 Alrighty, so let's get this going here. You mentioned that you work on the first 200 frames addressing the notes for hands feet and the step over so that is section till here and then You still working on the hands from 150 to 190 Yep, I can see that. All right, and I worked on the hands on 200 until the end here Actually just looking at this before I guess I miss it later at this bit of a pop in this area here Right there. It's a bit of a jiggle Right there in your spacing. So watch out there. And it still has been a feel of Opening all the fingers at the same time. I will probably give the pinky and the The ring finger a bit of a delay and bring that thumb in maybe a bit lower So it's a bit in a bit more relaxed state as it gets out You can see it and then it goes into a bit of a wider Post the way you have here. They can bring up the thumb and that way it gets a bit of a contrasty shape during a good silhouette Get some good contact here It's maybe a bit soft. It's meaning there's a bit of The slide is maybe too much I will probably rest and then give this super minimal slide and then as he goes forward and pushes Pass and there's more pressure and he moves forward then the hand could continue to slide Where it's kind of like a roll off that edge the way you have it That's cool. Okay, this here you might go a bit far here Just I think it's a bit pushed where your fingers are kind of really bending upwards And I think that is a bit strong there Because it's not like he is Resting and pushing his animal is just kind of resting in and taking me the way and now it feels almost like he is really Pushing and then taking it off. I don't I don't feel like there will be that much pressure on it It's kind of you know gently putting his hand on there to go forward And then it's fine on the other hand Same thing again, you might still lay the pinky and ring a bit more kind of start with the ring and index Could be subtle, you know, it doesn't have to be crazy But I do like how the rest drops into this here good offset and a good nice pose at the end Do a simpler shape there. So that's cool. I like all that Looking at this here, so you are mentioning that you meant you worked on the hands I still feel like this is a bit soft just that area So as it comes in here She let me do this here give this just a bit of That's all cool I Am slightly worried about just that look of this should have mentioned before but I'll probably bring in The angle of the thumb to something like that. So meaning that it's going to be slightly hidden Until it kind of come forward here, but it just has this light feeling of it's kind of your hand It's kind of curved this way, but then the thumb is really straight up and I know it's resting on the door like this There's just this weird 90-degree angle on that hand now. So if I could pick he Probably take that down just a tad and I think you could tone down the amount of movements Just a little bit on all of them and then just them a bit more on On the pinky and the ring right now It feels like you're doing like a very exaggerated Grab and if you just reduce that a bit and keep it mostly in just these two fingers kind of It kind of does that so you have a bit more here Maybe a bit more of an extension a bit more movement through here But then these two the ring and a pinky just kind of go with it to kind of grab Just so it doesn't feel like this big fanning out movements All the fingers That's all cool how it comes off That's all cool here, then you're working on that Now the one that pushes against the door. Yeah, there's something through here where I Feel like all fingers are moving at the same time and there's not not really a Three through here a connection Where it feels like he's going around and then you feel that push and then getting a bit of that in there You can feel the flatness on the fingers with the push Get out that the door is super heavy but a little bit and then no sliding from the fingers on the door So you feel that nice pushing another connection point is solid and then at the end It might be a bit of a spreading because you're closing the door shut and then comes off And changes the hand pose and I feel like that is not quite reading All of this here the contact just feels pretty soft oops there now body wise Well hesitation in the head there Yeah Cool stuff there in the feet. I remember there's some pivot point stuff I think you could still push or something about as this foot comes down here You can see how that's the angle of the leg, but then the foot is straight down So at this point I would have the foot angled this way It might be too much, but just as an idea and then it pivots off that side of the shoe And then as he goes on there rolls off so that the foot kind of Like the feet but the foot feels like it's always flat and then coming down as opposed to a little bit like this coming on the edge and then rolling Then as you go over here See I can scrub through here and I don't feel like it's kind of rolling pivoting off this side of the of the shoe Just that contact feels a bit too locked where it's like an IK foot nothing's moving and the rest of the leg is moving Picky-picky, but I think that would be something cool to put in I'm sure how close you get it seems like you're intersecting watch out on this foot the door Not too bad. You're starting to pivot there early. That's cool. That's cool there Uh, let me whoa Oh Not zoom in That much but bring it up. Let's see the feet It's cool You'll probably I know that rake has it then again. It's not like he's Barefoot it is a shoe. I see a Toes finger toe shoes. He's just going to say as he puts his foot down Give it a spreading in the toes, but that would look weird But maybe we have a bit of a squish on the shoe for super subtle stuff, but In terms of Rotations and pivots Not too bad. I still feel as you do something like this. There's a lot of movement I don't have to rig supports it But if you have anything through here in the end, they're just the ankle part Kind of rotate over and you can feel that that squishiness as the foot You know as the whole leg goes like this So you want to feel something in this in this area like that's the ankle You'll feel a little bit of movement how it follows the shin to kind of some compression and then the shoe rolls off over Picky thing and it's in there. I would just push it a bit more But in general the steps are cool It's all cool The side step just a bit much how far back you go this way with the root root here right there That little drift probably cut that in half the rest Yeah, it's just a bit a bit much. She goes over and then kind of drifts Rip to the left So go over here and then just kind of hold a bit and go a little bit to the left for keep alive But that's about it This is cool Not sure if you did anything on the face. I'm going to wait with some more notes I mentioned I don't think you've done that just yet. You know the eyebrows and stuff is all very very locked Much in there I turned some cool here though. I think that was a lot better. So yeah, so picky picky picky things and feet Um, but that is about it as always if you have any questions, let me know and email me If you need clarification on things. All right. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you