 Chapter 1 of Midnight by Octavis Roy Cohen. Taxi cab number 92381 skidded crazily on the icy pavement of Atlantic Avenue. Spike Walters, its driver, cursed roundly as he applied the brakes and with difficulty obtained control of the little closed car. Depressing the clutch pedal, he negotiated the frozen thoroughfare and parked his car in the lee of the enormous Union Station, which bolted forbiddingly in the December midnight. Atlantic Avenue was deserted. The lights at the main entrance of the Union Station glowed frigidly. Opposite, a single arc lamp on the corner of Cypress Street cast a white, cheerless light on the jellied pavement. The few stores along the Avenue were dark, with the exception of the warmly lighted White Star restaurant, directly opposite the Stygian spot where Spike's car was parked. The city was in the grip of the first cold wave of the year. For two days the rain had fallen, a nasty, drizzling rain which made the going soggy and caused people to greet one another with frowns. Late that afternoon the mercury had started a rapid downward journey. Fires were piled high in the furnaces. Automobile owners poured alcohol into their radiators. The streets were deserted early, and the citizens, for the most part, had retired shiveringly under mountains of blankets and down quilts, still redolent of mothballs. Winter had come with freezing blasts which swept around corners and chilled to the bone. The rain of two days became a driving sleet which formed a mirror of ice over the city. On the seat of his yellow taxi cab Spike Walters drew a heavy lap-robe more closely about his husky figure and shivered miserably. Fortunately the huge bulk of the station to his right protected him in a large measure from the shrieking wintry winds. Mechanically Spike kept his eyes focused upon the station entrance, half a block ahead. But no one was there. Nowhere was there a sign of life. Nowhere an indication of warmth or cheer or comfort. With fingers so numb that they were almost powerless to do the bidding of his mind, Spike drew forth his watch and glanced at it. Midnight. Spike replaced the watch, blew on his numb fingers in a futile effort to restore warmth, slipped his hands back into a pair of heavy, but on this night entirely inadequate, driving gloves, and gave himself over to a mental rebellion against the career of a professional taxi driver. Worse night I've ever known, he growled to himself, and he was not far wrong. Midnight. No train due until twelve twenty-five, and that an accommodation from some small town upstate. No taxi fare is on such a train as that. The northbound fast train, headed for New York, that was late too. Due at eleven fifty-five, Spike had seen a half frozen station master mark it up as being fifty minutes late. Perhaps a passenger to be picked up there, some sleepy, disgruntled, entirely unhappy person eager to attain the warmth and coziness of a big hotel. Yet Spike knew that he must wait, the company for which he worked specialized on service. It boasted that every train was met by a yellow taxi cab, and this was Spike's turn for all-night duty at the Union Station. All the independent taxi drivers had long since deserted their posts. The parking space on Cypress Street, opposite the main entrance of the station, a space usually crowded with commercial cars, was deserted. No private cars were there either. Spike seemed alone in the dreared December night, his car an exotic of the early winter. Ten minutes passed, fifteen. The cold bit through Spike's overcoat battled to the skin and chewed to the bone. It was well nigh unbearable. The young taxi driver's lips became blue. He tried to light a cigarette, but his fingers were unable to hold the match. He looked around. A streetcar bound for a suburb passed noisily. It paused briefly before the railroad station, neither discharging nor taking on a passenger, then clanked protestingly on its way. Impressed in Spike's mind was a mental picture of the chilled motorman and of the conductor huddled over the electric heater within the car. Spike felt a personal resentment against that conductor. Comfort seemed unfair on a night like this. Heat a luxury more to be desired than much fine gold. From across the street the light of the White Star Cafe beckoned. Ordinarily Spike was not a patron of the White Star, nor other eating establishments of its class. The White Star was notoriously unsanitary, its food poisonously indigestible. But as Spike's eyes were held hypnotically by the light he thought of two things. Within the circle of that light he could find heat and a scalding liquid which was flavored with coffee. The vision was too much for Spike. The fast train, due now at twelve forty-five, might bring affair. It was well beyond the bounds of reason that he would get a passenger from the accommodation due in a few minutes. There were no casuals abroad. The young driver clambered with difficulty from his seat. He staggered as he tried to stand erect, his numb limbs protesting against the burden of his healthy young body. A gale howled around the dark Jackson Street corner of the long rambling station and Spike defensively covered both ears with his gloved hands. He made his way eagerly across the street, slipping and sliding on the glassy surface, head bent against the driving sleet, clothes crackling where particles of ice had formed. Spike reached the door of the eating-house, opened it, and almost staggered as the warmth of the place smote him like a hot blast. For a few seconds he stood motionless, reveling in the sheer animal comfort of the change. Then he made his way to the counter, seated himself on a revolving stool, and looked up at the waiter who came stolidly forward from the big round-bellied stove at the rear. Hello, George! the restauranteur nodded. Hello! My gosh! What a night! Pretty cold, ain't it? Cold! Spike Walters looked up antagonistically. Say, you don't know what cold means. I'd rather have your job tonight than a million dollars. Only, if I had a million dollars, I'd buy twenty stoves, set them in a circle, build a big fire in each one, sit in the middle, and tell winter to go to thunder. That's what I'd do. Now, George, hustle and lay me out a cup of coffee. Hot! Get that? And a couple of them greasy donuts a yearn. The coffee and donuts were duly produced, and the stolid Athenian retired to the torrid zone of his stove. Spike bravely tried one of the donuts and gave it up as a bad job, but he quaffed the coffee with an eagerness which burned his throat and imparted a pleasing sensation of inward warmth. Then he stretched luxuriously and lighted a cigarette. He glanced through the long unwashed window of the White Star Cafe, ladies and gents welcome, it announced, and shuddered at the prospect of again braving the elements. Across the street his unprotesting taxicab stood parked parallel to the curb. Beyond it glowered the end of the station. To the right of the long rambling structure he could see the occasional glare of switch engines and track-walkers lanterns in the railroad yards. As he looked he saw the headlight of the locomotive at the head of the accommodation split the gloom. Instinctively Spike Rose paid his check and stood uncomfortably at the door, buttoning the coat tightly around his neck. Of course it was impossible that the accommodation carried a fare for him, but then duty was duty and Spike took exceeding pride in the company for which he worked. The company's slogan of service was part of Spike's creed. He opened the door, recoiled for a second as the gale swept angrily against him, then plunged blindly across the street. He clambered into the seat of his cab, depressed the starter, and eventually was answered by the reluctant cough of the motor. He raced it for a while, getting the machinery heated up preparatory to the possibility of a run. Then he saw the big doors at the main entrance of the station open, and a few melancholy passengers, brought to town by the accommodation train, stepped to the curb, glanced about in search of a streetcar, and then ducked back into the station. Spike shoved his clutch in and crawled forward along the curb, leaving the inky shadows of the far end of the station, and emerging finally into the effulgence of the arc at the corner of Cypress Street. Once again the door of the Union Station opened. This time Spike took a professional interest in the person who stepped uncertainly out into the night. Long experience informed him that this was a fair. She was of medium height and comfortably guarded against the frigidity of the night by a long fur coat buttoned snugly around her neck. She wore a small squirrel tam, and was heavily veiled. In her right hand she carried a large suitcase, and in her left a purse. She stepped to the curb and looked around inquiringly. She signaled the cab. Even as he speeded his car forward, Spike wondered at her indifference to the almost unbearable cold. Cab, Miss? He pulled up short before her. Yes! Her tone was almost curt. She had her hand on the door handle before Spike could make a move to a light. Drive to 981 East End Avenue. Without leaving the driver's seat, Spike reached for her suitcase and put it beside him. The woman, a young woman, Spike reflected, stepped inside and slammed the door. Spike fed the gas and started, whirling south on Atlantic Avenue for two blocks, and then turning to his left across the long viaduct which marks the beginning of East End Avenue. He settled himself for a long and unpleasant drive. To reach 981 East End Avenue he had to drive nearly five miles straight in the face of the December gale. And then he found himself wondering about the woman. Her coat, a rich furthing of black and gray, her handbag, her whole demeanor, all bespoke affluence. She had probably been visiting at some little town, and had come down on the accommodation. But no one had been there to meet her. Anyway, Spike found himself too miserable and too cold to reflect much about his passenger. He drove into a headwind. The sleet slapped viciously against his windshield and stuck there. The patent device he carried for the purpose of cleaning rain away refused to work. Spike shoved his windshield up in order to afford a vision of the icy asphalt ahead. And then he grew cold and earnest. He seemed to freeze all the way through. He drove mechanically, becoming almost numb as the wind, unimpeded now, struck him squarely. He lost all interest in what he was doing or where he was going. He called himself a fool for having left the cozy warmth of the White Star Cafe. He told himself, suddenly he clamped on the brakes. It was a narrow squeak. The end of the long freight train rumbled on into the night. Spike hadn't seen it. Only the racket of the big cars as they crossed East End Avenue, and then the lights in the rear of the caboose had warned him. He stopped his car for perhaps fifteen seconds to make sure that the crossing was clear. Then started on again, a bit shaken by the narrow escape. He bumped cautiously across the railroad tracks. The rest of the journey was a nightmare. The suburb through which he was passing seemed to have congealed. Save for the corner lights there was no sign of life. The roofs and sidewalks glistened with ice. Occasionally the car struck a bump and skidded dangerously. Spike had forgotten his passenger, forgotten the restaurant, the coffee, the weather itself. He only remembered that he was cold, almost unbearably cold. Then he began taking note of the houses. There was number 916. He looked ahead. These were houses of the poorer type, the homes of laborers situated on the outer edge of the suburb of East End. Funny, the handsomely dressed woman, such a poor neighborhood. He came to a halt before a dilapidated bungalow which squatted darkly in the night. Stiff with cold, he reached his hand back to the door on the right of the car and with difficulty opened it. Then he spoke, Here you are, miss, number 981. There was no answer. Spike repeated, Here you are, miss, still no answer. Spike clambered stiffly from the car, circled to the curb, circled to the curb, and stuck his head in the door. Here, miss! Spike stepped back. Then he again put his head inside the cab. Well, I'll be! The thing was impossible, and yet it was true. Spike gazed at the seat. The woman had disappeared. The thing was absurd, impossible. He had seen her get into the cab at the Union Station. There, in the front of the car, was her suitcase. But she had gone, disappeared completely, vanished without leaving a sign. Momentarily forgetful of the cold, Spike found a match and lighted it. Holding it cupped in his hands, he peered within the cab. Then he recoiled with a cry of horror. For huddled on the floor, he discerned the body of a man. The suitcase is opened. The barren trees which lined to the broad deserted thoroughfare jutted starkly into the night, waving their menacing ice-crusted arms. The December gale, sweeping westward, shrieked through the glistening branches. It shrieked warning and horror, howled and sighed, sighed and howled. Spike Walters felt suddenly ill. He forgot the cold and was conscious of a fear which acted like a temporary anesthesia. For a few seconds he stood staring until the match which he held burned out and scorched the flesh of his fingers. His jaw dropped, his eyes widened. He opened his lips and tried to speak, but closed them again without having uttered a sound, save a choking gasp. He tried again, feeling an urge for speech, something, anything, to make him believe that he was here, alive, that the horror within the cab was real. This time he uttered an, oh my God! The words seemed to vitalize him. He fumbled for another match, found it, and lighted it within the cab. It seemed to have the radiance of an incandescent. Spike had hoped that his first impression would prove to be a mere figment of his imagination, but now there was no doubting. There, sprawled in an ugly, inhuman heap on the floor, head resting against the cushioned seat of the cab, was the figure of a man. There was no doubt that he was dead. Even Spike, young, optimistic, and unversed in the ways of death as he was, knew that he was alone with the corpse. And as he gazed, a strange courage came to him. He found himself emboldened to investigate. He was shivering while he did so, shivering with fear and with the terrific cold of the night. He could not quite bring himself to touch the body, but he did not need to move it to see that murder had been done. The clothes told him instantly that the man was of high social station. They were obviously expensive clothes, probably tailor-made. The big coat, open at the top, was flung back. Beneath, Spike discerned a gray tweed, and on the breast of the gray tweed was a splotch, a dark, ugly thing, which appeared black and was not black. Spike shuddered. He had never liked the sight of blood. The match spluttered and went out. Spike looked around. He felt hopelessly alone. Not a pedestrian, not a light. The houses, set well back from the street, were dark, forbiddingly dark. He saw a street-car rattle pass, and he saw a street-car rattle pass, a street-car rattle pass, a street-car rattle pass, bound on the final run of the night for the car-sheds at East End. Then he was alone again, alone and frightened. He felt the necessity for action. He must do something, something, but what? What was there to do? A great fear gripped him. He was with the body. The body was in the cab. He would be arrested for the murder of the man. Of course he knew he didn't do it. The woman had committed the murder. Spike swore. He had almost forgotten the woman. Where was she? How would she manage to leave the taxi cab? When had the man, who now lay sprawled in the cab, entered it? He had driven straight from the Union Station to the address given by the woman, straight down East End Avenue, turning neither to right nor left. The utter impossibility of the situation robbed it of some of its stark horror and yet Spike knew that he must do something. He tried to think connectedly and found it a difficult task. Near him loomed the shadow, which was number 981 East End Avenue, the address given by the woman when she entered the cab. He might go in there and report the circumstances. Someone there would know who she was and—but he hesitated. Perhaps this thing had been prearranged. Perhaps they would get him, for what he didn't know. When a man, a young man, comes face to face with murder for the first time, making its acquaintance on a freezing December midnight and in a lonely spot, he is not to be blamed if his mental equilibrium is destroyed. Wild plans chased each other through his brain. He might dump the body by the roadside and run back to town. That was absurd on the face of it, for he would be convicting himself when the body was found. It would be traced to him in some way. He knew that. He was already determined to keep away from number 981 East End Avenue. There was something sinister in the unfriendly shadow of the rambling house. He might call the police. That was it. He would call the police. But how? Go into a house nearby, wake the residents, telephone headquarters that a murder had been done? Alarm the neighborhood and identify himself with the crime? Spike was afraid, frankly and boyishly afraid, afraid of the present and more afraid of the future. And yet he knew that he must get in touch with the police, else the police would eventually get in touch with him. He thought then of taking the body into headquarters. But he feared that his cab might be stopped en route to the city and the body discovered. They would never believe, then, that he had been bound for headquarters. Almost before he knew that he had arrived at a decision, Spike had groped his way across the icy street and pressed the bell button on the front door of the least unprepossessing house on the block. For a long time there was no answer. Finally a light shone in the hall and the skinny figure of a man, shivering violently despite the blanket robe which unfolded him, appeared in the hallway. He flashed on the porch light from inside and peered through the glass door. Apparently reassured he cracked the door slightly. Yes, what do you want? At sound of a human voice Spike instantly felt easier. The fact that he could converse, that he had shed his terrible loneliness, steadied him as nothing else could have done. He was surprised at his own calmness, at the fact that there was scarcely a quaver in the voice with which he answered the man. I am Spike Walters, he said with surprising quietness. I'm a driver for the Yellow and White Taxicab Company. My cab is number 92381. I have a man in my cab who has been badly injured. I want a telephone to the city. The little householder opened the door wider and Spike entered. Cold as the house was from the standpoint of the man within, its hold over warmth was a godsend to Spike's thoroughly chilled body. The little man designated a telephone on the wall, then started nervously as Central answered and Spike barked a single command into the transmitter. Police station, please! Police! Never you mind, sir, Spike told the householder. Hello, police! he called to the operator. There was a pause, then Spike went on. This is Spike Walters, Yellow and White Taxi Company. I'm out at number 981 East End Avenue. There's a dead man in my cab. The weary voice at the other end became suddenly alive. A dead man? Yes. Who is he? I don't know. That's why I called you. When did he die? How? Spike controlled himself with an effort. Don't you understand? He has been killed. The devil, you say, replied the voice at headquarters, and the little householder chimed in with a frightened squeak. Yes, replied Spike painstakingly. The man is dead, killed. It is very peculiar. I can't explain it over the phone. I called up to ask you what I shall do. Hold connection a minute. Spike heard a hurried, whispered conversation at the other end. Then the voice barked back at him. Stay where you are. Couple of officers coming and coming fast. It was Dan O'Leary, night desk sergeant, who was on duty at headquarters that night. And Sergeant Dan O'Leary was a good deal of an institution on the city's force. He hopped excitedly from his desk into the office of Eric Leveridge, the chief of police. Chief Leveridge, a broad-shouldered, heavy-set, bushy-eye-browed individual, looked up from the chessboard, annoyed at this interruption of a game which had been in progress since ten o'clock that night. O'Leary grabbed a salute from thin air. Excuse my bothering you, chief, but there is hell to pay out at east end. O'Leary was never long at coming to the point. Leveridge looked up. So, too, did the boyish, clean-shaven young man with whom he was playing chess. And knowing that Mr. Carroll was playing chess with you, chief, and him naturally interested in such things, I hopped right in. I'll say you did, commented the chief, phlegmatically. I have you there, Carroll, dead to right. O'Leary was a trifle irritated at the cold reception, accorded his news. Ye ain't after understanding, he said slowly. It's murder that has been done this night. Carroll's slow, pleasant drawle seemed to soothe O'Leary. Murder? You said it, Mr. Carroll. Leveridge had risen. It was plain to be seen from his manner that the chess game was forgotten. Leveridge was a policeman first, and a chess player second, a very poor second. His voice, surcharged with interest, cracked out into the room. Spill the dope, O'Leary. The night-desk sergeant needed no further bidding. In a few graphic words, he outlined his telephone conversation with Spike Walters. Before he finished speaking, Leveridge was slipping into his enormous overcoat. He nodded to Carroll. How about trotting out there with me, David? Carroll smiled agreeably. Thank goodness my new coop has a heating device, chief. That was all. It wasn't David Carroll's way to talk much, or to show any untoward emotion. It was Carroll's very boyishness which was his greatest asset. He had a way of stepping into a case before the principles knew he was there, and of solving it in a manner which savored not at all of flamboyance. A quiet man was Carroll, and one whose deductive powers Eric Leveridge fairly worshipped. On the slippery, skiddy journey to East End, the two men, professional policemen and amateur criminologist, did not talk much. A few comments regarding the sudden advent of fiercest winter. A remark, forcibly jocular, from the chief that murderers might be considerate enough to pick better weather for the practice of their profession. And that was all. Thus far they knew nothing about the case, and they were both too well versed in criminology to attempt a discussion of something with which they were unfamiliar. Spike Walters saw them coming. Saw their headlights splitting the frigid night. He was at the curb to meet them as they pulled up. He told his story briefly and concisely. Leveridge inspected the young man closely, made note of his license number and the number of his taxicab. Then he turned to his companion, who had stood by, a silent and interested observer. Suppose you talk to him a bit, Carroll. I'm David Carroll, introduced the other man. I'm connected with the police department. There's a few things you tell which are rather peculiar. Any objections to discussing them? In spite of himself, Spike felt a genial warming towards this boyish-faced man. He had heard of Carroll and rather feared his prowess. But now that he was face to face with him, he found himself liking the chap. Not only that, but he was conscious of a sense of protection, as if Carroll were there for no other purpose than to take care of him, to see that he received a square deal. Yes, sir, Mr. Carroll, I'll be glad to tell you anything I know. You have said, Walters, that the passenger you picked up at the Union Station was a woman. Yes, sir, it was a woman. Are you sure? Why, yes, sir, I could very well be mistaken. You see, oh, you're thinking maybe it was a man in woman's clothes. Is that it, sir? Carroll smiled. What do you think? That's impossible, sir. It was a woman. I'd swear to that. Pretty positive, eh? Absolutely, sir. Besides, take the matter of the overcoat the body has on. Even if what you think was so, sir, that it was a woman dressed up like a man, and if it was a woman dressed up like a man, and if he had gotten rid of the woman's clothes, where would he have gotten the clothes to put on? Hmm, sounds logical. How about the suitcase you said this woman had? Yonder it is, right on the front beside me, where it has been all the time. And you tell us that between the time you left the Union Station and the time you got here, a man got into the taxi cab, was killed by the woman, the woman got out, and you heard nothing? Yes, sir, said Spike, simply. Just that, sir. Rather hard to believe, isn't it? Yes, sir, that's why I called the police. Chief Leverage was shivering under the impact of the winter blasts. Suppose we take a look at the bird, David. He suggested nodding toward the taxi. That might tell us something. Carol nodded. The men entered the taxi, and Leverage flashed a pocket torch in the face of the dead man. Then he uttered an exclamation of surprise, not unmixed with horror. Good Lord! You know him? questioned Carol easily. Know him? I'll say I do. Why, man, that's Roland Warren. Warren, Roland Warren, not the club man. The very same one, Carol, and none other. Well, I'm a son of a gun. Say, something surely has been started here. He swung around on the taxi driver. You, Walters! Yes, sir? You are sure the suitcase is still in front? Yes, sir. Well, to Carol, that makes it easier. It's the woman's suitcase, and if we can't find out who she is from that, we're pretty bum, eh? Look so, Erie. You're satisfied, this to Walters, that this is her suitcase? Absolutely. It hasn't been off the front since she handed it to me at the station. Carol swung the suitcase to the inside of the cab. It opened readily. Leverage kept his light trained on it as Carol dug swiftly through the contents. Finally the eyes of the two men met. Carol's expression was one of frank amazement. Leverages reflected sheer unbelief. It can't be, Carol! Well, yet it is. Suffer and wild cats, breathed Leverage. The suitcase ain't the woman's at all. It's Warren's. End of Chapter 2. Recording by Roger Maline. Chapter 3 of Midnight. This LibriVox recording is in the public domain. Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 3. Find the Woman. The thing was incomprehensible, yet true. Not a single article of feminine apparel was contained in the suitcase. Not only that, but every garment therein which borne identification, Mark, was the property of Roland Warren, the man whose body leered at them from the floor of the taxi cab. The two detectives again inspected the suitcase. An extra suit had been neatly folded. The pockets bore the label of a leading tailor, and the name Roland R. Warren. The tailor made shirts and underwear bore the maker's name and Warren's initials. The handkerchiefs were Warren's. Even those articles which were without name or initials contained the same laundry mark as those which they knew belonged to the dead man. Carol's face showed keen interest. This newest development had rather startled him, and made an almost irresistible appeal to his love for the bizarre in crime. The very fact that the circumstances smacked of the impossible intrigued him. He narrowed his eyes and gazed again upon the form of the dead man. Finally he nudged leverage and designated three initials on the end of the suitcase. R. R. W. Roland R. Warren, leverage grunted. It's his all right, Carol. But just the same, there ain't no such animal. Carol turned to the dazed Walters. Understand what we've just discovered, son, he inquired mildly. Spike's teeth were chattering with cold. I don't hardly understand none of it, sir. According to what I make out, that suitcase belongs to the body and not to the woman. Right. Now what I want to know is how that could be. Spike shook his head daisily. Lordy, Mr. Carol, I couldn't be knowing that. You're sure the woman got into your cab alone? Absolutely, sir. She came through the waiting room alone, carrying that very same suitcase. Your positive it was that suitcase? Yes, sir, that is as positive as I can be. You see, I was on the lookout for a fare, but wasn't expecting one, on account of the fact that this hear train was an accommodation. And folks that usually come in on it take street cars and not a taxi. Well, the minute I seen a good-looking, well-dressed woman coming out the door, I sort of noticed. It surprised me first off, because I asked myself what she was doing on that train. You thought it was peculiar? Not peculiar, exactly, but sort of, uh, interesting. I see. Go ahead. Well, she was carrying that suitcase, and she seemed in a sort of a hurry. She walked straight out of the door and toward the curb, and did she appear to be expecting someone? No, sir. I noticed that particularly. Sort of thought a fine lady like her would have someone to meet her, which is how I happened to notice that she didn't seem to be in a hurry. Which is how I happened to notice that she didn't seem to expect nobody. She come right to the curb and called me. I was parked along the curb on the right side of Atlantic Avenue, heading north, that is, and I rolled up. She handed me the suitcase and told me to drive her to number 981 East End Avenue. I stuck the suitcase right where you got it from just now, and while I ain't sayin' nothin' about what happened back yonder in the cab, Mr. Carol, I'll bet anything in the world that that their suitcase is the same one she carried through the waitin'-room and handed to me. Hmm, peculiar. You drove straight out here, Walters? Straight as a beeline, sir. Frozen stiff I was, driving right into the wind eastward along East End Avenue, and I had to raise the windshield a bit because there was ice on it, and I couldn't see nothin', and my headlights ain't any too strong. You didn't stop anywhere? No, sir. Wait a minute. I did. Where? At the RLNT railroad crossing, sir. I didn't see nor hear no train there and almost run into it. It was a freight and travelin' kinda slow. I'd seen the lights of the caboose and stopped the car right close to the track. I wasn't stopped more than fifteen or twenty seconds, and just as soon as the train got by, I went on. But you did stand still for a few seconds. Yes, sir. If anyone had got into or out of the cab right there, would you have heard them? I don't know that I would. I was frozen stiff, like I told you, sir. And I wasn't thinkin' of nothin' like that. Besides, the train was makin' a noise, and me not havin' my thoughts on nothin' but how cold I was and how far I had to drive. I most probably wouldn't have noticed, although I might have. Looks to me, chimed in leverage, as if that's where the shift must have taken place, though it beats me. Carol lighted a cigarette. Of the three men, he was the only one who seemed impervious to the cold. Leverage and the taxi driver were both shivering as if with the ague. Carol, an enormous overcoat snuggled about his neck, his hands thrust deep into his pockets, his boyish face set with interest, seemed perfectly comfortable. As a matter of fact, the unique circumstances surrounding the murder had so interested him that he had quite forgotten the weather. Obviously, he said to Leverage, it's up to us to find out whether the people at this house here expected a visitor. You said it, David, but I havin' any doubt it was a plant, a fake address. I think so, too. Wait here, the chief started for the dark little house. I'll ask him. Three minutes later Leverage was back. Said nothing doing, he imparted leconically. No one expected, no one away who would be coming back and then wanted to know who in thunder I was. They almost dropped dead when I told him. No question about it, that address was a stall. This dame had something up her sleeve and took care to see that your taxi-man was given a long drive, so she'd have plenty of time to croak Warren. Then you think she met him by arrangement, chief? Look so to me. Only thing is, where did he get in? That's what is going to interest us for some time to come, I'm afraid. And now, suppose we go back to town? I'll drive my car. I'll keep behind you and Walters here. You ride together in his cab. Walters clambered to his seat and succeeded after much effort in starting his frozen motor. Leverage bolted beside him on the suitcase of the dead man. The taxi swung cityward and immediately behind trailed Carol in his cozy coop. As Carol drove mechanically through the night, he gave himself over to a siege of intensive thought. The case seemed fraught with unusual interest. Already it had developed an over-plus of extraordinary circumstances, and Carol had a decided premonition that the road of investigation ahead promised many surprises. There was every reason why it should. The social prominence of the dead man, the mysterious disappearance of the handsomely dressed woman, all the facts of the case pointed to an involved trail. If it were true that the woman had entered the taxi cab alone, that the man had come in later, and that the murder had been committed by the woman in the cab before reaching the railroad crossing, the thing must undoubtedly have been prearranged to the smallest fractional detail. That being the premise, it was only a logical conclusion that persons other than the woman and the dead man were involved. Interesting. Decidedly so. But there was nothing to work on. Even the suitcase clue had vanished into thin air, so far as its value to the police was concerned. That suitcase bothered Carol. He believed Spike's story, and was convinced that the suitcase which they had examined out on East End Avenue was the one which the woman had carried from the train to the taxi cab. There again the trail of the dead man and the vanished woman crossed, else why was she carrying his suitcase? The journey was over before he knew it. The yellow tax he turned down the alley upon which headquarters backed, and jerked to a halt before the ominous brownstone building. Carol parked his car at the rear, assigned someone to stand guard over the body, and the three men, leverage carrying the suitcase, ascended the steps to the main room, and thence to the chief's private office. The warmth of the place was welcomed to all of them, and in the comforting glow of a small great fire, which nobly assisted the struggling furnace in its task of heating the spacious structure, Spike Walters seemed to lose much of the nervousness which he had exhibited since the discovery of the body. Carol warmed his hands at the blaze, and then addressed leverage. How about this case, chief? How about it? You want me to butt in on it? Want you? Holy suffering oysters! Carol, if you didn't work on it, I'd brain you. You're the only man in the state who could soft-pedal the blarney, grinned Carol. And now, the suitcase again? He dropped to his knees and opened the suitcase. Garment by garment he emptied it, searching for some clue, some damning bit of evidence which might explain the woman's possession of the dead man's belongings. He found nothing. It was evident that the grip had been carefully packed for a journey of several days, at least. But it was a man's suitcase, and its contents were exclusively masculine. Carol shrugged as he rose to his feet. He turned toward Spike Walters and laid a gentle hand on the young man's shoulder. Walters, he said, I want to let you know that I believe your story all the way through. I think the chief leverage does, too. How about it, chief? Sounds all right to me. But we've got to hold you for a while, my lad. It's tough, but you are the person found with the body, and we've naturally got to keep you in custody. Understand? Yes, sir. It's none too pleasant, but I guess it's all right. We'll see that you're made comfortable, and I hope we'll be able to let you go within a day or so. He pressed a button and turned Walters over to one of the officers on inside duty, with instructions to see that the young taxi driver was afforded every courtesy and comfort, and was not treated as a criminal. Spike turned at the door. I want to thank you. That's all right, Spike. You're both mighty nice fellas, especially you, Mr. Carol. I'm for you every time. Carol blushed like a schoolgirl. The door closed behind Walters, and Carol faced leverage. Next thing is the body, chief. Want it up here? If you please. An orderly was summoned, commands given, and within five minutes the body of the dead man was born into the room and laid carefully on the couch. Leverage glanced inquisitively at Carol. Want the coroner? Surely. And you might also call in the newspaperman. Eh? Reporters? Yes. I have a hunch, leverage, that a great gobb of sensational publicity right now will be of inestimable help. Meanwhile, let's get busy before either of the officers Meanwhile, let's get busy before either the coroner or the reporters arrive. The two detectives went over the body meticulously. Warren had been shot through the heart. Carol bent to inspect the wound, and when he straightened his manner showed that he had become convinced of one important fact. In response to Leverage's query he explained, Shot fired from mighty close, he said. Sure? The flame from the gun has scorched his clothes, that's proof enough. In the taxi, eh? Possibly. But the driver would have heard. He probably would, but he didn't. Yes. Carol resumed his inspection of the body. Examining every detail of figure and raiment, and while he worked he talked. You know something about this chap? More or less, he's prominent socially, belongs to clubs and all that sort of thing. Has money, real money. Bachelor, lives alone. Has a valet and all that kind of rot. Owns his car. Golfer, tennis player, huntsman. Popular with women, and men too, I believe. About thirty-three years old. Business? None. He's one of the few men in town who doesn't work at something. That's how I happen to know so much about him. A chap who's different from other fellows is usually worth knowing something about. Right you are. But that sort of a man, you'd hardly think he'd be the victim of Hello, what's this? Carol had been going through the dead man's wallet. He rose to his feet, and as he did so, leverage saw that the purse was stuffed with bills of large denomination. A very considerable sum of money. But apparently Carol was not interested in the money. In his hand he held a railroad ticket and a small purple Pullman check. What's the idea? questioned leverage. Brings us back to the woman again, replied Carol with peculiar intensity. How so? He was planning to take a trip with her. Leverage glanced at the other man with an ad mixture of skepticism and wonder. How did you guess that? I didn't guess it. It's almost a sure thing. At least it is pretty positive that he was not planning to go alone. Yes, tell me how you know. Carol extended his hand. See here a ticket for a drawing room to New York and one railroad ticket. Yes, but... Two railroad tickets are required for possession of the drawing room, he said quietly. Warren had only one. It is clear then that the holder of the missing ticket was going to accompany him. So what we have to do now is to find the other railroad ticket, finished leverage dryly. Which isn't any lead pipe cinch, I'd say. End of Chapter 3 Recording by Roger Maline Chapter 4 Of Midnight This LibriVox recording is in the public domain. Recording by Roger Maline Midnight By Octavis Roy Cohen Chapter 4 Carol has a visitor. Carol gazed intently upon the face of the dead man. There was a half- quizzical light in the detective's eyes as he spoke, apparently to no one. I've often thought, he said, in a case like this, how much simpler things would be if the murdered man could talk? Hmm, rejoined the practical leverage. If he could, he wouldn't be dead. Perhaps you're right. And following that to a logical conclusion, if he were not dead, we wouldn't be particularly interested in what he had to say. All of which ain't got a heap to do with the fact that your work is cut out for you, Carol. You're dead sure about that ticket, dope, ain't ya? I ain't used to traveling in drawing rooms myself. It's straight enough, leverage. The railroad company won't allow a single passenger to occupy a drawing room, that is, they demand two tickets. If you, for instance, were traveling alone and desired a drawing room, you'd be compelled to have two tickets for yourself. That being so, it is plain that Warren there didn't intend making this trip to New York alone. If he had, he would have had the two tickets along with the drawing room check. I am certain that two tickets were bought, because the railroad men won't sell a drawing room with a single ticket. It is obvious, then, that he bought two tickets and gave the other one to the person who was to make the trip with him. The woman, of course. What woman? The woman in the fur coat, the one who got into the taxi cab. Perhaps, but she came in on the accommodation train after the New York train was due to leave. The fast train was late. So was the accommodation. They are due to make connection. That's true. If we can find that ticket, we'll have found the woman, and when we find her, the case will end. Probably, the door opened and Sergeant O'Leary entered. The coroner, sir, him and a reporter from each of the morning papers. Show the coroner in first, ordered Carol. Let the newspaper men wait. Yes, sir. They seem a bit impatient, sir. They say they're holding up the city addition for the news, sir. Very good. Tell them Chief Loveridge says the story is worth waiting for. The coroner, a short, thick-set man, entered and heard the story from Loveridge's lips. He made a cursory examination, and nodded to Carol. In quest in the morning, Mr. Carol. Meanwhile, I reckon you want to let them newspaper men in. The two reporters entered and listened, pop-eyed, to the story. They telephoned a bulletin to their offices, and were assured of an hour's leeway in phoning in the balance of the story. They were quivered, and they were in a hurry to get to the city. They were quivering with excitement over what promised to be, from a newspaper standpoint, the juiciest morsel of sensational copy with which the city had been blessed for some time. To them Carol recounted the story as he knew it, concealing nothing. This is a great space-eating story, he told them in their own language, the jargon of the Fourth Estate, and the more it eats, the better it'll be for me. We want publicity on this case. All you can hand out. Big chunks of it. We want to know who that woman was. The way I figure it, this city is going to get a jolt at breakfast. Everyone is going to be comparing notes. Out of that mass of gossip, we may get some valuable information. Get that? We do. Space in the morning edition will be limited, but by evening and the next morning—oh, baby!—they took voluminous notes and telephoned in enough additional information to keep the city-rooms busy. When they would have gone, Carol stopped them. Either of you chaps know anything of Warren's personal history? The elder of the two nodded. I do. Know him personally, in fact. I've played golf with him. Pretty nice sort. Rich, isn't he? Reputed to be. Never worked. Spends freely. Not ostentationally, but liberally. Pretty fine sort of chap. It's a damn shame. How about his relations with women? The reporter hesitated and glanced guiltily at the dead body. That's rather strong. It's not going beyond here, unless I find it necessary. I've played clean with you boys. Suppose you do the same with me. Well—reluctantly—he was rather much of a rounder. Nothing coarse about him, but he never was one to resist a woman. Rather the reverse, in fact. Ever been mixed up in a scandal? Not publicly. He's friendly with a good many men, and with their wives. A dozen, I guess. But the husbands invite them to their homes, so I don't suppose there could be anything in the gossip. You see, folks are always too eager to talk about a man in his position, and whatever woman he happens to be friendly with. And anyway, there hasn't been nearly so much talk about him since his engagement was announced. He's engaged? Why, yes. To a girl in this city? Sure. I thought you knew that. Dandy girl. Hazel Gresham. You've heard of Gary Gresham? It's his kid's sister. So, how long has this engagement been known? Couple of months. Pretty soft on both sides. He's got money, and so is she. She's a good scout, too, even if she is a kid. How old? Hardly more than twenty. But her family seemed to welcome the match. Warren and Gary Gresham were pretty good friends. Warren was about thirty-three or thirty-four, you know. Gossip had it that the family was going to object because of the difference in ages, but they didn't. Carol was silent for a moment. Nothing else about him you think might prove interesting? No. And your idea of the murderer, after what you've heard? The woman in the taxi cab killed him. When did he get in? The reporter threw back his head and laughed. What is this, a game? If I knew that, I'd have your job. The dame killed him, all right. And when we find out how she did it, and when, and how he got in and she got out, we'll have a wail of a story. No theories as to the identity of this woman, have you? Nary One. A chap like Warren, bachelor, unencumbered, is liable to know a heap of him. From what you tell me of the tickets, from the fact that she was going away with him, I sort of figure you might do a little social investigating and discover what woman might have been going off with him. Eric Leveridge had been listening intently. His mind never swift to work, yet worked surely. His big voice boomed into the conversation. Carol? Yes? This young fellow says Miss Gresham's family didn't have no objections to the marriage. It just occurred to me to ask him, is he sure? The reporter flushed. Why, no, chief, not sure. You never can be sure about things like that, but so far as the public knew, that's it exactly. How do you know that? That's it exactly. How do we know, though, that they were not sore as a pup over it, and just kept their traps closed because they didn't want any gossip? Suppose they were trying to break things off, and making it pretty uncomfortable for the girl. Suppose that, eh? Yes, argued the reporter. Suppose all of that. Where does it get you? It gets you just here, leverage talked slowly, heavily, tapping his spatula fingers on the table to emphasize his points. We know this bird was going to elope with some skirt. All right, now I ask this. Why go all around the block looking for someone he might have been mixed up with, when the woman a man is most likely to elope with, is the girl he's engaged to marry. Silence, several seconds of it. Carol spoke. Miss Gresham, you mean? Sure, David, sure. I'm not saying she was the woman, mind you. I'm not saying anything, except that if I'm right in thinking that maybe her folks weren't as crazy about this guy Warren as they seemed, if I'm right in that, maybe they was planning to take matters in their own hands and elope. It's possible. Sure it's possible, and, but Chief interrupted the reporter who had done most of the talking. Why should Miss Gresham kill Warren? I didn't say she did, did I? If she was the woman in the taxi, if, sure, if, all I mentioned that for was to show you we might as well start thinking close to home before we go to beating through the bushes to follow a cold trail. The reporters left, and Carol smiled at leverage. Good idea, Eric, about Miss Gresham. Taint a hunch, said leverage. It just made good talking. I'm glad you did it, anyway. What is there about it that you like? Those newspaper-chaps will play it up. Maybe they won't intend to, but they'll play it up just the same, and it won't take us long either to connect Miss Gresham with the crime or to link up an iron-clad alibi for her. Hmm! Not bad! You know, Carol, and leverage smiled frankly. I'm always making these fine suggestions and pulling good stunts, and never knowing whether they're good or not until somebody tells me. A good many folks are like that, Eric, but they don't admit it afterward. Neither do I, publicly. Leverage rose and yawned. It's me for the hay, Carol. I'm played out, and I have a hunch that tomorrow I'm going to be busy as seven little queen bees, and you too. Carol reached for his overcoat. A little bit of thinking things over isn't going to hurt me either. Good night! Thirty minutes later Carol reached his apartment, and a half hour after that he was sleeping soundly. The following morning he waked all over, as was his habit, and turned his eyes to gaze through the window. During the night the sleety drizzle had ceased, and the sun streamed with brilliant coldness upon a city which shone in a glare of ice. Leafless trees stretched their ice-covered tentacles into the cold, penetrating air. Pedestrians and horses slipped on the glassy pavements. Automobiles either skidded dangerously or set up an incessant rattle with their chains. Carol glanced at his watch. It showed nine o'clock. He started with surprise. Then he reached for the newspapers on the table at the side of his bed, and spread open the front pages. They had evidently been made up anew with the breaking of the Warren murder story. Eight column streamers shrieked at him from both front pages. He read the stories through, and smiled with sad eyes. Just as he had anticipated, both reporters, hungry for some definite clue upon which to work, had seized upon the possibility of Hazel Gresham being the mysterious woman in the taxi cab. Not that they said so openly, but they said enough to make the public know that the detectives in charge of the case were likely to investigate her movements on the previous night. Carol stepped into the room. Carol stepped into a shower, then dressed quickly and ate a light breakfast served him by his maid, Frida. Before he finished, the doorbell rang, and Frida announced that there was a lady to see him. A lady? Frida shrugged. She ain't been nothin' but a girl, sir, Mr. Carol. Just a little girl. Show her in. Then, in two minutes, Frida returned, and behind her came the visitor. Carol concealed a smile at sight of her. She was a little thing, sixteen or seventeen years old, he judged. A fluffy blonde girl quivering with vivacity. The type of girl who was desperately reaching for maturity, entirely forgetful of the charms of her adolescence. He rose and bowed in a serious courtly manner. You wish to see me? Yes, sir, I do. Is this Mr. Carol, the famous detective? I am David Carol, yes. She inspected him with frank approval. Why, you don't look any more than a boy. I thought you were old and had whiskers and everything horrid. I'm glad you're pleasantly surprised. What can I do for you? Oh, it isn't what you can do for me. It's what I can do for you. And that is, I came to tell you all about this terrible Warren murder case. You came to tell me about it? Why, yes, she retorted smilingly. You see, I know just heaps about the whole thing. End of Chapter 4 Recording by Roger Maline Chapter 5 Of Midnight This LibriVox recording is in the public domain. Recording by Roger Maline Midnight By Octavus Roy Cohen Chapter 5 Miss Evelyn Rogers Carol was more than amused. He was keenly interested. He motioned his visitor to a chair and seated himself opposite, regarding her quizzically. She was not exactly the type of person he had anticipated encountering in a murder investigation. From the tip of her pert little hat to the toes of her ultra-fashionable shoes, she was expressive of the independent rising generation, a generation wiser in the ways of the world than that from which it was sprung, a generation strangely bereft of genuine youth, yet charming in an entirely modern and unique manner. She was obviously a young person of italics, a human exclamation point, enthusiastic, irrepressible. She sat fidgeting in her chair, trying her best to convince the detective that she was a woman grown. I'm Evelyn Rogers, she gushed. I'm the sister of Naomi Lawrence. You know her, of course. She's one of the city's social leaders. Of course, she's kind of frumpy and terribly old. She must be why I suppose she's every bit of 30. And that's simply awful. I'm 38, smiled Carol. No. Yes, indeed. Well, you don't look it. You don't look a day over 22, and I think men who are really grown up and yet look like boys are simply adorable. I do, really. And I simply despise boys of 22 who try to look like 38, don't you? Um, not always. Well, I do. They're always putting on airs and trying to make us girls think they're full grown. I just simply haven't time to waste with them. I feel so old. I haven't a doubt of it, Miss Rogers. And now I believe you came to tell me something about the Warren case. Oh, yes indeed. Just lot. But do you know, she stared at him with frank approval, I'm terribly tickled with the way you look. You may not believe it, but I've always been atrociously in love with you. No. Yes indeed. You're such a wonderful man, having your name in the papers all the time. Oh, I've read about everything you've done. That's how I learned so much about detectiveing. Or isn't that what you call it? Detecting. That's it. You know, I always was simply incorrigible in making up words when I couldn't think of the right one. Don't you think it's a lot of trouble sometimes, thinking of just the right word in the right place? Sometimes. But about the Warren case? Oh yes, certainly. I'm always getting off my subject, ain't I? I mean, am I not? Bother grammar anyway? It's a terrible bore, don't you think? Yes, Miss Rogers. And now, back to that awful crime again, aren't you? It's simply sugar either way you great detectives stick to one subject. I can do it too, when I have to. I took some lessons once in power of will, concentration, and all that sort of thing. It made me feel wickedly old, but I learned a great deal about keeping my mind on one subject all the time. You know, it doesn't matter what you concentrate on, even if it's only making biscuits or something messy and domestic like that, it does you good. It trains you not to waste words and to store up your mental energy, and all that sort of thing. And all the time I was studying that course, I was thinking how perfectly glorious modern science is. Just suppose Shakespeare had been able to concentrate like us moderns can. His plays would have been utterly marvellous, wouldn't they? I suppose they would. And now let's try concentrating on the Warren case. That's what I've been leading up to. You see, I knew Mr. Warren very well. In fact, he was awfully friendly with me. To tell you the strict truth, and absolutely in confidence, I really believe he was in love with me. No. Yes, truly. We women have a way of knowing when a man is in love with us. He used to be around at the house all the time. Of course, he pretended that he came around because he liked Sis and Gerald. Gerald? That's Mr. Lawrence. He's my brother-in-law, Sis's husband. In sufferably old-timey, don't think of anything but business. He used to look at me through his horned-rimmed glasses and say I was entirely too young to be receiving attentions from a man as old as Mr. Warren, but he didn't know. I'm not young, really, you know. Of course, I'm not twenty yet, but a girl can be under twenty and yet be a woman, can't she? He asks, dryly, especially after she learns to concentrate. And as intimately as I knew Roland—that's Mr. Warren, you know—of course, I didn't call him Roland to his face. Not that he didn't want me to, but then Sis and Gerald would have disapproved, old frumps. Knowing him so intimately, and really believing that he was in love with me, although, of course, the minute he became engaged to Hazel Gresham, I didn't even flirt with him any more—not the least little tiny harmless bit, well, I find it excruciatingly hard to believe that he is dead. He is, quite. We're trying to discover who killed him. I know it. That's what I came to see you about. So you did. I had quite forgotten. You ought to learn to concentrate, Mr. Carroll. It's really ridiculously easy after you've studied it a little bit. Now, if I had been you and you had been I, me, I never would have forgotten what you came to see me about. Of course, I know you didn't forget, really, but the chances are that you were interested talking and absolutely failed to remember that poor boy. What poor boy? Roland Warren. Carol, with difficulty, concealed a smile. I see. And now that I've remembered him again, suppose you tell me what you know about him and the case. It's principally about what I read in the papers this morning. Really, Mr. Carol, there ought to be a law against newspapers printing such ridiculous things. As what, for instance? That thing they had in there this morning. Why, the way they mentioned Hazel Gresham, you'd have thought that they thought she was the woman who killed Roland. The woman in the taxi cab. Carol's eyes narrowed slightly. The faint smile still played about his lips. You don't think she was? Oh, Mr. Carol, please, please, don't be so irresistibly absurd. Why in the world should Hazel kill the man she was engaged to? I don't know. And besides, what does she know about killing someone? That is the most bizarre idea I have ever heard in all my life. Besides, she couldn't have killed him anyway. Why not? Even if she'd wanted to, she couldn't. And I'm sure she didn't want to. Not that I think Roland Warren was the finest man in the world, or anything like that. Of course, I do believe he was interested in me, and that made me know him pretty well. But still, he was an awfully nice boy, and I'm sure Hazel was very much in love with him. So even if she could have killed him, she wouldn't, would she? I hope not. But you said she couldn't. What do you mean by that? I mean that nobody can be in two places at one time. Although I did read a funny article in the Sunday magazine section of one of the big newspapers last year which said that if Miss Gresham had been with Mr. Warren last night at midnight, she would have been in two places at one time. Why, yes, and that's not possible. So, of course, she— What makes you think that, Miss Rogers? Think what? That Miss Gresham was not with Mr. Warren at midnight last night. Why, answered Evelyn Rogers simply, I know she wasn't. That's all. You know? Yes, indeed, beyond the—what do you call them—of a doubt. How do you know that? It's very simple, she explained casually. She was with me all night. Carol gazed at the girl before him with new interest. Out of her chatter he had at last garnered one important fact. His mind, trained to seize upon the vital and instantly discard the inconsequential, clutched the bit of information and turned it over. From the first Carol had scouted the idea that the dead man's fiancée might have been responsible for his death. But still it was a line of investigation which demanded examination, and his pretty young visitor was making that road exceedingly simple. He injected all the warmth of his friendly, sunny nature in the smile which he bestowed upon her. You have helped me tremendously with that piece of information, Miss Rogers. I don't see how particularly. No one with any sense—provided they knew Hazel, of course—could even imagine her killing anyone, and least of all an adorable boy like Rowland. She was so much in love with him. Of course I haven't the pleasure of Miss Gresham's acquaintance. Of course not. You'll have to meet her, though. She's a darling. Naturally she's all broken up this morning because her wedding date was all set. Now all her plans have gone smash, and she really was terribly fond. You say you spent the night with Miss Gresham? Certainly. And where? At her house. And you're sure she was there all night? Of course. We slept in the same bed, and that's certainly proof enough, isn't it? I suppose so. You suppose? My goodness gracious, don't you know? Well, yes, if you're sure. Why, my dear Mr. Carroll, we didn't even actually go to bed until a quarter before twelve. At ten o'clock we made some waffles downstairs. Hazel has just bought a perfectly darling aluminum electric waffle iron. It makes the most toothsome waffles, all crisp and everything. And you know, when you use aluminum, you don't need any grease, so that makes the waffles much nicer. I'm getting horribly domestic since Hazel became engaged, because she is learning. And after you made the waffles? Oh, after that we went upstairs to her room and put on our kimonos. And had a heart-to-heart talk. I can't tell you what we talked about because sometimes, well, it was atrociously risque, as women will, you know, and at a quarter before twelve you were still sitting up talking and you had your kimonos on? Yes, and—oh, you just ought to see Hazel's new kimono. Pink, crepe de chine, trimmed with satin. She looked simply ravishing in it. I told Sis I wanted one like it, but— And then you went to bed? Yes, just about then. You are sure Miss Gresham didn't get up? Oh, I'm positive she didn't. I didn't get to sleep until after one o'clock anyway, and I would have known. You've given me some valuable information, Miss Rogers. And I'll see to it that the newspapers correct any impression they may have left that Miss Gresham might have been connected with the crime. Meanwhile—he rose. I'm a bit overdue down at headquarters, so if you'll excuse me— Evelyn Rogers rose and stood before him. Her pretty little face was eager. I've really helped you, Mr. Carol? Enormously. Well, I wonder—you know, I'm just fiendishly anxious to be helpful in the world. I wonder if you'd let me help you some more? I'd be delighted. Would you really? Really. And I can come to you any time to talk things over? Whenever you get ready. She clapped her hands. That's simply exquisite. You know, Mr. Carol, I'm just simply crazy about you. I always have been, but I'm more so now than ever—just hopelessly. Thank you! She made her way to the door. There she turned, and there was a peculiar light in her eyes. Mr. Carol! Yes? I wish you had been nineteen years old just now. Why? Because—she flashed. If you had been nineteen years old when I told you what I did, you would have kissed me. End of Chapter 5 Recording by Roger Maline Chapter 6 Of Midnight This LibriVox recording is in the public domain. Recording by Roger Maline Midnight By Octavus Roy Cohen Chapter 6 Regarding Roland Warren For a long time after Evelyn departed, Carol remained seated, puffing amusedly on the cigar which followed his matutinal cigarette. Time had been long since the detective had come in contact with so much youthful spontaneity, and he found the experience refreshing. Then he rose, and would have left the apartment for headquarters, but again free to announce to caller. Another young lady, questioned Carol. No, sir, it been young feller. Show him in. The visitor entered, and Carol found himself gazing into the level eyes of a slightly dishevelled and obviously excited young man of about twenty-eight years of age. The man was slight of stature, but every nervous gesture bespoke wiriness. Are you Mr. Carol? Yes. I am Gresham, Garrison Gresham. Ah, won't you be seated? Yes, I came to have a talk with you. Carol seated himself opposite his caller. Then he nodded. You came to see me? About the Warren case. You know something about it? Yes, the young man seemed to bite the word. I do. What? You're in charge of the case, aren't you? Yes. You've seen this morning's papers? I have. Well, they're rotten, absolutely rotten. They don't say it in so many words, but the impression they create is that my sister, Hazel, was the woman in the taxi who killed Roland Warren. It's a damned lie! The young man was growing more excited. Carol put out a restraining hand. I quite agree with you, my friend. It was a pretty rotten impression to create. But I shall see that all doubt is removed from the mind of the public when this afternoon's papers appear. I have just learned that your sister has an iron-clad alibi. You have already learned that? Yes, Gresham leaned forward eagerly. What makes you sure that she did not—was not? Suppose I question you, if you have no objections. Fire away! Where was your sister at midnight last night? At home? Alone? I mean, was anyone besides your family there? Yes, replied Gresham, showing surprise at Carol's evident knowledge of facts. Who? Evelyn Rogers spent the night with her. Evelyn's a seventeen-year-old kid who has had what I believe you call a crush on my sister. They were together in that house from ten o'clock last night, or earlier, until this morning. And if you don't believe that— But I do. I have just had a visit from Miss Rogers, and she told me exactly what you have just repeated. So I'm pretty well satisfied that your sister had nothing whatever to do with the affair. I will take pains to see that this evening's papers make that quite clear. Gresham rose. A load seemed to have dropped from his shoulders. That's white of you, Carol. I appreciate it. Not at all. I have no desire to cause annoyance or inconvenience where it is unnecessary. And Miss Rogers told me, with great attention to detail, just why and how it was impossible for your sister to have been anywhere except at home last night. Evelyn's considerable of a brick, in spite of the fact that she's more or less minus in the upper story. And now, if you're really satisfied, I'll be going. The two men walked to the door together. They were about of a height. Carol slightly the heavier of the two. You've no idea as to the identity of the woman in the taxi cab, have you, Gresham? No. Have you? None, whatever, though I fancy something ought to develop in the near future. The city is discussing it pretty freely. The town's wild about it. They don't understand anything. It's tough on my sister. Hazel is only a kid, and I think she was in love with Warren. Well, good day, Carol. He extended a firm hand. Any time I can be of any help. Thanks, Gresham. Five minutes after Gresham's departure, Carol was in his car, headed for the police station. He turned the case over and over in a keen analytic mind, which had been refreshed by a night of untroubled sleep. There were a good many features about it which puzzled him considerably. While he had not expected that the trail of the mysterious Midnight Woman would lead to the fiancée of the dead man, the sudden dissipation of that as a clue rather threw him off his balance. He had reached the end of a trail almost before setting foot upon it. Thus far he had refused to allow himself to be worried by the strangest feature of the case, the appearance of the dead body in a taxi cab which, according to Gresham, according to its driver's story, could not have been other than empty. It was always easy to explain the disappearance of a person from an automobile, but he figured it was patently impossible to enter one without the driver's knowledge. He reached headquarters and closeted himself with leverage. They plunged at once into a discussion of that phase of the case. There are only two things which could have happened, said the chief of police slowly. One is that someone croaked that bird Warren and shoved him into the cab while the woman was riding in it. The other is that he slipped into the cab and she killed him. While I ain't jumpin' on no-set ideas, I have a hunch that the last one is right. Why? Because the other, that idea of puttin' a dead body into a cab without the driver knowin' it, it just naturally ain't possible. Then you're quite convinced leverage that Walters did not know anything about it? Now say, Carol, that's puttin' it up to me rather strong. But since you're askin', I'm here to say that I believe the kid. Of course it's possible that he was in on the deal, but I'm betting liberty bonds against Russian rubles that he'd have slipped somewhere if that had been the case. Nobody that's in on a murder deal is going to frame a lie that sticks his bean as close to a noose as Walters would be if he's not tellin' the truth. Sounds reasonable, and yet I'm surprised at you suspectin' the kid. I don't suspect him. But you said, We can't overlook anything. That's what I said. It's what I was drivin' at, anyway. So far Walters is the only tangible clue we've had to work with. As I told you, the Hazel Gresham trail died a-burning. The kid who came to see me this morning cleared her. And then her brother came along right afterward, red-hot over the insinuations against his sister in the papers. As matters stand now, there's nothing to tie to but Spike Walters. I'm glad you're handling it, said Leveridge fervently. And, as you are, I'm making so bold as to ask what you're going to do next. A little general inquiring. You can help me on that. For one thing, I want to get hold of every bit of dope I can regarding Warren, who he was, where he came from, what he did, the size of his bank deposits, his business connections, his social life, and especially every morsel of gossip that's ever been circulated about him in connection with women. Hmm! You think this dame was a society sort? Probably. He was undoubtedly going away with her, and a man of his stamp doesn't often elope with a woman of the other type. True enough. Well, I'll get you what dope I can. I want it all. I'm afraid this is going to resolve itself into a contest of elimination. The city is buzzing about the case today, and it ought to be pretty easy to get hold of a world of gossip concerning Warren's love affairs, provided he had any. Everybody's concerned over the identity of that woman. And every woman Warren has ever been mixed up with, even in the most innocuous way, is going to be dragged into the case. Carol made his way from headquarters direct to the Consolidated Railroad Ticket Office. He introduced himself to the chief clerk and stated his business. The other showed keen interest. The tickets were sold to him in this office, Mr. Carol. This young man here sold them. Carol smiled genially at the skinny young chap who bustled forward, importantly, proud of his temporary spotlight position. You sold some tickets to Roland Warren? Yes, sir. When? Day before yesterday. You are sure it was Mr. Warren? Yes, sir. I have known him by sight for a long time. About the tickets. What did he buy? Two tickets and a drawing room on No. 29 for New York, due to leave at 11.55 last night. You're sure he bought two tickets and a drawing room, or was it one ticket? It had to be two. We can't sell a drawing room unless the purchaser has double transportation. You delivered both tickets to him personally? Yes, sir. Gave them both to him. From the ticket office Carol went back to headquarters and from there to the coroner's office and, accompanied by that dignitary, to the undertaking establishment where the body was being kept under police guard. Nothing had yet been touched. The inquest had resulted in a verdict of death by violence inflicted by a revolver in the hands of a person unknown. Carol again ran through the man's pockets. In a vest pocket he discovered what he saw. He took the trunk check to the Union Station and, through his police badge, secured access to the baggage room. The trunk was not there. He compared checks with the baggage master and learned that the trunk had duly gone to New York. He left orders for it to be returned to the city. From there he went to the office of the division superintendent and left a half hour later, after an exchange of telegrams between the superintendent and the conductor of the train for New York, which informed him that the drawing room engaged by Warren had been unoccupied, nor had there been an attempt on the part of anyone to secure possession of it. Also that the only berth purchased on the train had been at a small town stop about four o'clock in the morning. Obviously then the person who was to share the drawing room with Warren, and for whom the second ticket had been bought, had never boarded the train. The trail had doubled back again to the woman's in the taxi cab. It was not until two o'clock in the afternoon that Carol returned to headquarters. He found leverage ready with his report. For one thing, said the Chief, there is an adult that Warren was getting ready to leave town and for good. How so? Leverage checked over his list. First, he had sublet his apartment. Second, he had with him eleven hundred dollars in cash. Third, he left his automobile with a dealer here to be sold, and did not place an order for any other car. And fourth, Leverage paused impressively. Yes, and fourth? He fired his valet yesterday. End of Chapter 6 Recording by Roger Maline Chapter 7 of Midnight This LibriVox recording is in the public domain. Recording by Roger Maline Midnight by Octavus Roy Cohen Chapter 7 The Valet Talks There was a triumphant ring to Leverage's statement that the dead man's valet had been discharged at some time during the twenty-four hours which immediately preceded the killing. It was as if his instinct recognized a combination of circumstances which could not be ignored. Carol looked up interestingly. Have you talked to this fellow? No. I figured I'd better leave that phase of it to you. But I'm having him watched. Cartwright is on the job. Right now the man is at his boarding-place on Larson Street. Carol started for the door. Let's go! he suggested leconically. It was but a few minutes' drive from headquarters to the boarding-house of Roland Warren's former valet. Carol parked his car at the curb and inspected the place closely from the outside. There was little architectural beauty to recommend the house. It was a rambling, dilapidated, two-story structure, sadly in need of paint and repairs, and bespeaking occupancy by a family none too well blessed with the better things of existence. They proceeded to the door and rang the bell. A slatteringly woman answered their summons and Leverage addressed her. We wish to see William Barker, please. William Barker? Yes, I believe he moved here yesterday. Oh, that fellow! the woman started inside. Wait a minute! she said crossily and shut the door in their faces. While they stood waiting, Leverage glanced keenly up and down the street, and his eye lighted on the muscular figure of Cartwright, the plain clothesman, shivering in the partial shelter of an alley across the way. The policeman signaled them that all was well and resumed as vigil. At that minute the door opened and the woman reappeared. He ain't home! she said, and promptly closed the door again. Carol looked at Leverage and Leverage looked at Carol. Leverage crossed the street and interrogated Cartwright. The landlady says he's out, Cartwright. How about it? Bum-steer, chief. The bird's there. I'll bet my silk shirt on it. Leverage recrossed the street and reported to Carol. You're pretty sure Cartwright has the straight dope? Sure thing, said the chief. He's one of the most reliable men in the force, and when he says a thing, he knows it. Carol stroked his beardless chin. There was a hard calculating light in his eyes, eyes which alternated between a soft, friendly blue and a steely gray. Finally he looked up at Leverage. What's your idea, Eric? About him sending word he was out when we know he ain't? Exactly. It looks darn funny to me, Carol. Peers like he didn't want to discuss the affair with us. He don't know who we are. He can guess pretty well. Any guy with a head in his shoulders knows the valet of a murdered man is going to be quizzed by the police. Good. Come on. Carol put a firm hand on the knob and turned it. Then he stepped into the dingy reception hall, followed by the city's chief of police. At the sound of visitors the angular frame of the boarding-housekeeper appeared in the doorway, her eyes flashing antagonistically. Leverage turned back the lapel of his coat and disclosed the police badge. Listen here, lady, he said in a voice whose very softness brooked no opposition. That bird Barker is here and we're going to see him. Police business. Where's his room? The woman's face grew ashen. What's he been doing? She quavered. What's he been up to now? What's he been up to before this? countered Leverage. I don't know anything about him. Swear to God I don't. He just come here yesterday and took a room, paid cash in advance. He's in his room, ain't he? What if he is? He told me to tell anybody who come along that he was out. I didn't know you was cops. Oh, I hope there ain't nothing going to ruin the reputation of this place. There ain't a woman in town who runs a decenter place than this. Nobody's going to know anything, reassured Carol. Provided you keep your own tongue between your teeth. Now take us to Barker's room. The boarding-housekeeper led the way up a flight of dark and twisting stairs along a musty hall. She paused before a door at the far end. There it is, sirs, and— You go down stairs, whispered Carol. If we should find you trying to listen at the keyhole— His manner made it unnecessary to finish the threat— The woman departed, fluttering with excitement. Leverage's hand found the knob, and Carol nodded briefly. The door was flung open, and the two men entered. What the— The occupant of the room leaped to his feet and stood staring, his face gone pasty-white, his demeanor one of terror, which Carol could see he was fighting to control. Leverage closed the door gently and gazed at the man upon whom they had called. William Barker was not a large man, neither was he small. He was one of those men of medium height, whose physique deceives everyone, save the anatomical expert. To the casual observer, his weight would have been cataloged at about a hundred and forty. At a glance Carol knew that it was nearer one hundred and eighty. Normal breadth of shoulder was more than made up for by unusual depth of chest. Ready-made trousers bulged with the enormous muscular development of calf and thigh. The face, clean-shaven, was sullen with the fear inspired by the sudden entrance of Carol and leverage, and there was more than a hint of evil in it. As they watched, the sullenness of expression was supplanted by a leer, and then by a mask of professional placidity, the bovine expression which one expects to find in the average specimen of masculine-hired help. The man's demeanor was a combination of abjectness and hostility. He was plainly frightened, yet striving to appear at ease. Carol and a leverage maintained silence. Barker fidgeted nervously, and finally, when the strain became too great, burst out with, "'Who are you, fellas? What you want?' Carol spoke softly. "'William Barker? What if that is my name?' Carol's hand spread wide. "'Just wanted to be sure, that's all. You are, William Barker?' "'And what if I am?' "'What you got to do with that?' Carol showed his badge. "'And this gentleman,' he finished, designating leverage, "'is chief of police.' Barker's voice came back to him in a half wine, half snarl. "'I ain't done nothin'!' "'Nobody has accused you yet.' "'Well, when you bust in in a feller like this,' Carol seated himself, and leverage followed suit. He motioned Barker to a chair. "'Let's talk things over,' he suggested mildly. "'Ain't nothin' to talk over!' "'You're William Barker, aren't you?' "'I ain't said I ain't, have I?' Carol's eyes grew a bit harder. His voice cracked out. "'What's your name?' Barker met his gaze, then the eyes of the ex-valley shifted. "'William Barker,' he answered, almost unintelligibly. "'Very good. Now, sit down, William.' "'William seated himself with ill grace.' Carol spoke again, but this time the softness had returned to his tones. His manner approached downright friendliness. "'We came here to talk with you, Barker,' he said frankly. "'We don't know a thing about your connection with this case, but we do know that you are valet to Roland Warren, and therefore must possess a great deal of information about him which no one else could possibly have. "'All we want is to learn what you know about this tragedy, what you know and what you think.' Barker raised his head. For a long time he stared silently at Carol. "'I don't know who you are,' he remarked at length, "'but you seem to be on the level.' "'I am on the level,' returned Carol quietly. "'My name is David Carol.' "'Oh! So you're David Carol!' The query was a sincere tribute. "'Yes, I'm Carol, and I'm working on the Warren case. I don't want to cause trouble for anyone, but there are certain facts which I must learn. You can tell me some of them. No person who is innocent has the slightest thing to fear for me. "'And so, Barker, if you have nothing to conceal, I'd advise that you talk frankly.' "'I ain't got nothing to conceal. What made you think I had?' "'I don't think so. I don't think anything definite at this stage of the game. I want to find out what you know.' "'I don't know nothing either.' "'Hmm. Suppose I'll learn that for myself. I'll start at the beginning.' "'Your name is William Barker?' "'Yes, I told you that once.' "'Where is your home? What city have you lived in mostly?' The man hesitated. "'I was born in Gadsden, Alabama, if that's what you mean. Mostly I've lived in New York and around there.' "'What city's around there?' "'Newark?' "'Newark, New Jersey?' "'Yes, and in Jersey City some, and Patterson, and a little while in Brooklyn.' "'You met Mr. Warren where?' "'In New York. I was valet for a fellow named Duckworth, and he went and died on me, Typhoid. "'You can find out all about him, if you want.' "'Mr. Warren was a friend of Mr. Duckworth, and he offered me a job. We lived in New York for a while, and then we come down here.' "'How long ago?' "'About four years, maybe five.' "'What kind of a man was he, personally?' "'Carol watched his man closely without appearing to do so.' "'He saw Barker flush slightly, and did not miss the jerky nervousness of his answer, that or the forced enthusiasm.' "'Oh, I reckon he is all right. That is, he was all right. Real nice fellow.' "'You were fond of him?' "'I didn't say I was in love with him. I'd said he was a nice fellow.' "'Treated you well?' "'Oh, sure. He treated me fine.' "'And yet he discharged you yesterday.' Then Carol bluffed. "'Without notice!' Barker looked up sharply. His face betrayed his surprise. Showed clearly that Carol's guess had scored. "'How do you know that?' "'I knew it,' returned Carol. "'That's sufficient.' Barker assumed a defensive attitude. "'Anyway,' said he, "'that didn't make me soar at him, because he gave me a month's pay. And that's just as good as a notice, ain't it?' "'Yes, I guess it is,' Carol hesitated. "'Did he pay you in cash?' "'Yeah, cash.' Again Carol hesitated for a moment while he lighted a cigarette. "'When he spoke again, his tone was merely conversational, almost casual. "'You've read the papers, all about Mr. Warren's murder, haven't you?' "'I'll say I have.' "'What do you think about it?' "'Again that startled a look in Barker's eyes. Again the nervous twitching of hand. "'Whatcha mean? What do I think about it?' "'The woman in the taxi cab. Do you think she killed him?' Barker drew a deep breath. One might have fancied that it was a sigh of relief. "'Oh, her? Sure, she's the person that killed him.' "'He knew a good many women,' suggested Carol interrogatively. "'He got along pretty well with them.' "'Hmmm,' William Barker nodded. "'You said it, then, Mr. Carol. Mr. Warren, he was a bird with the women.' End of Chapter 7. Recording by Roger Maline.