 Maybe you can explain how what she's doing now. This is the order from the housing authority. It's about 200 yards. This property we call Louis Vuitton Design. Louis Vuitton Design. You can see on the property have two kinds of the color. There's a small check here and a small check here. Let's Louis Vuitton Design. This is the order from the housing authority. There is some detail we have to write down. We put on the block here. Maybe it's easy to carry, easy to find the design, some fabric. And then this is the color for the housing authority. Does this all come from the same supplier? No, we have too many suppliers in Bangkok. Most of them are very big shopping arcades. Very famous in Bangkok. For example, in an orange chain hotel. And some in the Shangri-La Hotel. This is my customer. So you make use of this raw material. The raw material came from the north of Thailand. From Issa, something like that. For the drying, we're drying another shop over there. We'll show you after this. So what about the products? They put a list here. So we have too many things for the show. This is an end product like this. Something like this. It's a rip-a-sew. With a supporting shell. Product for the housing authority. So I noticed that your weaving house will be reaching the international market. Are you selling or doing this for the international market? Or do you also have it for the international market? Some markets we send direct to our customers. Supposing for the... Maybe in USA, we have a direct import from USA. But in Australia, in Japan, in England. Some of my customers buy from my material. And it's sent again. Not conserved with me. It's sent by themselves. Exported by themselves. Not conserved. It's only for the fabric from us, from our factory. When we finish, we send it to him. And he export direct. Not conserved with me. We have separate. Some customers we send direct. Some customers send by the supplier. How is it affecting the art form of weaving in terms of trade and export? Do you think traditional designs are disappearing because there is such a big world market? It depends on the customer how he wants to make for the fabric. Some of my customers want my fabric to make a bulk hover. OK, we separate for that. Some for the costume, for the dress. OK, we have separate. So you have space for international markets, space for local markets. Yes, that's right. For the direct market. Direct market. So how long have you been in this business? I want to say that for my mother, it is the third generation. There is a big before Second World War. Before Second World War. Yes. And it's some second generation. For me, it's about more than 30 years. But I have used for my fabric when I was 10 years old. That time Mr. Jim Thompson came here after Second World War and then sent from Brown Cour to produce direct to Jim Thompson. Now I was 10 years old. That means I have seen the working about the silk. But now I'm 66. It's more than 50 years that I'm always with the silk. I want to say that I have a very special for the silk. You have called me a professional about the silk. How do you now hand this down to the next generation if the generation of today should be very appreciative of what you do? The next generation is my daughter. I have to keep it to her because he learned about this design from silk. And now we work to separate. We work for the silk, but she worked for the Latin, for some other material from silk. But it went okay when I quit my work. She must be more and more learned about this. That's good. At least there will be somebody to continue on. Yes. And more and more. Third generation. How would you rank or not rank, but describe the industry of Thai silk in terms of the world silk market? Very famous. For the raw material, it's not right. We can make everything okay more than much enough. For my customers, it's not right. But only one thing is the worker. You can see the worker is very old or women. We have five workers. The year of one of them is about more than 500. Because some 60, some 70, some 55, very old. And we cannot find a young worker to come to work for this life because it's... Why do you think young people are not into this art form? No. Because they want to work in the factory. They want to make it like this, handmade. It's difficult to talk about, to say about why they don't come to this life. Because you have to have, you have to show to make this silk. So are we saying that hand weaving of silk now is... might slowly disappear if they all want to just go to the factory of silk. I have some group of the workers that he ever worked here. And they got married. And he goes back to the hometown like that. When he's about 40 or 50, okay. They will come back to work this life in my factory. We have to prepare something. Next year, or next year, when we open the agency, okay. We have to prepare some workers here. In terms of the industry of silk weaving, or even the handmade or hand woven, would you say that the form is different from the different areas of Thailand? Or it's basically the same, you know. Northern Thailand would have the same type of weaving and designs. You mean the fabric industry? The fabric industry itself. The big market or the big producer is in Isan, you know. Some in Chiang Mai. Okay, we have a big market rule there. And then the quality is different. The quality is already different. Some sort of the quality is not the same in my factory. We have to take care of this quality because they have received so many papers from the government. Something like that. This is from the industry, from the interior ministry. Some from the silly country. And we got the bank of the bank here. And now we have an ISO 14,021. I have to keep this. So, what you're saying now is your great concern for quality is even supported by government in the sense that government is telling you that we have to have quality all the time in what we do. So, you seek for the certification from government. I have always been thinking that art forms or even the culture of the people and art forms like weaving are really cultural products. And that government directions really affect the form. Would you say government directions inspire you to continue or is it a sense of control in a way? It's all on the paper. We have about two or three years for one paper. After that, you have to come to my factory and see how it is like the same that we offer on the same day of April or not. Yeah, we have to check every two years. Like all top is over half only two years after that. We have to send some new product. And then she have to check, okay, that is when we start and see three, four, five days. And further form the industry about four years. They must send some people here, some officers here to check, okay, this factory is in town now and how to produce, okay, check everything that. So we know that the government is very concerned about the quality. Yes, that's right. And I think like all top has been successful. One product, one town, one product, which has been successful in Thailand. What kind of subsidy? Is there some subsidy or some form of financial support coming from government to be part of all top? How do you do this? For the financial, okay, it's my factory, okay, we have to deny because we have money enough to make by themselves, not conserving the bank, something like that. We don't have to pay interest, there is a Muslim and conserving the interest for buy form called. And they have money enough. But for the another factory or another customer, another merchant, some, okay, government will try to help for the financial and something like that. So there's a way for people who don't have enough. Yes, right. But looks also at quality of bigger establishments. That's right. Right. But at the same time, when you say others don't have the financial status for continuing with themselves, they can ask for government support. That's right, yes. SME banks or something like that. SME banks, we got some, so many, so much money to offer to them. Many things. So the banks offer loan, maybe? Most of them, we have to go to the SME bank, it's better we go to the private bank, maybe the interest is a little bit high. A little bit high. All right. But there are ways, the government has opened up ways to support. Beautiful, okay. Can you tell us about your community, this community and their involvement and how long has it been? This community has received a rent here from King Lamma 1. There is a figure, it's about more than 200 years. This is a very wrong, wrong time. The first time, it's not like this. It's a tie-stie, like a Tim Thompson, if you go to Tim Thompson, all of them okay, the how like that. And then when the time passed, everything changed. The how will it be changed from a tie-stie, something like this. And what about the involvement in the whole process that we saw earlier? Can you tell us from dieting to spinning and all that, yes? Just our people here to stay here, then I want to ask about my accent came from Cambodia. We are from a charm, Cambodia. My father, my grandfather over there. And then we develop from here, you move from the Khmer to here. It's okay, it's a long time. And then how to produce the seal? Okay, let's come from that. This is our custom, it's like a concert over there and being from over here to here. And then we produce, I think in King Lamma 5, we produce the first seal. The first we make a salon to wear for the Muslim people. That's the first material that we make. And then that Mr. Tim came here after the Second World War. He changed everything from salon to the thread, I mean the thread value, something like that. Thread market, he changed from one pie to pie, check, some more, something like that. Six pie, we'll make anything for the housing, housing appliances, something like that. So it started from living in Sarong? Yes, Sarong, that's right. And that's a time pass? Yes, a time pass. After the Second World War, the first time we sold and bought in the community. After we produced it. Some people came and bought. Maybe we moved to buy another district, something like that. So this community takes pride in being here for a long time. Yes, that's right. And having the tradition. Yes, the tradition. So, well, thank you very much for sharing that with us.