 I'm announcing that the Welsh Government is reviving 24,000 payers to an open state circus to be able to take what they do to America to one of the most important live performance destinations, St Anne's Warehouse, beneath Brooklyn Bridge, and to be able to showcase the very best of Welsh creativity and arts. There is a project funding on the report funding, which enables organisers of the government to be able to go abroad and not just provide domestic, artistic, content, for international audiences, but to draw those international audiences to Wales as tourists. And that's great for our economy as well. No fit state circus portrays Wales in a really, really innovative, creative way and that enables us then to reach out to businesses, to come here and reach out to people in America. The audiences that they're going to be catering for, we can draw back into Wales. It's really good for our economy. It's really important for creative people in Wales to be able to take what they do overseas and to be able to market Wales as a place of creativity. Tragically, posterity is continuing. But the productions in Wales are not something that the Welsh Government would ever wish to make. It would be better to protect, far better protect the arts in Wales than they've been protected in England. In fact, the Welsh Government is able to invest and be sent more per capita in the arts country in Wales than the UK Government can invest in. To invest in the arts without culture, a country is nothing. There is always going to be a role for the government to provide cool funding for arts organisations. So the government has an absolutely imperative role to play in supporting the arts. So yes, for getting to use that, we will always support the arts.