 I think my real love was always Mozart and the classics. I have grown up with Mozart and Beethoven right from when I was a child. With everybody including some of the older ones, 16 children here. I never felt I had fulfilled my potential as a teacher in Shalom. I found myself being very frustrated trying to teach people who were always busy. They were able to come for a season. Maybe they'll come for a month or two. Then after that they would have to go back to work or they had school again. So it was very difficult to train them. So I decided that I'm going to take a risk and start my own sort of home education for those who are willing. Where I would teach them music as well as their regular studies. And for the first time now I've got a group of a strong group of about 16. Very very good standard choir. And hopefully that will then enable us to tour. I want to give recitals even on my own as a pianist. And I definitely want to write more operas. Boys and girls, we've got two days left for the concert. Which means you don't go into the hall like this because it's so shy. And that sort of, you know, dejected, I'm sorry, I'm from the northeast of India. You are the Shalom Chamber Choir. And God has given you a gift. And you all worked hard. Let's see if you can walk the way I'm saying. And don't be self-conscious. I say, now ladies and gentlemen, the Shalom Chamber Choir. So I want Jessica to walk and then imagine that the audience is there. So you're going to walk, okay? And then you're not going to give them a long face as if somebody just died in your house. You're going to walk in there and then you're going to smile. And then when your other member joins you, you'll smile at one another. Okay, try. Yes, that's it. And you start smiling. Yeah, it's a bit like a fashion show anyway, okay? Actually, that's, I think that'll help, yeah? Okay, that's it. And then you stand there and then I say, now, how should I go? Okay? And then you just face the audience outside as if you're facing the audience. Imagine there's an audience there and then you look at Archana as if she does exist. And then, yeah, you smile a bit and you look back there. And then you go and then you stand a bit more of a circle, more like this. Like that, yeah. So you look at one another and there's a newcomer there and then you stand there. And please look at the audience. I told you today also you're singing to the window. Now, I've taught Ibar, what did I say? If you sing in front of one person, should it be different? The same as you sing for a thousand people. Yeah, you have to sing with the same passion. And then I start playing the piano, let's say, and then you look at me and you don't look at one another. One, two, three.