 It's not wrong, but what we're doing is creating an extra movement for us. So I'm chasing. I'm chasing and what I like to use the trigger for this is when he completely steps out and my foot hits the mat. So when I'm on top of the shoulder, again, he's trying to get position and square. My foot hits the mat once when I go. Some of you guys are trying to step or change your feet. As soon as my foot hits the mat here, I'm dropping, boom, to my knees. Okay? That's how we did that drill when we were here and they're just dropping. That's what I want you to do. So the minute he takes that big step back and he's almost kind of got chest out over his toe, that's the perfect time for me. We're just going to disappear. So chase it right here, right over the top, okay? So he's creating the window for us to drop through. Does that make sense to everybody? Some of you guys are chasing, chasing, chasing your foot drops and you're stepping and then adjusting your feet and then dropping or you're trying to penetrate. There is a penetration kind of fireman's like that Bella Glossoff finish, but we're almost too close here. Normally when I hit that Bella Glossoff kind of fireman's it's here, big step up, then rotate over the top, right? This isn't that window. Just right over the top, okay? And it's tight. Remember we were sliding down to the elbow on his little wild man special, all right? We're just disappearing and clamping high in the armpit. You got anything to add there? All right, let's hit it.