 Alrighty, let's watch this first here gonna exercise for a step and walk. Okay, cool Now I'm checking your mail and you got a question about your foot roll. I'm just see what you did here. I Think that's only fine the way you have it here You had in your drawing like a further rotation Peel off type of thing it all kind of depends. I think what you have and it's not here Bring this in quickly this type of thing. I Think what do you have in your drawing works both ways, you know, you can have something where you only go this far. I Think you wouldn't go Less like to me this feels fine because it's a bigger step the way you have it in your drawing where it's almost kind of Like this and then you take the foot off that can work if you do maybe a side step or or like a smaller step It really all depends on the amount of movement. I think once you're walking and it's a bit more work. I Think what I'm looking at here. It works pretty well. I think if you're going just for mechanics There's a little bit of a feel of you're going up With a little bit of a settle a little bit down and then we are slightly locked I see some movement, but I think for you as an exercise. It will be good to To get away from the whole to static holds Since I think that's what we had in your in the previous class I think that's something you've you've been struggling with is just the locks and I think it's I would Practice and the character goes up like this to have a bit of a moving hold this way So not to go up and settle but you're going up and then hold Going this way like you don't settle and then do moving hold the other way So you go up with a slight hold body wise slight hold and it's really tiny It's a it's something you need to practice where it's not a lock and it's not a drift It's just that moving hold in between And the same thing here You have an upper arc that's fine in the head what I would do and that's something else That you've had and you preview the shots is where things are moving a bit too separately. I would love for this to be I Like that you have a slight move over it the head turn affects this to some degree But I think I will go a bit further in terms of this is a pose and then this is a pose in Terms of affecting the rest a bit more. So when you have this you can see how the lower neck is fairly stiff And this is just a bit of a back and forth. So what I would do is you can have that upper arc But then imagine that the neck will move forward a bit Right. It has a bit of a forward translate or in this case make sure it's a nice rotation And then you'll have a little bit of a Slump in the shoulder a little bit of a raise in the shoulder And this will move over just a little bit just a bit more of an adjustment so that you get away or out of your Your previous habits that I've noticed in the classes we had together where it's always separate and Then it locks. I think moving holds and giving bigger post changes throughout the body I think it will be a good exercise for you The other thing when I'm looking at this here, it feels like this this Like all of that is moving at the same time, which is another thing that we need to work on It's just having you get out of the pose to pose Method there where it's good for that's what I'm planning on doing But you can do something where well if he's that concentrated like the body's towards us and he's that concentrated You can say well, maybe I'm really focusing on this. So when I turn I'm going to move Maybe the shoulders first the upper body section first where the hands almost drag and the arms drag a bit more and Then you start swinging your arms and then you take that step You can also have you know a change in this or maybe a gesture or Flattening I was like whatever you want to do, but I would look at a Body part is going to lead the action as this is an exercise I'm not super picky in terms of what will lead just to get you out of the feeling of Not just separate body parts are moving Go beyond the pose to pose and then something is moving and stopping to not have a completely locked I think these are the priorities for this workshop. I would say then when you do this I think we're a bit early on the hips because right now the weight is on here as You move over here. We will be flat this feels more balanced Then as you are going over here, that's when we will hit the highest point because all the weight is there So I think we're on this a bit too soon raising the hip side here And I think when I look at this it feels like the hips are I don't know if it's straight like I see a quite an extension here Almost was like you want to rotate that hip in Y a bit more So you can see like this but cheek would be here. You can almost feel, you know he'll buck right here and So we feel the Y rotation here in the hips and then watch out on that turn There's a bit too much of a I feel like a sudden speed up through there and then a sudden Slow down. It's not a it's not a full stop But it feels like you're going somewhere and then we're accelerating and then we're really slowing down for a moment And I would smooth that out It's just it's a small acceleration go up. Yes, it will accelerate a little bit because you're dropping But then you can see how you suddenly have that over extension and then sudden pop in the knee So that's gonna be all altered by the route. I would just work on the route first But I will give this probably a foot roll. That's a bit sooner So you don't have a full extension there But again your hip rotation is gonna change the bend as well and then I would smooth that out So you don't have that sudden drop and some stop here But I think you're you're up and down is okay If I look at like this is your passing And this is so you do have your up and down and Y the other thing that Feels a bit stiff is that even though I see rotation in the chest Once you're done with our rotation, right? You're here and It feels like you're rotating too soon It feels like you're leading with the chest versus the arm is swinging and is going to take the chest with it So it feels like we're hitting that rotation too soon and now you're stopping I feel like we're stuck now in this rotation throughout Actually throughout the rest of the shot, which gives this also a bit of a mechanical feel and then don't forget on your Down here you would have a little bit of a drag in the head I will go up a bit boom impact that rotate down a bit Down drag here on the up and then as you go down here again, it's off-screen though It would rotate up again. I think these are to me the major points so far that I would hit that makes sense and I'm looking mostly at mechanics and stuff and this is okay breaking into it You could also potentially bring it out and just work on full on clean silhouette, but I'm not To me it feels more like having worked with you before is that the mechanics are always the issue where it's like I said The separation just to sum it up separation Not full stops and getting out of the post-to-posts on top of this all the nitty gritty of mechanics on the as well But I think it's good as a an exercise to choose a sidestep and walk all those You know things where I can sit down and getting up and all those things are a really good idea. All right. Hope that helps Thanks. All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you