 I love you, I love you, I know it's, but I can still say I love you. I'm a woman now, it doesn't matter. Thank you so much. Thank you so much. We met in the general meeting. It's nice to see you. Who is that? Who is that? He's an extremely famous hairdresser. He's a famous hairdresser? It's awful from so long ago. This is from Germany. I visited the Waterston to see if I could find your autobiography. Have you found it yet? Yeah, I don't think you've found it yet. It was a copy-loaking of a laboratory. I said, hahaha! I said the most things about you. Big sex of things about you. Seconds already, by the way. There was an effort for it in Salisbury Station of your interests. Well, it's... When you took charge of the film, how much preparation did they give you? Me? Yeah, and I always told them, I think it was only a day and a half. No, I think I said three weeks. Was that about in my ad-rit? No, it was... Nick Rogue was going to do it originally. Right. I met Dina for some inexplicable reason. He was determined to get me to do it. Eventually I agreed, but incredibly reluctantly. Because I was a totally inappropriate director for the film. I really was. I had no idea of special effects or anything. Anyway, he convinced me. My bank notes suggested I should do this. I think it's a good idea. So I did it. No, I had much more time. But the making of it, because Dinello Donati, the lovely, wonderful production designer, I don't think he ever read the script, actually. I loved him, didn't I? But I had to just wait and see what he gave me, you know. And I'd then be all improvised. Oh, that's amazing. Remember the day when you had to... And that's all... And all the karate chops you meant to deliver to the pig men and all of that, and then he puts you in a dress made of armour and high heeled shoes. And then we worked out an improvised... The whole film was improvised. The football scene? Amazing, yeah. When it was, we just made it up as we went along. We did, didn't we? You gave us the room to do that. That's what I was always so grateful for. Yes, you did. You gave us room. But I always loved Ted. My left-hand man. You know, with the broken nose. Biro. Biro's next line was, he just kind of, yes, don't worry. And I said, come on, just shout back. Are you all right, Biro? Yeah, he just winged me. I said, bring the bloody house out. And he was so shy. And I said, all the way, I said, in all the scenes, keep along, so I'll give you a wing. You'll be in every fucking... You'll be in every scene, Biro. I said, you know, Ted, because he was an ex-rogby player, wasn't he? Oh, that's right. And I said, that's why I've got a broken nose. Just keep it alongside me all the time. Have you been in any shot? I kept grabbing him all the time and holding him closed. And so I was telling him a little natural fact. This Gordon's Alive thing has taken over my life. So everyone goes, Gordon's alive whenever I go. They're up in the street everywhere. But I went to number 10 down in the street a short while ago. I was at Elephant's and I was doing something about Elephant's. And I'm there a bit early in the prime. I was sitting outside and said, there's the prime minister. I said, hello, prime minister. He was about 16. What are you doing here? I said, well, I was actually coming to see some people around Elephant's and all that about Elephant's. I can't do it until you go in. I've got to wait for you to go in here. And he said, well, come in. And he made me a lovely cup of coffee and he made me an omelette. And he made me a fucking omelette. And then he took me into a room and there was the cabinet. And I made me stand at the table and shout, Gordon's alive. And that's the British prime minister. So the effect of flat Gordon throughout the book. I mean, you get people coming on speaking about telephone mate or a taxi and say, Gordon's alive. Go and say, eat. Gordon's alive. Oh, thank you, bro. Everywhere you go. I mean, it's fucking Gordon's alive, Gordon's alive. I'm going to the cabinet again. I've been ringing the outlaw for a while to provide you with a suicide note. It's weird to do the job properly. You voiced me in flashball. I did. I voiced you. I played it as fucking Mickey Mouse. I couldn't hear a flashball. But he didn't fly me back. He didn't fly me back for the looping and dubbing. And I was the one that realised it had to be a comedy. He would, when we were running the rushes with the crew, like, why they laugh? Why they laugh? And I had to save the crew. Could you stop laughing at the rushes? I mean, there's no way you can make it. Seriously. I mean, the top of his arco when Raymond drew the original strip cartoons, we hadn't been on the moon. This is 38. Now we're on the moon. It's our best building. It's just rocket ship and it's conservatory. And we're meant to take this seriously. Dino took it seriously. I mean, you know, it's wonderful combination of the two of us, actually. Because I was always putting in jokes about never to tell you. Of course, it's really interesting, actually, the film is kind of it's sort of on the nose in a way that it's I remember when Dino used to have these art shows where he was trying to get people to come and put money into it. And the guy from I didn't know all of this. I used to have to share them around because Dino's English was terrible. And the Iraq war was sort of going on. I said, look at this, you see. The Iraq war was going on. And I said to this guy, I said, listen, this is this is a medieval world arms up to the teeth. It's kind of curious. And now you look at what's happening in the world. It's still been going on. But you have a totally medieval mind, arms with these amazingly sophisticated lethal weapons. And it's exact with the syndrome that you've got him get much more than me. And all these other things, sometimes ridiculous, but in fact, it's weirdly accurate. Yes. He said he hated our version of it. Who was this? But he wanted me. So you don't remember the inspired thing. It was a set that was made on a big web and it was supposed to occur when Sam was having some drug. And I sat around and painted head to toe in green. They even helped me with my teeth to get denser. They cut the whole thing and I sat there all day. I didn't call them fairly dressed. And I said, hi, thank you. We're happy to meet you today. And I said, oh, okay. And the cost, the set was exquisite. Oh, so sorry. I said the set was exquisite. It was this big, shiny, sparkly spider web. It was beautiful. It was $10,000, $10,000? Was it from an island? No, this was at Sheperton. Yes, I know. We built an island in Old Street for the end of the film. And I said, this is useless. We didn't have an ending. No. We'll be just talking about how that happened. Yes. I have to just tell you because it's such an important measurement. It's very sweet show. Your kindness was important and we left you all, as you know, scared. You were such an incredible, very good experience. You really, really gave me such strength and such support.