 All right, here's a new one. No sound. Nice. The email says the sword's falling down isn't done yet. Please regard which is funny. I remember looking at a shot last week, I think. I had this as well. All right. First impression was that this felt weird as much as I like it. There was a big, I guess, such a big turn that then stopped and then it's like a weird pivot going backwards, but then we're not going backwards. There's something going forward, forward, forward, and instead of falling, we're stopping the hover and then going forward this way. I'm not quite buying the physics of this. I know it's exaggerated, but still it still has to have a little bit more of a little bit of something in there in terms of reality. And then there's something that felt odd about that cut. You're doing, let me see. It's probably just fine, but it felt weird. Do you have a right? Also, he anticipates that. Watch out. Oh, smush his face here and then over one frame go back. Left, and watch out. Yeah, not final yet, but watch out in the sections and stuff. And then right one. Well, that's correct though. I mean, she finishes that swing and then goes for the in the face. I think cutting wise, I would have, it's just something where I'm not quite reading this. And maybe it's because like this kind of covers her feels like it goes straight back into this. And then we just have a couple of frames of this going back into this. I don't feel like we're connecting enough with this. Yeah, I think it's so fast and kind of the same height, both arms. I don't know why for me this registered the same as if it was this, this arm. And then suddenly cut to like a different action into this. And I think you can easily shave a couple of frames. So once we're here, the next frame will be here. Cut that out a little bit. And maybe it's something where you do a punch, punch, and then this one could be like this guy could be something where you do punch this way, right flat punch, maybe less like this, but maybe a punch in his stomach and it's more like a back. And then as he's down here, the other arm comes in more in a big arm is already here, here. Boom. And then it downwards. Get bigger arc and then potentially on this frame, keep that actually here to three frames, finishing that move something so that we connect this a bit more. So A having a bit more contrast in these actions, so just not so repetitive and then connecting these two a bit more and then cutting out a couple frames over the beginning here from the mechanics thing. It's a bit stiff. How the body goes up and down and how the head and the arms react to it. You can lose that up a little bit. I feel like there's some stutter or something going on right there. You can see this other route goes forward, stops a bit and then pops forward a bit stops again. Little pop there. So watch out what your translate is doing. Same thing on her right there. There's like one frame pop in there. And then after that, it feels like we have a run, run, run, run stop. And then that feels just a bit like she's contemplating things versus, oh, I have to stop and wait. So the couple things is that she has so much speed coming in. And then the stopping is here where this leg is almost behind her. And she's leaning forward and then goes back. I'm not complying the physics of this where we are already over this and then how she can return like to me would also be a bit more dynamic to go here where that foot is out like this and even almost sideways a little bit to get into like a nice little line like that. And she could even have one arm still there getting ready and then gets into another pose to get into this. What is she buck? She's blocking like this. She could even bring her foot back and maybe change that pose a little bit. It's very destructive here as you know, but imagine that's again further forward. So here she could be here. And then as she goes back, you know, then she could pull maybe her leg back into this. This will be cool with some sparks. And then I'm not quite buying this here right. So she goes cha cha cha cha cha cha. And then it's it's like a minimal amount of a minimal minimal is the amount of anticipation going back where we barely see things in terms of her face and silhouette. And then suddenly goes forward into this. And I don't know if it's that that's mostly a slide because I see this here. It's not the camera. So it would be something where I would you know, I could be something where it goes clink clink clink clink clink but then she brings that one arm back. One arm is still covering her and you know, good sparks. And then that's that big telegraphing anticipation to then go into this. And then the rest ending is fine. It just take those kind of moments. She just feels a bit more underwhelming in terms of just opposing and the force like that's cool. Like I love that. Like that's a great frame. And even at the end she could go and have a bit of a raise of her arms and then bring them back down. I like the last little take that type of thing. And then the post could be either you know, she's leaning away from the action like I'm done with you or leaning a bit more into this and going come on what more but this is a bit default mirrored. So I think that last post could also kind of reflect her state of mind just a bit more if that makes sense. Alrighty, that's mostly that little cleanup here and there. Mostly that that I'm not quite buying you there in real time. It feels cool. It's just a bit it's just a bit wonky in terms of the momentum and the physics and the turns and all that stuff. It gets a bit magical video gamey where you have an action then combo and something else gets activated. And then I would also offset these arms here on that. She's out of control. He's a bit more of a flailing type of arm move into that. I mean he could he could after that already drop this and only have one held up and land. Just a thought. But that's it. All right. Thanks. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right. Thank you.