 It's not personal, it's emotional. This is really important. When we're sort of engaging girls, it's never, never, never personal towards us, their reaction, never. They go by their emotions. They've evolved to go by what they feel, okay? So it's just a reflection of who we are that day, right? Or who we are in that moment. It's just a little reflection of our status, our state. So this is why it's so important to warm up and to do things that add to your life. Because today will affect that girl you will meet in three months time. And it's not emotional how she reacts to you. Oh, sorry, it's not personal how she reacts to you. This is the problem. This is where in our egos muck things up for us a little bit. It's completely, completely based on there that instantaneous emotion she gets from you. So that's all it is. Once you understand that, you get to be a lot more chilled out about the way they sort of react. And you don't become as reactive. So that's really, and not being reactive is the ultimate Zen being. So, all right. So now, I collaborate with diggame.com a lot. Who's that of that company? Place to go to the day game queries. So, this is my mate Andy Osho, I kind of started off diggame.com with in London. We kind of came up with this. He's an amazing designer. We both came up with this really, really cool diagram. If you keep this in your head, this'll sort of just like give you a real grounding and basis in terms of how to operate during day game. All right. So, let's get to the practical stuff. You've warmed up, you've had a beautiful time, warming up, and you've got to go through these now. This is when, like I said, you've got to have a result-based analysis to the fun. This is when the hard graph begins. So, you do the attention snap. And what that means is when you go up to a girl, she's got no idea in day game what's going on. In club game, it's pretty set, isn't it? The parameter is a set. Everyone knows what they're doing. She's not wearing that dress. She's not piled on all that makeup for no reason. She's going in there. She knows she'll be hit on. And it's totally game on, you know? But in day game, she's completely off guard. She's got no idea what's going on. And you've got to, but what's great about women is within seconds, they'll know the full story. Within seconds of looking into her eye, she knows she's being hit on. And whether, you know, that you're projecting a good bit of yourself or that she might be into or not, that's another question. But the attention snap, it's just so, so important because that kind of, once you do a good, once her attention is on you and it's not thinking about, oh, you know, I've got to do, I've got to go to work. I've got to do this. I've got to do that. Once her attention is completely focused on you, which it should be with a strong vibe, once you go in there with a strong vibe, it will be focused on you. You're her world, that's the idea, basically. I'll talk you through the elements that go into that, but basically the idea is she forgets about everything. You know that sort of background noise that we all have in our heads? The screensaver for that day, whatever it is, whatever we're thinking about. That kind of is, you know, like that's blown out of the water, you're now her world. Okay, for those few seconds. What you do with it is another matter, but you've got to start off that way. Okay, now prehistory. This is a very, very simple sort of just laying down the law for her, just telling her what's going on, really. So my one is I literally just saw you over there, wherever it may be, or I just saw you crossing over from the other side of the road, or I just saw you doing this, I just saw you doing that, and I had to come over and say, I thought you looked really nice. Now it could be as simple as that. The reason it's so simple is because you don't want to complicate things because it's already a little bit of a crazy thing you're doing. The reason in nightclubs you need like crazy openers and impressive like little tricks here and there. Is because the girl knows what's going on. So you need to amplify things a little bit. But in day game, you kind of have to tone it down a little bit. It's kind of the opposite. It's because they're completely different animals. What you've got to realize is she is not in the mindset of being picked up. So you see a really simple, nice, easy-going sentence like I literally saw you and I had to come over and say, I thought you looked really nice. You'll see in the clip I play. Very easy-going, but anything more than that, anything more complicated than that, then her brain is like on overdrive. It's like what the fuck, what the fuck, what the fuck. So you've got to calm things down, right? Because it's already, can you appreciate? It's already a bit of out of the blue thing. So that's why you've got to keep it so simple. All right, observational statement. That is basically anything you've observed about that. It could be a walk. It could be, I wouldn't mention how walk, if it's a bad walk, don't mention it. Just it's a good walk. Just say I love how stylish it is. Don't approach any girls with bad walks. That's not a good vibe anyway. But yeah, so it could be a floral dress she's wearing. So you go over to her and you just say, I love how summery you look, especially in Australia now. A girl, I think, no, I don't understand. But the girls are just loving their dresses and stuff and it's just about just mentioning something as simple as that. Nothing complicated, this is the thing. The more complicated it is, the weirder it is. Do you see what I mean? Because it's like, whoa, you're already doing such an amazing outlandish thing by just going over to her. And especially the way I do it, which is going straight in front of her, not messing around. I can demonstrate this actually. Anyone up for being in this? Bit of footage, yeah? All right, very eager. Hello? All right, so basically, as I said, it's about snapping her out of her day-to-day, mundane, run-of-the-mill thinking. So I always approach from the back to the front. So even if they're coming towards me, so if you're coming towards me, if she gives me a bit of eye contact, it's even better, but I let her go. I don't just say, hey, unless you're on a beach and you're in, what's this area in Australia? Cans or something? If you're like in an area where everyone's partying maybe in Croatia or something, where people are just like on a promenade, just walking around, sure, that's different, but 95% of cases, I would let them go. And so I would let him go, her, definitely. And we haven't got much space, so I've got her, so she's walking at this point. So stand there, and so I've let her go and she keeps walking. No, no, no, don't keep walking, right? So what I do is, I go like that, depending, I've got a pace, her pace, this is very individual, this bit. If she's walking really fast, then I've got to run in front of her a little bit and come in a little bit more, with a bit more space, right? But if she's just ambling along, then I'll sort of amble into her view. So, okay, let's just do it properly, let's try and keep within there. All right, so I'll go, hey, sorry, can I just tell you something really quickly? And I've kind of spread my body language a little bit, but the most important thing is, what I found, this is the most, after years of doing it, this is completely the most effective way, bar none, because this is how mates talk to each other. A body language precedes thoughts, that's what I found out. This is how mates interact. This is not how mates interact. When you're comfortable with someone, this is not how you interact, right? So you can't end up in any other position, forget it if you do, you've got to end up in this position. Eye contact, right, piercing into her, and literally, I just saw you and I just thought, and you don't break eye contact for about a good 20 seconds at least. You might break it for one second and then you go back on it. In the beginning, eye contact's so crucial. So it's literally like, hey.