 All right, there is a reference here, and there's silence plays in full first Oh, right It's very cool first thing. I would do honest very picky, but I tell this everybody I would and it seems like a almost like a photo in the background here Mainly because of the colors and everything with the lights everything compared to this I would just have that in terms of just blocks and things where it's geometry Kind of matching this style unless at the very end you're going fully rendered with lights all kind of stuff But I will keep that in that consistent in terms of style. It's very picky, but I tell everybody just it's just to me It's clashing, but I see a lot of people doing that online reels and things So it's not something that's completely wrong. There's a personal preference for you to think about The other thing is I like all of this generally. I think it's a cool idea I think the line is great and the idea is great, especially with this coming in my only thing is And you're sending me this with reference that is Taking up the screen left half of the shot so if that is gone you're To me it was like it's a massive imbalance in terms of how the whole thing is staged I understand that you want this here to be small on the right side so that we have That hand as a surprise But to me it would be I first of all do this where she comes in And I like that look there it's getting a massive car potentially scaling it down a bit or Having her maybe bigger in frame so that I know you want her to be also maybe Crouch on and trying to hide but maybe the head generally will be maybe then maybe this big just giving her just a bit more room Kind of filling this out for composition as well But generally what I would do again, I like all of this just going through what I like here I like she comes in it's good action there And then she goes back eyes closed. That's great taking out the phone talking and Then having that on her face realize what's going on. She might have a bit more of a look there This was like she's looking a bit above in your reference You're looking a bit more clear at the hands and then waiting and getting ready and then and that that's great The only thing I would do is that she's very very static here And I would give us a bit more contrast where she comes in And she might go straight back to this but when she takes out the phone and starts dialing in I would personally have something where she starts to lean more to the left and All of this like this look again can be she's almost maybe propping herself up with a stronger Like an arm push to be higher So that she's a bit more up there trying to see what's behind the car and Then as she gets to maybe like this is the moment here where she's a bit more here And then after that she starts to go back to the right to again to end up here with the hand can come in basically she comes in Like that, right? I would give this more movement like this where she she crosses more over into the left space of the screen Mainly because she will come in here Go to the right. There's more movement, but you give this a bit more Tension and contrast so that you have somewhere to go for her to relax and we think it's okay Meaning that she comes in like this right grabs the phone and there's a lot of head here head here Moving around I think a lot of movement love to me more I darts potentially so you have energy as she she Have to break this empty here you imagine she comes in Okay, okay, okay, it's getting better. Okay, please save me all the hand is coming Versus right now she comes in and we kind of stuck in this stuck in this corner right corner right corner The hand comes in so that's kind of to me how it feels like she comes in here and after that We're stuck on that right side. Then it's kind of that and we linger with a really Massive amount of empty space on there on the left here screen left and then the hand comes in So that's why I'm saying what if she comes in here? Goes around goes back grabs the phone and then gets back up here Maybe leans forward and has like within this section lots of lots of movement head dart and it's more more active Panic so that when she is okay, which again, I will probably do around here ish Like that's the moment where she is not concerned about the outside now She's concerned about herself like oh, I'm hurt and this again would be where she's around here And then you can have her go from here to here slowly where you Can't manipulate the audience to give us a false sense of it's okay where the tension is gone where she's she's at the beginning Higher she's at the highest point with her head looking around and then she can go down She can lean over everything is kind of giving us a false sense of it's okay. I can rest Where again the heck goes lower and she stays there and then you can come with that surprise there I hope that makes sense Again, I love your reference or all this stuff is great ideas are great acting choices are great my main thing is that we're just spending so much time in this corner just the composition feels very Imbalance, but I would use that space to advantage to give us more contrast and more energy more more frantic panic So that we can go there and it relax like I said into this where we think it's now done and then this shows up All right, I hope that makes sense. If not, let me know. All right. Thanks All right, there's an email you can sign up You can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome All right. Thank you