 As pivot translation is becoming more popular, I'm wondering, do you have any thoughts on how we can improve it? Obviously, the best scenario would be to always have subtitles who translate directly. In this case, a subtitle who knows Arabic. There are subtitles like this, so very often companies have this excuse that subtitles are difficult to find in language combinations, other than English, which is not true in many countries, especially in Europe, but also for many Asian languages. We do have subtitles, so that would be the best scenario. But obviously, it's not always possible. There will be cases and there will be language combinations where it might be impractical to find a subtitle to translate directly. So we will be using pivot translation. I'm wondering, do you have any thoughts on how we can make it better? What could we do? I think we should start with raising awareness among clients that a direct translation is just bound to be better. And a pivot, try as you might, will contain a double share of errors. Every translator introduces some share of errors, none of us are perfect. And if you have two translators or more in a chain, then this will rise exponentially, kind of, because you are going to add your own share of errors and copy the errors of the previous translators. So that's one thing we should do. If pivots are, and I understand that in some cases, you can't escape a pivot. There are some exotic languages from, again, exotic, maybe that's an unpolitically correct thing to do. But from our point of view, like Poles, there are a lot of countries that are far away. And these are languages linguistically exotic, for instance. They share, they don't share, they share very little with Polish, like different grammar and so on. Different forms of address, for instance. So, if you have to work with a pivot and you have to work through English, basically good annotations are. Our key that is signaled to the to the to the to the end translator that this this kind of phrase functions in that particular way in your language, or that this is a humorous phrase or that this is that this is, say, a cultural thing. Again, show guides would be nice, like in the material I'm analyzing. There's Arabic or the Arabic language is a specific in that you have local vernaculars and you have modern standard Arabic, which is like the high variety of the language. And the main character is is a university professor. And he mixes this modern standard Arabic, the literary Arabic, the language you write, literature and poetry in it. He mixes it with this local vernacular. So he sounds more intellectual, more educated than some of the other characters. And this is a piece of information that the that is not included, I think, in the pivot that the translator did not receive. So once, you know, you have this, you have this character and the language is marked in some way. You don't usually as a translator have an idea how to mark your text in the target version. So you can visualize it this way. There's like this amount of marked text, you translate it, you leave some of it. So you end up with this amount of text and that's marked. And now you end up, you think that you end up with this and this is your source. So you have even less and because you don't realize that now it's more subtle, for instance, the market is more subtle. It's less frequent. So you do not realize that, you know, the language is marked or you've not always realized. And this is something, again, maybe a show guide could solve some peculiar ways of speaking. Same thing with humor. Humor is very often lost in translation. You have an idea how to translate a few jokes, but against some, you're powerless. OK, and they just end up flat or you omit them. And now the next translator has only the few jokes that you did translate to work with. So a comedy, for instance, loses a lot if translated through a pivot. If you think about it this way. So one thing is, again, in the form of the translators, maybe of the role of the specifics of the movie, like this is a comedy, this is bound to be funny. Humor is conveyed through such and such and such means, crank it up in your language, if you can. OK, and then we'll be happy to some translators like, you know, playful commissions and the way you can have, you know, you can detach from the text a little bit and add something from yourself and make it, you know, even funnier.