 All right, so I'm checking this out here. I'm gonna look into your first two shots But before that my only reaction was how it ended was kind of weird because you have to the music and everything and then this starts and then you have And it just kind of quits kind of reminds me of Collins bear Collins bear demo reel that just has the music about it just kind of ends so what I would probably do is take this shot and Put it before this and have this be your end because it's a good shot, too And then that way you can have the score and then the score can continue During this and then you can fade out. So it doesn't feel so abrupt. It feels like a weird It just feels like a weird ending And then looking at the shots themselves. It's not my It's not my That's cool. I like that a lot that shape there. It's It's not my fault Cool, the only thing I would say it's It's not once you get into this that rotation and then this going up There is a bit something in there Like I like that you have a little bit of complexity in here and in these rotations there But when she says not my fault, there's really nothing going on in the head except that drift It's not my fault. So on not to me It's on not could be a little translate forward with a slight rotation this way like a little bit of it It's not my fault. It's something where imagine if you're exaggerating and saying not and not how your jaw Will go forward and how that would kind of move your head forward Also here just for this what I would do this is very subtle But right now you're going forward and it's almost a rotation down and then it translates forward then it kind of just stops and It's kind of just it's a bit simple and I'm exaggerating, but you know make it more subtle But imagine the if you if you track the nose the nose would do this Right, so you have a bit of a arc coming back in so This will be more to the left Coming down over to the right and again small, but this just feels a bit weirdly simple and CG It's not my fault and then your your shoulders are very twins The way they're activated So Some soft ease in's feels a bit post-apose and they're not offset. It's a bit weird not my It's It's not my fault and for polish. I mean again We're all looking at the face, but you know if you're into some crazy polish whenever she has like You know like hurting moments or or like Inhales and stuff like that they could be some changes in here in that hand, you know, like it'll it's not like those fingers are dead They could be something for polish you have something right ever so slightly here, but you know through the rest is really not much going on This super super polish It's not my fault and the thing is for a lip-sync and facial stuff when she has her her moves every time The jaw goes down and she has like ah and and all that stuff if that rig allows It would really help the fleshiness To I don't know if you can but bring that nose down the nostrils like basically whenever you move your imagine your Your jaw goes down and then your your thingy opens that nose that line It's gonna go down here like it has to get pulled down as this gets pulled down so you can do a bit of a bit of a polish on the face if The rig has that option not sure my fault It's not my And she has the tricky thing is that your eyebrows are so low already that when she is in pain The basic scrunching here, which is fine, but doesn't give you that much room to go up and down anymore Like you can almost during this Push them so they're slightly more up and in i'm exaggerating, but versus always so flat. That was very flat it's It's not my fault It's cool how this is synced to music too. And by the way, you know About the camera, I would just pop it in the way you have it here. I don't know if that's what you redid if that's mine It's totally fine. I don't worry about it. My only thing would be Stuff like this here like your hand goes that's cool And then it suddenly pops into that angle And you know, it's totally fine to continue that that line and have the fingers like this, you know And watch out like this hand feels a bit IK where It doesn't change much in its rotation, but a lot of pops in the elbows Don't really affect the hand And then boom, it's only pops through here Stuff like that and you could probably you know as you get power into this Could be a moment where they could be really together and then by now They will be out the the fingers And then that way you can bring it back in This is all fast. I'm just talking, you know final polish stuff You want to sell this squishiness? This still feels a bit weird where It's just that pose He's out. I don't know to me feels like you want to bring one lower and one really Doesn't help you at all You know something Something where it feels a bit more like that it just it's just it's weird I'm sitting on a horse type of cowboy pose. I don't know that it just doesn't feel threatening. It feels almost goofy So I would still kind of tweak that one And I know you won't you have this nice thing where you can push off in the air for the flight But you can still kind of get into this Even if one is a bit higher, it feels like you're Your wings have there's a little bit of a pose offset, but it could be a bit More dramatic, you know, they all seem very twin still And it seems like the timing is pretty the same See how they go up and stuff probably here you want to have a bit more of a bend Make sure to offset those wings It's cool. Looked up These I remember it's cute. All right. I hope that helps. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome All right. Thank you