 The Terracotta Army, undoubtedly the most astonishing collection of carvings whether mold-based or not, to be found anywhere on Earth. The artistic genius on display within this large Terracotta Army is hard to ignore when according to academia, they were merely the handiwork of untrained slaves. Not only does the army display an immense level of detail and thus artistic talent, they are also all seemingly unique as if each soldier was an accurate recreation of an ancient individual in full armor. We have, in the past, covered this astonishing discovery, discussing how the temple in which this army is said to be protecting has supposedly never been opened, this even though upon excavating the original entranceways, sophisticated crossbows tipped with poison arrows were found left each on a butterfly trigger like something straight out of an Indiana Jones movie. Whatever these elaborate defenses we're protecting has, according to Chinese authorities, never been explored. What's more, this same notoriously secret government have also made any future digs illegal, quashing all hopes for anyone who would like to know about this clearly intriguing section of history. However, these incredible features, along with the soldier's average giant sizes, were not the only area of study we have explored regarding the army. In our first video regarding the amazing sight, we explored the highly mysterious mono-atomic pigment that was found on many of the statues, popularly known as Han Purple. This astonishingly complex pigment, although apparently sourced and manufactured in enormous amounts by a far less capable, more primitive ancestor, was not fully understood until the 1990s. A pigment that, according to scientists who have studied it, exhibits characteristics of, quote, an element of a lower dimension, end quote, and as such, according to mainstream paradigm, is an incredibly difficult artifact to explain. Yet, Han Purple is not the only incredible, highly enigmatic pigment dating from a now-lost antiquity. There also exists another, no less impressive pigment, which is highly likely to have originated within the now-lost civilization we like to call the Pyramid Builders. Known as Egyptian Blue, this marvelous pigment was found during an investigation by the British Museum. The Parthenon Marbles, also known as the Elgin Marbles, are a collection of classic Greek marble statues whose history, although heavily documented, display upon their surface not only evidence of an advanced ancient knowledge, most probably a leftover still in circulation within top masons and sculptors around the time of the statue's creation. But this pigment found during an in-depth investigation of the marbles to discover whether they were once painted or not, was found in varying quantities upon their varying features, not only subsequently proving beyond doubt that the statues were indeed once painted, but like that of Han Purple within China, Egyptian Blue also has a highly curious characteristic discovered by modern technology. It is not only the sole surviving pigment on the statues, but is only visible within the infrared spectrum, a band invisible to the human eye, made under the supervision of the architect and sculptor Phidius and his assistants. The origin of the pigment, however, just like that of Han Purple, is unknown. Where did the knowledge for creating this pigment come from? Why is it now lost? Why does it emit colors invisible to the modern man's eye? We find not only Egyptian Blue's infrared characteristics, but also Han Purple's intriguing dimensionally deficient resonance as highly compelling.