 This, the score on them was two years prior. Yeah, yeah. And so when the K-Roo walk in the door, first thing on his mouth was, Chad, I heard you been talking about me. Oh, shit. Yeah. All of a sudden, what made it go completely left was Big B's cocked that Mac. And seeing the kind of bathroom it was, it was like a old locker room. So it was Echo, you heard it. It echoed through the whole fucking studio. Woo! And then they looked over there and looked up. He said, oh, yeah. See what type of party this is. Yeah, we on Boss Talk 101. Yeah, I'm trying to tell that K-Roo's store, okay? Well, your best co-star is Sparta. I know your strap. So K-Roo. You went back into it. K-Roo, yeah. Yeah, he interviewed me. He interviewed me. He interviewed me. He interviewed me. He's practicing. He's practicing with a cocktail. Come on, low Ds. He said low Ds, low Ds, low Ds. He's gonna be all right, low Ds. Low Ds, well, let's get this straight. I'm back to this. Back to this. So yeah, so we go to that studio and how the studio is. So imagine, you know, the glass door right there and kind of like where the cameraman is, is some couches. We're sitting on those couches looking out the glass. SUV pulled up. Guess who dropped out the SUV? K-Roo. K-Roo. And we see it like slow motion. So that's why Pimp's going on in there because he felt like, well, the scorn on him was two years prior. Yeah, yeah. And so when K-Roo walk in the door, first thing on his mouth was, Chad, I heard you been talking about me. Oh, shit. Yeah. We look at the nigga run like nigga what? He done brought the nigga. Told us what, yeah. You done, we here to do business. And he done gave us a personal shit in there. Basically that's what it was. I mean, no disrespect to K-Roo, but if they, if there was a problem between them, that's between them. That's right. You know, let them handle that on their time. That's crazy. Don't put that on my time and why we're at work. Handling business. That's just like me bringing somebody up here that's got a problem with E. Can't do it. And we're coming here to do this. Yeah. It's not the time and the place for that, you know what I'm saying? So that I didn't understand and I did agree with Chad and I thought we was, we had got puttin' in the- In the cross. In the cross. In the serious cross. Because we were slipping. Yeah. We were slipping, bro. We coulda came in and just did us dirty. And so we don't know what the situation was, who was with him. So we Chad did cut him up with that mouth real fast. Damn. You know. Then, let's go. So we all left. And then the next night, we're gonna go work on Beatskin upon me. And that's when all the other stuff happened. So. Well, all the other stuff. Well, we're there. And we're making the song. Matter of fact, I just came out the booth, dropping my verse. I was out in the hallway, talking to Bird. Chad had came from outside. I don't know why he went outside. I think he went outside to smoke a blonde or something. And he came in and he said, man, it's a old school Beats parked down the street with the lights off, square lights. It's got square light beans. And he's like, and we're inside Dallas. You know what I'm saying? This is before JP moved to East Dallas. So he's at his furthest kitchen. It's kind of like right there on Second Avenue and right up under that freeway in South Dallas. And yeah, that motherfucker came in that door. And Big Beats from Nashville had just so happened. Once Chad told him that, Big Beats were in the bathroom to get the Mac ready. And sure enough, the boy walked in the door as he was walking in that bathroom. So he didn't see Beats go in the bathroom. He's standing right there by the bathroom, like, here to here. And he's talking, trying to work this shit out with Pimp, about why y'all didn't, nigga, you put us in the cross, nigga, we was doing business and this that and the other. And I was like, oh, shit, this shit is getting out of hand. And then all of a sudden, what made it go completely left was Big Beats cocked that Mac. And the kind of bathroom it was, it was like a old locker room. So it was an echo, you heard it. It echoed through the whole fucking studio. Woo! Pow, pow, pow, pow, pow. And that nigga looked over there and looked up. He said, oh yeah, see what type part of this is. I see what's going on. Bo Bo, come here and let me, let me how I let you. And so, as I was about to take the step to go, Pimp, put his hand on my chair. Nah, Bo Bo. You're my homeboy. Yeah, you're my homeboy, nigga. You ain't going nowhere, nigga. And nigga, you, then get the fuck out of here. And so that nigga left. He said, all right, back to about the door. I looked at everybody because my partners from Starving Artist was in the Studio B recording. I had bought my little, he's like my godbrother, little Gouda Ray, he was in the group called Triple OC. They were in there. So I was concerned about them, you know what I'm saying? I was like, man, this nigga might come back and shoot this bitch. Because I know run. I say, it ain't going to be him. It's going to be some people coming through this bitch. I looked at him, I mean, I looked at Pimp. I looked at JP. I said, man, I don't know how y'all feeling, but I think we just need to leave you right now. JP said, I think you right. JP said, shout out to JP at the kitchen. He said, man, I think you right, Bo Bo. Nigga, we got, I got in that truck. We had a navigator, nigga, top the curve trying to get up out there bitch, man. All the way down to the, you know, all the way back to the Amato. So it was, it got pretty, pretty dicey and pretty spicy. Yeah, yeah, yeah, yeah, yeah. Yeah, we on Boss Talk 101.