 NAMASKAR मैं त्रिजा दूरा भूर्वा क्रिस्नोखान्ता हून्दिकर राग्जेग बुक्ता विस्ता भिदालर गना हून्जू भिभागर, हूहा करे अदाभेका और आजी मादा गुर्टो पुना भिख्ष्वाला आलो सना करीं, हे तु हैसे मैंगी विदाभी लिक्जा, अमी जी त्या खाँँजुच थापन खुरू, खुम्मी केट कुरू मैंझे शैन्डर आजर ने रिसीबराग तिते मैसेस पुछ्ठया एक मैंची त्या आप पुँर पच्टी की करा तावे पर्टिकोंर मैसेस थू ಑಻ಿಸ್ರಿರರ್ಲalles ಎರ್ಳರರೆಂಜ ಸಿ ಗ ಇchied೉ಗ್ ಮಂಟಿ ಲಿವಿಕಿ akter ಸಿ Titan ಮಾಫಿ ಕೃಹೋಮಽ್ತಕ್ದ ಚದಲರ ಬಕಿ ಮಾಸುಟ್ದೊ ಕೈವಾದಾ ಬಿಕಿ ಕಾಕುಗಳೆಸಿ ವಾನಿಕಾದೊ ಬಸದುಟಕ್ತamientoದ � wh хват et these are communication media which we using in communication these are whether media aspect what i will use in my event with my channel i will use print media this is communication media aspect we will judge y washing blood in wedge y wash clothes, y chanting y wash clothes lamins lamins lamins lamins lamins ఇరిలోమ్లోకాలోలాలుతా, ఆర్ర్పರంది. మానాంపిదాడపి . అందరలులాలులిరందాయ్లివి. అందరరఇతూది సిబమాలునతాలులు నరిల్లి మ్డం షాస్లిలె స్లినిడ్విస్నిన్ను కాలే నోడ్వాట్స్స్సిఖిండ్లెసిలెస్స్సికేస్లెల్స్సి క్లో డిలోనువ్లె కినరదించార మౌంతెసింప్� so ڈิس ڈิ southeast he discourse atmosphere non-b�ن communication Ḝᴀᵃᴀᵒ 섭 ᵘᵍᵐᶉ, ᵗᵖᵉ ᶄᵍᵒᵃᴋᵏᶉ ಏಡತಿಲ್ತ್ದ ಜಟತ್ಯಾ ರಕಸ cultivation ಎದವ್ನ extend self-installation ಸ಼ಿ ಸಿ ಕ�인데요 you ದಿದ್ನang16ಿ floating discourses ಎಂಡದTu coexistars definitely difference and discontin He used his voice, he used a very powerful medium of communication, this is the oral communication, to communicate with the general masses. I will tell you the oral communication to Korag Hesile, so that actually established a kind of relationship between the audience as well as with the person who is speaking, that is the orator. Orator, an important form of interpersonal channel Hesile, juntu Gandhiji use Korag Hesile hitu as a prayer meeting. So Gandhiji kiki Korishe tekhere manas silent prayers kis meetings se patisile. Basically lata kiki Korishe gan gaisile, they used to sing the hymns, as there is a chance the ramanam by the audience. So this such kind of prayer meetings that ended with a brief statement by Gandhiji on some relevant issue. So enukad hona kismo communication channels use Korag Hesile, jar tradi kiki Hesile, general audience olagat, aata kotupo kothanta sriti aata establish koribye parag Hesile, aru aata patiklu hompor ko aata establish koribye parag Hesile. Bhattavan avosta, jundu present context sami kotha ko esu, interpersonal communication through spoken word continues to enter very much a very favorable place in the world of business. Itiya itu dekhazha, itu ako la mai education field or kotha hai ko anay, ba mai political atmosphere or environment kotha ko anay, ba bela gata environment kotha ko anay aata, enu world of business and communication. Tata ki hoi interpersonal communication aata oral communication ur yare gurta puno bhumigata ase. Itiya business or kotha ki hoi, bohurtkhini kotha ba bohurtkhini hongjuti nami stopon koru. Aapun koru itu basicri through verbally koru ase. So jihetu verbally koru ase ase, aami hikane basic emphasize koru ki hoi aport, aami interpersonal communication po basic emphasize koru ba aami oral communication po basic emphasize koru hai. Acha itiya aami jihetu business communication kotha ko esu. Yare oral communication bibhin na dharnara ase. Ita hoise aami staff meetings thake ba aami personal discussions hoi ba presentations hoi ba telephone discussions hoi pa ita jihunu informal conversations hoi ba aami. So these are the different types of oral communication that are usually seen in the field of business. Now when oral communication takes place outside the organization, it may take the form of face-to-face meetings, telephone calls, speeches, teleconferences or videoconferences. Mani aata itu e bujaisa ase aami within the particular organization kenu kothana communication hoi ba ba aami. Yare kenu kothana communication hoi ba. Aami hikha itu e lagar communication hoi ba aami. Aami nizar colleagues oral communication hoi ba aami. Aami face-to-face meetings thake ba aami. So kenu kothana eket harnaka outside the organization, organization to bahira to, aami bibhinu prokara oral communications ase. Jundu aami ko opara face-to-face meetings thake. Aami how to cover telephone, through telephone calls. We are trying to converse with a particular organization, with a particular person, to different teleconferences as well as to videoconferences. So these are different forms of oral communication, which may take place within the particular organization or also it may take place outside the organization. Now let us come to a very important form of communication, this traditional form of communication. It is a folk media billi ko, but traditional form of communication. So folk media kiha basically it refers to people's performance. So these are some of the performing arts, which can be described as the cultural symbols of the people. It has folk performance ba folk media billi ko, these are some of the forms of non-dominant form of communication. Non-dominant billi aami kiha ko lu, in comparison to print media, print media to learn art ba electronic media to learn art, traditional folk media prabhaptu iman nahi. Hoi nahi, hekar na main non-dominant form of communication billi ko. Taar pisa ko a go se se, aur traditional folk media billi ko, a kal itre na buzha se it's only concerned with dance and music. Naas pa gana lagara ka jo ito hoi to ka nahi. It also includes oral literature, verbal art and crafts. It is a traditional form of communication ko tha ko ya. So yaar gurto tuba yaar impotant su kitya prahi le. Pothom ko a go se si 1972, it is an international planned parenthood federation. Atta particular... It organizes a series of meetings on the how we can make the best use of folk and traditional media in family planning as well as in communication programs in London. Ti ka se, titya prah maine 1972 praa itya loi. Yaar e importance to baar hi ne se. Kini pothom pothom hekhne ho moiswa yaar importance to bhi hai boar kini discussions kora go se le. So 1970s apra, e traditional media ba folk media juntu importance to titya prah, ye baar hi hai hele. Ti ka se. Tata pisata maine kitya kaun. Juntura maine relevance ko tha ko se, traditional form of communication. Street plays yaa kaun tha kaun but street plays, theater kaun tha jitya kaun. It serves as one of the important mediums to inform the people of various aspects of the conflict as well as the sacrifices made by the Indian soldiers. Mane ki hoi, basi ke li, jitya amar kaargil conflict hoi se le. Hekin hi haman. Ba juddha ho moite hog, pre-independence homoite hog, ba amar post independence period to te hog. Ita mane ki hoi se, street plays yaa hog, basi street theaters yaa hog. Ba bhi bhi na na folk media te kaun. Ki e particular mediums prai ki kora, particular different forms of traditional media, they try to kind of discern the information about what is happening in a society. Okay, they try to inform, they try to kind of educate the masses about what is necessary, what can be done actually for the betterment of the society. Mana, kaite karne ki kore le bhaal hoi, society bhi kaha kana me ki kora paro. Hekin hi kotha ke, hekin hi message a particular different forms of, traditional forms of communication disseminate kore. Itya sabo gole ame, ame ketaman bhagat bhagavaparim, a traditional form of communication. Potom to obviously was a folk theater. Indian theater akal etu nupu zai zai, ame ballet performance, but drama performance, but opera. Hek to akal jo ito hoi ta tha kaana hai. Ame jili Indian contexta discuss kore yesu, Indian folk art ame, itu composite folk formata. Itya amar singing ase, gana ase, nas ase, dialogue ase, ar bhi bhi na dhona, heri kotha kwa, style ase. Indian folk drama is performed upe nai. Mana bahiaar jit ame western countries lathu lana karo. Tehano ka hot, tehano ka jagat ki hoi, tehano ka folk theater, da party need is to jagat hoi, a stage art hoi. Amar ka stage performance, original folk theater, ame jili sound, arm hori to, ta tha hoi sile, amar open art hoi bhi sile. Sometimes in a race podium, but mostly at the ground level, thus bringing a very high degree of intimacy between the actors and the audience. Itya ame, ornata form of traditional, form of communication rahesu, itu ase folk songs. Itya, folk songs pili kora, ame Indian contexta, jiheta me discuss kore yesu, amar Indian folk songs diwarendo bhakti songs, ceremonial songs and tribal songs. Aur bhakti songs pili kora, ame devotional songs pili kora, that has strong links to classical music, manne classical music lakar hiya jo, mannata particular link itya ase. Aur some of the most popular folk songs pili kora, ame ki, manne jitya aahe, ame kotha kanditya, ame kopar, baualan, bhatti aliya bengal, bhi ho vasam, duha erasan, garbav vujja ase, aur bhi bhi na dhano folk songs ase. Ta arpe se, aurta ek prokara, manne, one of the important forms of traditional forms of communication, hito kopar, basical narrative forms, including ballets, folk tales, and other storytelling forms. So iti aakal, traditional media ba folk media bhi, iti aakal, manne folk songs, ba folk theatre hiya na bhu zai. Amar narrative forms pili kora ase. Amar folk tales ase, just storytelling forms ase. So hei bo poi, these are the most important poetic forms for the strong narrative element, have proof to be particularly effective for the purpose of communication. Udhar nisa bhi, ame bura katha bhi kora paro, juntu iti a very popular ballet singing style of Andhra Pradesh. Ta arpe se, ahila ama religious discourses. Now religious discourses of Hari Katha is also known by different names in different parts of the country. Religious discourse, manne kii hoi? Yate, this discourse, ame jinai po, discussion kora hoi. Discourses are basically a proper discussion. E discussion boon, as on performer thake, jumur Katha kora bhi likhoi. And hei manu zane, ba hei bekti zane, tya knowledge thake, about the different scriptures, tya musical ability kenu kaase. And he also should be a very good actor, as well as a very good storyteller. Karan, ason bhaal dedi storyteller nahain. So that particular person will not be able to captivate the general audience. So he or she should be able to tell a very good story at the same time that should be accompanied by music. And also he or she should have a very good knowledge of the scriptures. Ta arpe se, ahila ama puppet shows. Jum puto la naspile kao. Ta, usually jitami puppet shows ya katha kao, puppet, these are some, it's a very common form of, you know, ah, traditional media or folk media. And usually ki hai, puppet jitai showbhu kora hai. Usually, atta poriya laar, manu khodde se, taan ke mili pe le kora hai. Ba, kithe ba ki hai, it also consists about like seven to eight member groups. Poriya laar bahero, manu hai, perform kora hai. Aru usually puppet shows bukot hai, village gatherings hai. Manu, gaut hai, ba, kum ba, market at patile, ba, kum ba, kum ba, kund skulal gbe, skulal playground and kori se. So, bibhina dhona, tenuka showpuppets showbhu kora hai. Aru usually, amar, bhar brahot saaita, pradhan tenuka, ami puppets ase, ami jitu, bibhakta kora par, bibhajan kora par, hitu ase string puppets, rot puppets, cloak puppets and shadow puppets. Post independence period, atta bhur khen ya mi, enuka deha pua vasen. Amar, hene, ii puppetry hai hok, ba, amar, enuka dhona, fok media, form hai hok ba, amar, indian theater, performing arts hok, amar aghway lego se, hini. Bhihe kora, ami, 1940s apa deha galsi, jeneke, ame udharne se pe ko paru, indian people theater association, IPTA group at ase. So, tenuka kiki kora se, bhukhut, belek, bibhina dhona regional theater forms ase, jahtra ase, bengalor, gujyato bhava ase, maharashtra tamasa ase, so, inuka dhona, bibhina theater forms, jughere kiki kora se, tenuka, they try to increase the social awareness and political education. 1977 ad ke, isle, arvata enuka, non-government organization, ta ase le, kairla, juntu ame kairla, sastra, sahitya, parishat bhi le ko ahoy, ke SSP, tenuka, science jatha namar, the science procession, organize ko isle. Basically, science jatha hi kiki kora se, they try to spread the message, basically, scientific tune to katha ase, hai kiki ni message, manan, disseminate ko isle, society. So, they try to spread the message of people's involvement in the development process. And also, jitya maa, chipko movements ho li ase le, abhi ko movements ho katha hai kaun. So, folk songs have filled a very important role during this particular movements. Aru enuka, ekhi ne, humo iswar, bibhina, tunes as well and also, sang them on the streets. Manan, tenuka street performance ko isle, two different folk songs. Iti ami, multimedia communication lahesu. Multimedia communication lahe ki buzu, e particular term jopa, multimedia, manan, buze, multiple media, manan, bohurt kita media log lagi pele, multimedia hoise. Aru, bohurt kita media log lagi pele, jitya communication kora hoji, yaak hoosai, pa yaak bujai, jit indiketsara information data being transferred over the network may be composed of one or more of the following. It may be composed, it may be consisting of text, it may be consisting of images, it may also consist of audios as well as videos. So, basically, ki hoi, multimedia communication comprises the different techniques that are needed for distributed multimedia system, manan, othurt yaak, e ae bujai, saise, person or audience may have Ordiobha video hoise loepele, jitya communication kora hoi. Itya, me aau, non-dominant communication, non-dominant communication milikyao le ki buja? Basically, jitya, juntu communication pa juntu particular media, communication media to mana, dominance, maatha, prabhaap to besi naain, takya mi, non-dominant communication billi kawa ho. In fact, which run contrary to the different dominant values or ideological proportions as well as organizational norms. And this may also include my street theatre which is based on my folk songs or my puppet show which tries to spread different messages of social importance or my short story write-ups which is on important contemporary issues and the importance to me already it has received a claim at both national, regional or international level. So, today we are going to talk about this particular video lecture. This is about our communication media culture in the Indian context. In the Indian context. In the Indian context. In the Indian context. In the Indian context. In the Indian context. 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