 The Vivo in Tipo poster, it was a poster that I made for an exhibition I had in a gallery in Paris. First of all, I was looking for an interesting title and I wanted to find a title where you have a rhythm into it and I sought to call it Tipo in Vittor. And then I say, well, because you know it's like creating typography in Vittor and with a friend of mine, she said, no, you should really bring the title upside down and start with Vivo, which means life in Tipo, Vivo in Tipo. I started on Illustrator type, only punctuation element to group them and when you put them all together and when you use the spacing letter or the leading, you can create a very interesting pattern. It's like weaving in some way and I really liked the fact that suddenly it becomes an interesting texture. I'm always starting in black and white. All the work started in black and white. The color comes at the end because I remembered my school and we did everything with ink and everything was in black and white. And I remember the section for textile, I've seen all those students they were painting directly with colors and I thought it was fabulous because they had an approach which was closer to painter. Searscreen for me is the best technique to print poster. I'm always frustrated when I see that I don't have the opportunity to print a poster on Searscreen that have to go through offset on non-digital printing. I don't find it good enough for what I like. The fact that it's really opaque and it looks like almost like velvet. It's soft, you know, I like that kind of ink very much.