 So we're out at our hem at skate park right now and there's the perfect little ledge for me to practice backsmiths and I got my tripod so that's what I'm gonna do. Try to get on a few backsmiths. Dan's here. Oh, you should have gone off the little kid gap. I'm gonna do some backsmiths, dude. How today you're not? I'm gonna do a compilation of me. I figured out how to backsmith. Oh really? Well, you need wax. I'm gonna get it. This is pretty wet already. Yes. Yeah. Yes. On that, right there. I'm gonna show you how not wet it is. It seems pretty wet to me. See how sticky that was? I was like, you're crazy. You're an inch in a way. It's like four years. This is my channel. Now. Dan's saying everything's sticky, but he's here just sliding like 10 feet. Oh, okay. That's incredible. Look at that. It's just going. It just does it for you. You're going downhill too. This kind of has that Redland skate park effect where it kind of goes down here. They're only around the drains. Oh, okay. Drain, hump up, drain, hump up, drain. Like it's the same pattern. So it's like. You don't get my train out here. Yeah. What are they? Is that where all the wax go? That's where you put all your wax. Oh, what? With the tuck knee and the safe hands, the special hands. I've been working on a style. You've been styling it out. Yeah, I've been like really into style. Oh, this guy, the most casual guy ever. See what you have on board for Dover, dude. I liked it. So we were both kind of struggling with this bumper rail. It's kind of kickery. First time I tried a 50-50 I locked in towside into that spooky loop out. Not a fan of this thing. If you're a skate park skater, you'd probably love it. Almost first day. Next try. A first gentleman. Any better. I'd say you're kind of comfortable with bumper rails. Yeah, because you just pop, wait, and then get on. Don't try to get on at the start. Get on like once you get up and over. Maybe I just have too much ADHD for him. Like I can't wait. I'm like, get on the rail now. Yeah, you have to pop like slow. It's on like a flat bar. Yeah. There was a gentleman here earlier playing music off a speaker. And he just shot me in the mouth. I didn't kick him out. Dan was pressed about it. So I decided to go say g'day to him and say, do you mind turning it down a tad? Guy was playing music. And he left. I was going to do it. Dan vibed him out. I was like dancing to it. And Sean didn't like the fact that I was dancing and not filming him. So Sean goes over to this guy. If he literally goes, you. It's kind of like a myth, dude. You know what? I've never gone out to someone and been like, wait, turn your music down. He was like, he was like, oh, you think that's a knife? The guy's like, what are you talking about? He's like, that's a knife. I'm in an undisclosed location right now. I rode my bike over here. And it's just walls upon walls and walls. Most of the walls are buffed. There is some toy stuff up everywhere that might have been here for a while. So yeah, anyway, I'm just looking for a spot to do some throwies. Maybe a quick, quick feel piece, maybe. All right, I'm just going to go for a nice straight letter right here. Try to make it look nice. Nothing crazy about pieces because I just would rather have a sketch. But this one doesn't seem like it looks too bad. If you get me, quick, basic kind of straight letter. Not too bad considering I never freestyle like this. I'm just going to do a black feel. We got a white outline and shadow. Got my hardcore white. I wish I had fat caps. Why didn't I grab any pink dots? I grabbed black and blue dots, obviously, because they're good for outlining pieces. But for bombing, you want something like fast and heavy. You can just get up really quickly. I got blue dots and gray dots and have this stock Montana whatever. That's similar. Why fat caps always, always why fat caps? You never know when you're going to need one. This cap is so dusty. Let's throw the shadow on a. I'm a droplet type of guy. Why it just makes sense to me. This piece, this piece of throwie, whatever, it might not actually be too bad. Once I get the outline on, I might switch caps. Honestly, I might put a blue dot on. This shit's way too dusty. Thing about using different brand paints is sometimes they react weird. I probably could have let this one dry a little longer before I chucked the outline on in the shadow, but whatever, I don't want to be here too long. It doesn't look too bad. It doesn't look half bad at all for like a little freestyle piece. I just feel like this letter combo just flows together so much better than my regular word. It's not too bad at all. Even for me to say that this isn't too bad of a piece for just a quick freestyle, like let's put something out. I feel like as a rider, I feel like as a graffiti rider and riding the same letters for like literally years and years, it kind of boxes you into thinking, oh, this letter has to be this way. This letter has to be this way because these are all common letters. I use a K, I use an E. I don't use L, B or an O, but it feels like when you're writing a different word, you have that kind of open-mindedness and you don't have to worry about like your piece looking like your piece. Like generally, if you would meet me and then know my history and graffiti, you wouldn't see me do a piece like this, because this is all new to me. Like I have like fresh eyes, fresh mind, the kind of thing, if that makes sense. But this looks pretty sick. It doesn't look bad at all, I don't reckon.