 The basic purpose from an engineering point of view of those tests in West Virginia was to take a traditional locomotive. It's unmodified. It was a locomotive built in 1948, which really was state-of-the-art in those days. It was a passenger locomotive built for the Chessie system, one of the last of its breed. It has a lot of the latest technology of that era, but unmodified. And then the engine was heavily instrumented by the Foster Wheeler Corporation, which is participating in the boiler research. And so basically we had a 1948 locomotive with a lot of 1985 instrumentation to establish a baseline set of data about what a traditional engine is. Efficiency, it's smoke, it's the pollution, the track dynamics, this kind of thing. Railroads haul today more ton miles of freight between cities than any other mode of transport. They haul more than trucks, more than waterways, more than any of the other transportation modes. And so if in fact we could get what amounts to a third, it's about a third of the nation's ton mileage, on to domestic fuel, that would have obvious national security implications, would have obvious implications for reducing our diet of foreign oil. Diesel's just common power, but steam engines talk to you. I just love it. I could hardly sleep this night for thinking about today. This might be the last steam engine that ever pulled an M-track train in history. So you never know, we're just going to have some fun taking the day off to enjoy ourselves. The American dancer took it and made it an art form. They're all kinds of geniuses. Certainly Fred Astaire created a whole vocabulary of dance around his style. I mean, anybody who can think of dancing with coat racks and rooms going upside down is a genius now. But the black tab dancer, because he was always interested in improvisation and dancing to rhythms and jazz musicians which made them part of the orchestra, we are percussionists, so they made it an instrument. So by John Bubbles dropping his heels, he could dance with any tempo, any orchestra, and that's what they brought. And that enlarged the vocabulary of dance, which made it go to greatness. Vrushnikov in this movie, that's the answer, he says, what's so wonderful about dance is that we take from each other. We learn from each other. Dancers love to show other dancers what they do, and other dancers want to see it and want to learn it. So that's what I did and it all fused together. How successfully the audience tells me. I think it's a genius. He's the most creative person that I've ever met. He's real childlike. He's very much like I am and people who are constantly looking for new. And he's never closed. And we had a long talk before, I did an improvisation of the break-up scene to get the part. And I explained to him that if I felt that the black side of the story was not done with integrity in class, I would leave the movie. I wasn't interested in the money. It never occurs to me anymore. I was making a dollar ninety-eight anyway. So none of that mattered to me. And he understood that. And he said, well, you know, Maurice, I'm tired of seeing black actors say what's happening, baby. Anyway, see you tonight, baby. It's time now. I got to special the act. Remember that song we talked about? Yeah. Can you do it tonight? Can a cat climb a tree? Run right up the duke. I'm there. He took me. What's this about a solo? Dance me do a solo. Oh, they asked you, you didn't ask them, huh? I talked to them, yeah. Look, it's a step-up, man. It's good for both of us. Don't give me trouble. Shake my hand. Shake your hand. Oh, the spitting. How could you do it to me? I'm your brother. How could you go behind my back? You want a solo? You got one. On stage and off. We fought, and we knew that we had to separate his brothers in order to preserve our relationship with his brothers. We'd been together 25 years by that time. And so we broke up. When we reunited, Gregory began to understand, we're very volatile men, as it is, and the rock business, the record business, became very unattractive to him after a while. I was doing a play called Saravan. I auditioned for Ubi, which was the show about Ubi Blake, his music, the review, and I called Gregory and I said, Gregory, you better get here, you have a daughter to support, and you better turn it out here. I am turning it out because I could do everything. I could sing, I could dance, I could act, I could juggle, I could do everything. And so Gregory said, but you can make some money, come here. He came, he got in the show, the opening night in the first preview of the Walnut Theod and Philly, we did this dance and we were supposed to have gone to the next song. And we looked at each other and we just hung and kissed and cried, just the way we did in that movie. We just break up, we break up, but in the reuniting scene was real too. Of course, London, we've been in Monte Carlo, but with another act with my singing act that I include my dancers in. But Ballet Tap will go yes to all those countries now. I'm looking forward to showing and sharing my talent and educating the audiences about what I feel can be the greatness of Tap. Tap art form has been thought of as a stepchild in dance. It's always been after Ballet or after modern or after Graham or after, you know, but it's not because it's the hardest technique because if you make a mistake, you can not only see it, but you hear it as well. So there's no margin for error. There was no ominous feelings of any kind. And it occurred at 8.31 a.m. I fell right here in this spot here, as I point to, if you can be seen. Now, whatever happened after that, I don't know if I woke up in the hospital. Basically, in a layman's term, it's just determining, after you determine that there is not a pulse and that someone is not breathing, you actually breathe for them and cause their heart to push blood through the body so that the brain doesn't die. In the state of Washington, we prefer head tilt to inlet. Originally, Seattle had the first three-hour class for cardiopulmonary resuscitation. So they developed the class and decided to teach to citizens. They didn't teach classes at any location. We'll try to teach in a church, community club, private residence. We make it as available as we can. We have one instructor, usually, for a class of 20 to 25 people. The class would involve a lecture, which is explaining the access to the entire system, what CPR is, and generally what they can expect to find in case someone does collapse as a result of a heart attack, any of the things that might cause someone to stop breathing. Then after the lecture, they do see a film which reinforces this information, and then they have a hands-on, which most people think the hands-on is most important, because you get a one-on-one with the instructor that he tells you how your hand plays, but should or should not be, maybe you missed out of the class, so that in the three hours, it's all encompassing. We've trained over 350,000 people in the Seattle King County area. No one else can compare to that. The chances of you actually having someone do CPR on you, probably one in three. If someone does CPR in the first couple of minutes, that being a citizen, it greatly impacts the chances of someone surviving. If my co-workers here had not been skilled in CPR, I would have been finished. I would never have gotten off the floor where I fell. I wouldn't. I would have been laying there. I would have died, simply. In urban cities like New York, developers don't have that kind of time. A million-dollar project, a hundred-million-dollar construction project may cost them for downtime a million dollars a month, so the archaeologists have to refocus their time frame to be able to do justice to the archaeological site in a drastically restricted time period. The unwritten history sometimes doesn't match what was supposed to have taken place. The ethnic or the cultural makeup of colonial people that we find in New York and the artifacts they use and the countries those artifacts came from are very different than many historical characterizations of only Dutch. We find that we had 14 different languages spoken in 1625 in New York. They were not only Dutch, they were Swedes, they were Germans, they were English, they were coming from all over, and that real history, that human history, is reflected in the culturally important tools and artifacts that they used and left behind. Say that you had a positive three and a positive four. Well, your answer will be a positive seven, all right? If you had negative seven plus a negative three, then your answer is going to be negative 10. Now, can you see something that's common here? Light signs being added, the operation is addition now. Light signs being added will give you the same sign. Now, the other end, mostly that nine. So, from that decimal point back, you're going to put two zeroes. You see, you put the decimal point up on top. You're going to, from that decimal point back, you're going to put two zeroes. See, you put the decimal point up on top. And you're going to have one zero and you're going to have two zeroes. And then we look at that thing and we're going to say, gee, I guess it goes in two times, right? Because what you're looking at is a 12. One of the things that we are concerned about is making sure that we try to answer everybody's question. We don't want to leave anybody out. We want to try to make it a service, so they feel comfortable with us and we feel that we're providing a service to the community. It's two. Okay, so we have two. And that's two. Okay. Now, at this point, we can write down our answer as 193, remainder, 28. Let me, let me, let me look at these and see if I can pick that up. Hello, I'm Elton Manning, and I go to visitation school in Tacoma. And I'm having problems with my fraction. Could you have the teacher show some on the board and help me out? Okay, thank you. All right. What I'm going to do, Vinnie, is use some of the problems from other callers and solve those for you. And perhaps if you see that you don't understand, steal something about it, then you can call back and give me an example of what you'd like for me to go through with you. Okay, so this is a no-name, but they did give us a call. So I'm hoping that this will help this person as well as some of the others of you. This is adding your fractions. Now, remember that when you're adding fractions, you want to get equivalent fractions so that your denominators are the same. Or we could say we wanted to get least common denominators or least common multiples for these denominators. I like the program and it's a godsend because the problems have come up in Milton's homework that I haven't been able to help him with. I may be able to do the problem myself, but I can't explain it to him where he would know how to do another problem of this type. With homework hotline, all he has to do is call up and the teacher gets him. It's just like she's right here. You got it. Dick, send this by Emery to Pittsburgh. And if it's not there by 1030 tomorrow, I'm holding you personally responsible. Send this by Airborne to San Diego. But if it's not there by 1030 a.m., Dick, you're in big trouble. Send this by Pure later to Seattle and better get there by 1030, Dick. If you were in Dick's shoes, you'd probably do what Dick's going to do. Hello, Federal Express. But it absolutely positively has to be there overnight. Then the containers are loaded back onto the plane and the planes take off anywhere between 2.30 and 4.30 a.m. So this critical sorting process has taken all of approximately two hours and 15 minutes. We have moved a large fraction of our communications onto microwave and satellite channels that can be easily intercepted. And at the same time, we have adopted communications formats that make it easy for an opponent to select from the traffic available the particular pieces of information that interest him. 16 feet after me. Five, six, three, nine. Five, six, three, nine. You are authorized to transfer funds. Your base is one of the more obvious of the bold, exciting goals we can reach through the space station doorway. The goal of a lunar base has long been our vision. The exploration and settlement of the space frontier is going to occupy the creative thoughts and the creative energies of major portions of generations for the indefinite future. All this technology we will have with the space station takes us virtually to the moon. We see the first base, the very first thing to go down will probably be something very much like space station modules which will be carted to the surface and buried. The transportation system will be such that there will be largely unmanned vehicles, derivatives of orbital transfer vehicles that will go from Earth orbit to lunar space and then a lander which will go between lunar orbit and the surface of the moon. What it does do is give her an opportunity to see herself put together in many different ways that she wouldn't have the ability to do or the time to do if it were not for the magic mirror. You don't know why, but sometimes you say, I don't like the green. But it's so easy to try. One day you try the green and you say, ah, it's nice. I think a lot of people are under the misinterpretation and this is the question of fashion photography and fine arts photography. That fashion is just dressing somebody up, putting makeup on them and taking a picture of them. Wrong. It's much more than that. I think in every industry there are people who hack things out and there are people who feel things and try to make statements. Use a fill. We'll use some rim lights in the back. Either we'll light the background evenly but very low or we'll throw some shapes on it. The studio to me means a certain kind of precise control in terms of lighting. And if I don't have that, I don't feel that it's of the quality that I would want the image to be. Because you can't do anything, I believe, unless the lighting is saying exactly what the feeling of the photograph is. It means controlling things very precisely and accurately and focusing and honing in on a subject almost like a... I mean it sounds very clinical, but sometimes almost like a surgical procedure trying to get to the truth. I think that you can only shoot or incorporate subject matter into images that you make that are things that you are either relating to or that are important to you or that you're feeling something about at that point in your life. That's why different artists pick different things to use as subjects. A long time ago, things had to look beautiful in a kind of almost esoteric kind of way. Which I understand and which I sort of relate to from artwork paintings of the past. But now, the critical thing is that things be beautiful, but that the performance have a certain truth in it. And if that doesn't happen, then to me the whole thing is not worth it. And my way of doing that, just maybe based on my personality or what I've learned, is to try to guide people to feel certain things and be expressive in front of the camera and let them to feel or express anything that I wouldn't be willing to feel or express. So those are the rules. I think eroticism is absolutely essential to the work that I create. I don't think it necessarily has to be overt, but I think that that kind of energy has to be there because it's there in any complete human being. We're doing five seconds. So we're eight and a half on here. Okay. All right. Do you want to move this way a little? I think that at any given cultural time, historical time, that people create fashion and colors that express the ideal, the values, and the politics, the individual politics of the period. And that's why I think it's so interesting the way women's clothing has changed to reflect lifestyle values and aspirations. The idea of women being taken out of corsets and being put into clothing that moves. There's a certain, there's a real liberation in that. Sometimes when you do a shooting, you get what you want, maybe halfway through the shoot. You very rarely get it at the beginning of the shoot. Of course, you don't know enough about it at the beginning, but very often you get it at the end of a shoot. When you've gone through all the changes and all the manipulations and you find out what it is that you have in front of you and usually it's a discovery process. It takes a long time to find out what is the best of what's in front of you. It's getting better. If I feel I haven't gotten in and I feel that it's there, I certainly go for it. I work until I do get it. If I see designs that are being done by someone that I think are great, I'll call them and say, I love what you do. I'd like to shoot it and very often they will give me their things and have them photographed in a way that I do because it's like a mutual recognition that something's being done of a very fine quality. And it's a high. Sometimes people need other people to say, that's beautiful. I like it. I hope you do more of it. That helps. My photographs I think are complex and I think they have evolved and I think they're at an interesting point in the history of fashion photography because it's the first time in history that we're looking back at fashion work that's been done and seen it in the light of art in quotes. And I think I've used the elements and the disciplines of this particular field to make my own statement. But I really hope that I will evolve as an artist and that I will inevitably become involved in feature films and I think I am definitely involved in an evolution and a growth. I know I'm here because I'm supposed to learn something and feel that when I learn it I'll go on to the next way. For the gift of the soda and the hope that people will better understand him Howard describes his life and his mental illness with a high degree of awareness. When I came to the hospital I was terribly out of touch with reality. I thought God and Satan communicated with me over the radio. This is the Baltimore Radio Reading Service May I help you? The fact that over the last two years we have been able to operate the service without for the most part any federal and or state or city money is a tribute to the fact that we are making progress in educating the public to the value of this kind of service and what it means to people who either don't see or have some other print handicap. Hearing 45 of the most Lemonine's stars Springsteen also came aboard. That was something of a turning point concedes Cregan. Howard was arrested by police at a Dunkin Donuts store in the 600 block of Gus Ryan Street, not far from the murder scene. Why do I do it? Well, I do it because I feel it's most rewarding that I'm able to do this for people that can't do it for themselves. I enjoy reading. I enjoy speaking. And I just get a lot out of it. I love it. Being a totally blind person and being able to do something like this is really not an ego. It's just a plus for me. I feel good about what I'm doing and it just makes me feel 100% that I can help somebody that can't read the newspaper like myself. I can't read it, but I can help put it on. Catalogs with complete subjects are available free by calling the BBB tell tips number and requesting one. A catalogue for the visually impaired is also available through the Enoch Pratt 3 Library. A corporate application for a high speed helicopter or rotor craft. It can go beyond that very naturally to commuter applications where you would use the vehicle at the 30 to 40 passenger size to apply to the inner city or regional to hub airport transportation system. The tilt rotor has a perfect application where you can haul very large loads or long range high speed without developing large airports. I'm Johann Schmier. I'm 17 years old and I'm from Heidelberg, Germany I'm an exchange student who has come to the United States. When Johann initially came to our home, he was really on the status of guest. We didn't really know him. He didn't really know us. So we treated him as a guest and would do everything for him as she would for a normal guest and it took really I'd say a month or so to get on a more comfortable basis of being able to tell him to do things that were household responsibilities and to stop treating him as a guest. In the beginning was kind of you have to see how are they how am I. I thought I come here and be the whole time the nice person totally perfect but you can't be perfect for a whole year. I thought that nobody else is perfect. I just skipped this idea of being perfect. At one point he came up to me and said that he really wanted us to yell at him he would feel much more at home and much more part of the family after we yelled at him. We haven't quite made that transition yet but would become a bit more sterner. We haven't needed to yell at him. It's almost like having taken in a foster child they've been screened in terms of fitting within but it's another semi-adult which is walking in as a relatively mature child for a year and you have to make the kind of adjustments you would with someone like that. When I first came into the school they didn't treat me too much I mean I didn't say too much I was listening and trying to catch up with the language and sometimes you don't quite understand it and you get tired over the day just listening to English because you have to concentrate on it. You don't have a lot of interaction when you ask every single sentence could you repeat that please? Excuse me? It's not that you really have interaction in the sense you have a conversation you're listening and you try to understand and you answer something and there I say excuse me could you repeat that when you rephrase it and rephrase it the kids helped me I mean I couldn't understand something it just helped me to get along with the teachers or get along in the building or something like that explained something to me. Also in the beginning you started speaking English but you didn't think in English and then you started thinking in English and you didn't think too much in German anymore but suddenly you dream in English but your dreams are supposed to be German and so it was kind of a not a shock but a surprising what? You dream in English and then my German mother and my German friends started speaking English in my dreams you sit there and no, no, no they don't speak English and you wake up with a kind of uncomfortable feeling but now I'm used to dream English the exchange program gives you for sure a better understanding of America but understanding in the sense that you see the people how they really are you lose a lot of your idealistic ideas it's kind of like the glamour is leaving you see sometimes that's America and like if I would know would have to make a decision about America or say something in a relationship to America there must be a lot more realistic it's kind of sometimes you see where opinions come from their reactions, American reactions come from I'm really glad that I came here the whole year it's not only fun but it's a lot of new things you see sounds strange, everybody says that it's nice here and I like it but it's a also things you don't like it's sometimes great you're not only learn something new about America or learn new language or get new friends or new family but you also kind of learn new about yourself I think it will be terribly hard to say goodbye to him it's been an interesting development really you invite a stranger into your home you get to know this stranger you learn to laugh with them and cry with them and see them grow up for a year and then they disappear I think it will be very difficult welcome to Holy Cross that's from somebody that everybody has to have an armband everybody has to have their name on the armband let everybody listen to their hearts we're going to find out how to take our pulses alright and everybody gets their blood pressure taken turn around make up a name of a street boy something that would go with Lucy Skywalker make up a doctor if you were Lucy Skywalker if you were Lucy Skywalker ready pump pump pump one oh two over eighty you're alright Nicholas when a patient comes in we hook them up to the heart monitor okay you should start seeing some scriggly lines on the screen what do you think they are friends we've got to get enough for everybody to have strength one half one now okay we've got to test them we've got to see what kind of germs they are so we give them oxygen through his nose okay and it helps make his heart work a little better I can feel it I can feel it so I don't want to ever put one on anybody your size do I put them on like this do this feel like ice? I'm going to show you why it doesn't hurt when I clean Justin's arm off because I'm going right down one side of it and I'm going right down this side look like an Indian aren't you right down that side and right down this side now I never touched your cut did I Justin my mom did now Justin I'm not going to cut you I'm going to cut the tape I mean the bandage okay a little splint here on one side the blue side that's just foam now we're just going to put a little bit of tape around the tip here okay it's probably going to keep that one she may keep it it's her splint a little bit of tape on this side now if I put this splint on right now it doesn't do anything to stop you from moving it does it I know isn't that awful it's plaster dust okay yes you do because once this starts to get dry it starts to get warm okay and then it gets hard and that's what makes it work when it gets hard and this is a special bandage it's shaped just like Terry's hand I just learned about helping people I learned about listening about the heart put the cookie on your lap here are all your charts that you all registered at do you remember when you registered right there the purpose of the program basically is to educate children to hopefully alleviate some of their fear of coming to emergency room the other aspect of the program is just one simple word love for children I enjoy it immensely my name is Artie Frieda and this is my little pal Luigi hello howdy and you tell the people your real name Luigi what does the y'all stand for Luigi Luigi would you like to sing a little song oh yeah everywhere you go sunshine follows you everywhere you go skies are always blue children love you they seem to know you get roses out of us now let go to string the whole world says hello I do this for the love of the people I don't do it for the money the satisfaction I get is to see a lot of people smiling and happy when I do a show on a nursing home and Luigi makes them forget about their medicine for the day and Luigi makes them forget about the shots that they have to get Luigi makes them forget about the physical therapy then Luigi looks directly at the people and tells them well if I made you smile and I made you happy today then I did the job for the man upstairs good afternoon and God bless you when I did a show in the bush area in Guyana they have what they call the YY Indians and they have their own language and some of the missionaries in fact some of the missionaries from Washington was on the same plane and they taught me how to count so then when Luigi started counting in YY language that really flipped them they couldn't figure how a little wooden head boy like that could count I also do fire reading but that went over like a pork chop of a Jewish friend because they raise up fire so when I started eating fire I could see them walking away from me so the ambassador just told me to cool it a little bit wait till it takes a second I'm telling you when they start to steam them we'll put the cover on now we're going to have a ball tonight oh yeah we're going to have a good time yeah I made a price over for you oh that's very good how long do you cook it 20 minutes I'm not a doctor I can't cure anybody but left as good medicine you know because you feel that you're that you're doing something for your fellow man whether it's you know adults or children then you go home and get a good night's sleep you don't need a sleeping pill because you did your job for the day and I'm happy to do it and I'll do it over and over again till a good lord takes me if you put your right hand in your right hand pocket and you found five dollars then you put your left hand in your left hand pocket and you found another five dollars you tell a nice boys and girls what would you have somebody else's pants