 Good morning. First of all, I would like to thank CBI. I think since John Quiddlen has come in as the Director General, he has been a huge champion of the creative industries. The creative industries represent roughly about 6.4 per cent of the GVA. It is probably one of the very few sectors of the economy that are growing in real terms, and the CBI have been working with us and with other parts of the industry to see what other initiatives Mae'r cyfnod yn ddweud bod ymgyrch yn credu, ac yn ymgyrch yn ddweud i'r ddweud i'r ddweud i'r ddweud. Mae'n rhaid o'r pwyntiol, o'r ffilm, o'r rhaglen, a'r ffilm o'r 20 o'r 20 o'r bwmp. Mae'n gweithio i'r ffilm o'r Colwn. Mae'n gweithio i'r Cymyn Colwn 1 o'r clas. Mae'n gweithio i'r Cymyn Colwn 1 o'r agenda. Mae'n gweithio i'r Llywodraeth i'r Hallow, Colwn 2. Mae'r llyfnod o gyda ni wedi'i'r cwladio Colen. Yn amser o'r ffilm yw Jane Eyre, am y ddwylo ddynch a ddweudio'r ddweudio. Mae'r teimlo'r TV yw ychydig yn ddweudio. Mae'r ddweudio'r ddweudio yn mynd i gyrsbyd. Mae'r un Eyre, ond wedi'r cyfnod o'r cyfnod o'r cyfnod o 300 ymlaen, o'r cyfnod ymlaen o'r cyfnod. ond i'w gweld, y medoi pethau wedi'u rheswch yn gallu'r ffilm, y telefisio, ac yna weld yn ymwysig o'r industry ymgyrchu'r SNF. Felly, ond ydych chi'n cerddurau, ymwybodol, ac ymddangosion ac ymdweithiau? Felly, yma chi'n gweld y gwaith o'r ddweud o'r ddaf yn y Ffraserau Llywodraeth Cymru i'n ei ddefnyddio i'r ddweud o'r ddweud o'r ddweud o'r ddweudio ymddangos ymddangos ymddangos Ychydigwyd y Brithwyr, ac yn y ddau'r document ydynt oedd yna'r gwleidio 5,000 gwleidio arlyfodol. Rwy'n dweud i'r cyfnod ystafell. Rydyn ni'n rhan oedd ymlaen am y cyfle. Rwy'n dweud i'r cyfle. Rwy'n dweud i'r cyfle, oherwydd yn ysgrifennu, ychydigwyd, yw'r sefydliadau, yw'r cyfle, yw'r plasterau, yw'r cyffredinol, a'r cyffredinol. Gwyddoch chi i gael y byddwn i'n meddwl am y cyfnodol a'r hyn yn ddechrau sy'n sicrhau bod i'n meddwl yma sy'n bwysig i fyddio gwahanol. Mae angen i'n gynnwyd a'ch ei wnewch yn gweithio a'r honno i bod wedi'u hynny o'ch gweithio ar gyfer cyfwilio gweithio gweithio gweithio. Felly gallwn eu ddweud yng nghymru fod yn gwell yn gallu gwbl yn gwneud o'r ffilm cyfeirio, faint o'n ffliwg ddweudio. Rwy'n gweithddio gwbl yn cyfwilio ddull Naf, ac mae gennyn nhw'n gweithio'r un oherwydd. Rym ni'n gweithio'r un gan neud, ac mae'n gweithio'r亮io'r lyfr yn y drapes. Byddai'n ddirngwys arno am gyflwyffyr a'r bwysig a'r gwlu'r blaen iawn. Dyna nhw'n mynd i gyd i ddech chi'n dysgu yn Garrych Gwyrddonol Llywodraeth, i Llein Siwyr, methu gyfeylch. Mae'n mynd i rhaid i ddenganddio y canglwyr sydd oesod. Mae'n dweud yn rwy'n gofio o wneud. Mae'n cyfrifio. Yn oeddiwr i fynd, Mae'n ffrwng i'r lleol yma ar y gallwch, mae'r dweud i'ch gaelio'r DCS ac mae'n dweud i'ch gaelio'r Lhawr, ac mae'n gweithio'r llunig gan'n gwasanaeth ar ei bryd, ac mae'n dweud i'ch gaelio'r rhaeg yn gronddwy. Ond oia'n ei hyn yw Pymysgwrdd angen, mae'r mynd ymgyrch yn ymweld ar gyfer 100 miliódiad, mae'n byw'n mwyaf 190 rydych chi'n tryn mewn ar-3 studiadai. Gwyddo wnaeth eich beir ymgyrch, ond mae ymweld a'u flynydd. Mae gennym ni'n hyn ar-1, ac mae nhw'n gwziriaeth i ddwy i'r rheim dangersiaeth ar gyfer Pymysgwrdd. Mae'r amser i'r cyfrannu cyfrannu hynny? Mae'n meddwl y gallwn fel amlwg, mae'n fod yn gofyn i'r helpu hynod. Felly, we set up at the primary group apprenticeship scheme, and effectively what we did was allow our name to be attached to the brand of apprenticeships, so working with the companies on the lot, we have been working with them to identify what their needs are, and we've actually handled a lot of the administration on their behalf. So, for example, today we've got, I think, at the moment, about 14 apprentices, ranging from sound maintenance, sound electrician, business administration, gardening, and working with a variety of strategic partners, and I think that, to us, that was the real help, finding the right partner for the right course. We've had tremendous support from Amersham and Wiccan College, which has effectively, I treat as an extension of HR. I picked the phone up to them, and they actually sought things out for us. We have a very close working relationship, they're geographically nearby, and they've been very, very helpful with us. Also working, again, because we're in Buckinshire, Bucks University, Pearson's, we've just started an initiative with looking at one of their courses to adapt a facilities course to design for a studio management course, because Pinewood is being asked to run other studios overseas, and we're looking for studio managers. And also with the national film and television school. So that's really what we're doing at the moment, but our real challenge is tomorrow. We are subject to the government looking at a planning application we have, which is going before them shortly. We are looking to set up and build the first living and working community for the creative industries, and this is where we're going to be building real streets from Venice, Amsterdam, New York, San Francisco, Prague, Berlin, Paris, and you're going to live there as well. We'll be using these for films, for budget film, television, for the advertised industry. But the challenge that we want to throw down, and we have thrown down to government, is if we get permission for this, we're talking about 10,000 construction jobs over the course of the build, and what we are very keen to do, and we're already talking to some welfare to work providers, tomorrow's people being one of them, is how we can get people of benefits, particularly in the local community, Ux, Britain, and Slough, into training initiatives for people. We're talking about the construction, but then, and this is the very clever bit, if I say so myself, we are establishing the first in Europe a screen at Craft Academy. This will be built within Project Pinewood. It will be for 120 students, you'll be able to live there, it will be for 20 foundation courses in the craft skills, and by craft skills I mean plastering, carpentry, whip making, model making. The word of skills, time bomb, is a very hackneyed phrase, but if you look for those who've been down to Pinewood, you'll know the demographics of those who are working on the sets. It's white, middle aged, male. Despite all the initiatives of film councillors and others, there is zero diversity, not 1% but zero. So it is important that we address this. Now we as Pinewood, we don't actually employ the plaster and carpentries of freelance, so it's another challenge for us. But we decided that if we didn't have these craft skills in order to facilitate these major productions such as Pirates, the Caribbean, X-Men, which are actually British in terms of being made in this country, they're not done in Hollywood, they're done in this country. So we saw a business need, we predict a skills time bomb, and so we are building this academy. We've been run by the National Film and Television School and in conjunction with skill set and skill set are working with us very closely at the moment on another academy at the moment, which we'll decant into this. But I think that having had a rather difficult experience on looking at the friendships in the creative industries, what it did allow us to learn and we learnt very quickly was to find the right kind of partner. And those that we have found have been of a great help for us because whilst we're talking about big business here today, we're actually probably a medium sized business, let's say we've had a capitalisation of 100 million, we have a HR department of two people, so to have this strategic partnership that makes our life a lot easier. But there's some exciting opportunities ahead and we're certainly determined to, if for no other reason, it will affect our bottom line. So that's another one for us to do.