 A little over a year ago, we shared the story surrounding a mysterious discovery that was once claimed to have been made deep within cave systems within Ecuador, which some believe were originally man-made. A discovery that, although now concealed from the world, was photographed, studied, and documented thanks to the array of artifacts which had been amassed by an individual known as Father Crespi, an entire seemingly alien metallic library, complete with hundreds of sheets of gold, platinum, and other precious metals, hammered out to reveal an astonishing unknown language, clearly left by a people of tremendous capabilities. The caves in which this find is claimed to have been made is known as Cueva de los Teos, and although such discovery is denied by the Ecuadorian authorities, the Ecuadorian and interestingly United Kingdom's governments funded an extensive search of the cave systems soon after the claims became public. It attracted the attention of numerous individuals who traveled into the depths of these caves, including Neil Armstrong, the first man on the moon. What we wish to focus on this video, however, is the enormous seemingly man-made caverns which are found to be within the cave systems. We feel, if these cave systems are indeed one day admitted as having been artificially hewn from the bedrock, then this would undeniably reveal tremendous flaws in academia's claims as to the geology and indeed true history of the area. The cave system is so enormous it has yet to be fully explored by modern man, yet what has been explored has revealed highly compelling features which cooperate earlier claims of an artificial origin. The Moriza portal, for example, named after Juan Moriza, the individual who claims to have originally discovered the metallic library, is clearly of an artificial nature. The question is, why go to such lengths to construct this natural-looking cave system? Was it all created merely to hide this library? And if so, how important could the information held within be? And why did such a find attract the attention of the first man on the moon? Did the astronaut know something we are yet to discover? Juan Moriza, signed affidavit, dated 8th of July 1969, in which he confessed to a meeting with the Ecuadorian president, where he received complete control over his discovery, provided he could provide photographic evidence and an independent witness cooperating the discovery. When Moriza met with Von Däniken in 1972, he took him to a secret entrance through which they entered a large artificial hall within the cave system. Apparently, Von Däniken never got to see the library itself. He wrote in his book, The Gold of the Gods, quote, The passages all form perfect right angles. Sometimes they are narrow, sometimes wide. The walls are smooth and often seem to be polished. The ceilings are flat and at times look as if they were covered with a kind of glaze. My doubts about the existence of the underground tunnels vanished as if by magic, and I felt tremendously happy. Moriza said, passages like those extended for hundreds of miles under the soils of Ecuador and Peru, end quote. We feel the question now is, who went to these unimaginable efforts so far back within history? Why create such a place deep within the earth with such an intended illusion of natural origin if you did not seek to hide something? Many still believe that the truth is still hidden deep inside its unexplored caverns, a truth that will force us to completely rewrite the history of mankind. Are the legends true surrounding Cuevo de los Teos? Did it once indeed contain an ancient metallic library, left to us by an ancient civilization? We find the evidence to suggest so, highly compelling. Hello fellow treasure hunters, welcome back. It has been a while since we sunk our respective teeth into the quest for the truth. Our journey of discovery has revealed some startling connections to our mysterious island in the waters of Nova Scotia. What I now believe, and am convinced I am pursuing, is a miraculous artifact indeed, a golden chest that has said to contain two sacred stone tablets. Inscribed with 10 particular commandments, it is of course the Ark of the Covenant, and it has to be one of the most extraordinary artifacts in history. It was said to be able to raise storms, radiate divine fire, level city walls, smash chariots and destroy entire armies. Moreover, according to legend, it could summon angels and even manifest the voice and presence of God. During my research, I have found, apart from the laws of physics, nothing to say this artifact doesn't exist. It was kept in Solomon's temple in Jerusalem until it disappeared from history in 597 BC. Biblical scholars, archaeologists and adventurers alike have spent years searching for the last resting place of the Ark. This final resting place, I have discovered, was created by the Knights Templar. If you have been watching my videos, you will know of the overwhelming Templar links to the island, and the treasure hunt thereof, in which we are dawned with our fascination. The most intriguing question I found myself asking, was how could such an object possibly exist? I however was never on the hunt for mythical relics, I never fancy myself an Indiana, I would more than likely become one of the many skeletons littering the cave systems of Earth. But rather I hunt something that is the most real of all, the truth. However, when along this journey you encounter very intelligent and powerful figures, throughout history, claiming to have pursued this item, not only that but to have found it. You begin to wonder, you wonder what exactly it is that they found. This question for me came secondary to where they hid it, as this question I never asked, I came across this legend while pursuing an entirely different treasure, which turned out to be the very same. I have been diverted away from my pursuit on the Green Isles of England, in favour of unravelling events upon the island of Oak, alas, I again cast anchor into the murky and treacherous salty waters that once enveloped me. And since the brothers have provided us with some much-needed excitement, quench the thirst for gold, I felt it worthy of my attention. Since the first auger drilling on the island during the middle of last century. A vault has indeed been the most likely candidate, and the most hunted target and depth at the money pit since its suspected discovery. These auger drillings have been surrounded by controversy, most notably the missing golden fragments brought up with the sample, that was apparently stolen. Along with a small piece of parchment, coated in liquid mercury, that still exists for study, it was part of a larger document, written in a fine ink, only one written letter is visible. When this drilling was done, it was reported that they broke through the roof of what they believe was a vault. Ever since this event, with the fragments brought up with traces of mercury, known to have been used to preserve parchment if submerged underwater, many have been convinced to treasure lay within this cavern, while others suspect it is just a natural cave system. Nevertheless this vault has been a huge target to confirm. Fast forward to present day, and we now have successful dives to this depth, with modern technologies we have done what many felt impossible. Not only that, but diver reports have confirmed a vault with smooth sides, this strongly discredits a natural formation. Add to this may be the most compounding piece of evidence this century so far, multiple positive metal detections for gold at this depth. Since these are the only dives done so far on the vault, I do not have any further information on the vault to share with you. We know from excruciating research, digs and experiments on the island, a tremendous amount of effort went into the trap, firstly the flood channels, made from stone slabs, which do indeed extend but into the sea covered in coconut fiber, the oak layers at every ten feet, and the sheer amount of digging that was done by hand. Why would you create such an elaborate structure, just to bury the treasure below the flood tunnels? Another hypothesis occurs, that there is indeed a treasure of gold laying in the money pit, corroborating the stone tablets message, yet this, if true, I believe is but a small offering compared to what the island really hides. In conversation the brothers believe they have cracked it, they believe they may have hit paid dirt in the form of national treasure, I'm yet to be convinced, but admittedly they are certainly making huge progress in revealing the money pit secrets, a pit that has taken numerous lives, and countless fortunes. I will be continuing to cover discoveries on the island and linking them to the historically known research, my research into Jolie and Graham Russell's amazing discoveries in the UK pertaining to the Templar treasures will also be released shortly. As always, thanks for watching, stay tuned for more. An upart or out of place artifact comes in many shapes and sizes, some clearly being or containing an anomalous object, which no matter how desperately some attempted discredit, the evidence is clear for all to see. This category of upart, unsurprisingly, often falls victim to theft. However, the other category actually litters the display cases of museums all over the world. These artifacts are being more easily explained away, and as such, they are often attached to a less impressive historical tale than that which was actually experienced. Stonehenge is probably the most iconic ancient site within Western Europe, an ancient site that, for many years, was to blame for many heated arguments between different individuals, all convinced of its past purpose. Now, largely accepted to be a celestial calendar and a meeting place for many ancient people who came together at solstices to hold elaborate and purportedly promiscuous festivals. However, the true age of Stonehenge, or indeed how the stones were once balanced atop of one another, or the precise knowledge of celestial activities displayed, is still unknown. Although to those who study the many other seemingly impossible ancient feats found all over Earth, Stonehenge is clearly a relic of a far more ancient civilization than any which artifactual evidence have been found for. In 1808, William Cunnington, one of Britain's earliest professional archaeologists, discovered what has become known as the crown jewels of Stonehenge. They were found within a large bronze age burial mound, today known as Bush Barrow. Within the Barrow, Cunnington found ornate jewelry, including an intricately decorated dagger. Quote, the very finest goldwork involved in the making and positioning of literally tens of thousands of tiny individually made components, each around a millimeter long and around a fifth of a millimeter wide, said David Dawson, director of the Wiltshire Museum in Devises, where the micro gold working achievements are on permanent display. The amazing process involved in creating the handle of just one dagger, included up to 140,000 tiny gold studs, each just a third of a millimeter wide. The first stage involved manufacturing extremely fine gold wire, just a little thicker than a human hair. The end of the wire flattened to create a stud head, then cut with a very sharp razor no more than a millimeter below the head. This delicate procedure was then repeated literally tens of thousands of times. An incredible ancient artifact found near one of the most enigmatic ancient sites in the world. Yet amazingly, academia continues to deny the existence of out-of-place artifacts, instead opting to explain the construction of such marvelous work by claiming it was somehow the work of children, due to their more acute site, this regardless of the clearly controversial evidence at hand. Who created such astonishing microscopic jewelry? Were these amazing artifacts once the possession of the actual builders of Stonehenge? Incredible items that are clearly amazing ancient oparts. A little over a year ago, we shared the story surrounding a mysterious discovery that was once claimed to have been made deep within cave systems within Ecuador, which some believe were originally man-made. A discovery that, although now concealed from the world, was photographed, studied, and documented, thanks to the array of artifacts which had been amassed by an individual known as Father Crespi. An entire seemingly alien metallic library, complete with hundreds of sheets of gold, platinum, and other precious metals, hammered out to reveal an astonishing unknown language, clearly left by a people of tremendous capabilities. The caves in which this find is claimed to have been made is known as Cueva de los Teos. And although such discovery is denied by the Ecuadorian authorities, the Ecuadorian and interestingly United Kingdoms governments funded an extensive search of the cave systems soon after the claims became public. It attracted the attention of numerous individuals who traveled into the depths of these caves, including Neil Armstrong, the first man on the moon. What we wish to focus on this video, however, is the enormous seemingly man-made caverns which are found to be within the cave systems. We feel, if these cave systems are indeed one day admitted, as having been artificially hewn from the bedrock, then this would undeniably reveal tremendous flaws in academia's claims, as to the geology and indeed true history of the area. The cave system is so enormous, it has yet to be fully explored by modern man. Yet what has been explored has revealed highly compelling features which cooperate earlier claims of an artificial origin. The Moritza portal, for example, named after Juan Moritza, the individual who claims to have originally discovered the metallic library, is clearly of an artificial nature. The question is, why go to such lengths to construct this natural-looking cave system? Was it all created merely to hide this library? And if so, how important could the information held within be? And why did such a find attract the attention of the first man on the moon? Did the astronaut know something we are yet to discover? Juan Moritza, signed to affidavit, dated 8th of July 1969, in which he confessed to a meeting with the Ecuadorian president, where he received complete control over his discovery, provided he could provide photographic evidence and an independent witness cooperating the discovery. When Moritza met with Von Däniken in 1972, he took them to a secret entrance, through which they entered a large artificial hall within the cave system. Apparently, Von Däniken never got to see the library itself. He wrote in his book, The Gold of the Gods. Quote, The passages all form perfect right angles. Sometimes they are narrow, sometimes wide. The walls are smooth and often seem to be polished. The ceilings are flat and at times, look as if they were covered with a kind of glaze. My doubts about the existence of the underground tunnels vanished, as if by magic, and I felt tremendously happy. Moritza said, passages like those extended for hundreds of miles under the soils of Ecuador and Peru. End quote. We feel the question now is, who went to these unimaginable efforts so far back within history? Why create such a place deep within the earth with such an intended illusion of natural origin if you did not seek to hide something? Many still believe that the truth is still hidden deep inside its unexplored caverns, a truth that will force us to completely rewrite the history of mankind. Are the legends true surrounding Cuevo de los Teos? Did it once indeed contain an ancient metallic library left to us by an ancient civilization? We find the evidence to suggest so highly compelling. It is believed to have been found on Duras, Central America. Within the deep and dark jungles of this region, large expanses have remained untouched by humans for thousands of years. Practically impenetrable, the native plants alone can grow up to 70 meters in size. Whatever it is that lay in this place, it has remained out of reach from countless astute adventurers who have ventured into these unknown forests in search of the legendary treasure, which the trees have protected for millennia. This is the first recorded by Hernán Cortes in 1526. Less than five years after vanquishing the Aztecs, he came to the colonial town of Trudillo, on the north coast of Honduras, to look for the mythical city of gold. Cortes' search for this Central American elder Arado marks the beginning of the known hunt for Sardad Blanca. In 1939, American researcher Theodore Maud claimed he found evidence of large ruins deep in the jungles. He also told of an ancient legend to him by payer guides. A story of immense temples with large stone staircases leading to their entrances and of a giant gold statue of a monkey god in the center of the city. The oral legends of the Peck Indians who inhabited the territory of Honduras 2,500 years before Christopher Columbus corroborates this report. The heart of the temple was a huge level stone platformer which was the statue of the monkey god himself. The steps of this platform were said to have been flanked by a colossal image of a frog on one side and the crocodile on the other. All accounts agree that the city was stacked full of gold, whoever they were, they were clearly a very wealthy people. The white city was also said to have been the birthplace of the Aztec god Quetzalcoatl. According to the ancestors of the indigenous Peck people whose exact genealogical origin is still a complete mystery, he built a white city of immense proportions. The city was a sacred place of great beauty and was stuffed to the brim with gold. Many have claimed to have found it in the past, yet they have all lack proof of their discovery. Many began to believe it was just a myth. However, for a very long time, visitors to the jungle who have become lost, those lucky enough to escape its clutches have reported stumbling across this large city lost deep within the dense jungle. And along the Platano River, many mysterious ancient petroglyphs have been discovered carved into the rocks by an as yet unknown ancient jungle civilization. These are now suspected to be marker stones leading to the city. These reports led a team of explorers into these deep forests in search of this amazing place. And they have actually managed to locate prehistoric foundations and ancient mounds, which are indeed linked to the fabled city of Asadad Blanka. Using lidar technology, they were able to locate a complex of mounds, ancient ruins, canals, roads, and terraces all leading into an impenetrable section of jungle, all suddenly becoming visible from laser reflections off the tree canopies in the Moskvisha region of the Honduras rainforests. With plant life 70 meters in height and with foliage many centuries old, the team has barely scratched the surface of this immense place and have not yet been able to penetrate the forest sufficiently to enter the central city ruins. What amazing treasures could be laying in this place? Could it really be stacked full of ancient gold? All stories attributed to this mystical place have so far been confirmed as true, so there is no reason to doubt the other information, meaning that there is a very high possibility of a mountain of ancient gold cast by an as yet unknown civilization resting in the central American jungle, just waiting to be found. An upart or out of place artifact comes in many shapes and sizes, some clearly being or containing an anomalous object, which no matter how desperately some attempted discredit, the evidence is clear for all to see. This category of upart, unsurprisingly, often falls victim to theft. However, the other category actually litters the display cases of museums all over the world. These artifacts are being more easily explained away and as such, they are often attached to a less impressive historical tale than that which was actually experienced. Stonehenge is probably the most iconic ancient site within Western Europe, an ancient site that for many years was to blame for many heated arguments between different individuals, all convinced of its past purpose. Now, largely accepted to be a celestial calendar and a meeting place for many ancient people who came together at solstices to hold elaborate and purportedly promiscuous festivals. However, the true age of Stonehenge, or indeed how the stones were once balanced atop of one another, or the precise knowledge of celestial activities displayed, is still unknown. Although to those who study the many other seemingly impossible ancient feats found all over Earth, Stonehenge is clearly a relic of a far more ancient civilization than any which artifactual evidence have been found for. In 1808, William Cunnington, one of Britain's earliest professional archeologists, discovered what has become known as the crown jewels of Stonehenge. They were found within a large Bronze Age burial mound, today known as Bush Barrow. Within the Barrow, Cunnington found ornate jewelry, including an intricately decorated dagger. Quote, the very finest goldwork involved in the making and positioning of literally tens of thousands of tiny individually made components, each around a millimeter long and around a fifth of a millimeter wide, said David Dawson, director of the Wiltshire Museum in Devises, where the micro gold working achievements are on permanent display. The amazing process involved in creating the handle of just one dagger, included up to 140,000 tiny gold studs, each just a third of a millimeter wide. The first stage involved manufacturing extremely fine gold wire, just a little thicker than a human hair. The end of the wire flattened to create a stud head, then cut with a very sharp razor, no more than a millimeter below the head. This delicate procedure was then repeated literally tens of thousands of times. An incredible ancient artifact, found near one of the most enigmatic ancient sites in the world. Yet amazingly, academia continues to deny the existence of out of place artifacts, instead opting to explain the construction of such marvelous work, by claiming it was somehow the work of children, due to their more acute site, this regardless of the clearly controversial evidence at hand. Who created such astonishing microscopic jewelry? Were these amazing artifacts once the possession of the actual builders of Stonehenge? Incredible items that are clearly amazing ancient oparts.