it's okay to still mute it, even on the neck pickup. So super crunch, gain at like 1-ish and I have it scooped a little bit, I have bass and treble around 7.5-ish and I have the mid, a little under the middle, on the middle and then the 6L6 voice. The tube preamp emulation really allows you to set the amount of compression. To me I really like the 6L6 a lot because it's just like in between, right in the middle and just getting the right amount of juicy mid-range in there and I have the ISF all the way to the American side, the very left, so it's a little bit more of a scooped, even more scooped sound. Nice and sizzly and nicely scooped. And also I have created a fast chorus to emulate a little bit over that Leslie-ish tone, so I am going to kick in all the effects, a little bit of room reverb, a little bit of analog delay and then the chorus. I have the mix set at 8.4 pretty high and the depth and speed cranked and so I'm kind of emulating a Leslie speaker. I'm going to have the volume on my guitar at around 8, 7-ish so it's still nice and clean. A lot of bit of that hair, even at the super crunch sound. So I love that fast chorus to get that nice Leslie-ish sound. Then you could always go back to. So the key is to lower the gain and then have the voice at more of the higher gain setting. So you're kind of like counterbalancing the amount of gain.