 Alrighty, we're actually going to look at the full layout here. There's no sound We're seeing of that. I watched this before. It's cool. I think it would be neat to then add Potentially specific moments where maybe the machinery doesn't work Well, it's not just her pushing buttons, but it would be like something fails and she has to push it again she punches it or anything that will Add some things with it's not just a series of actions if that makes sense. That's gonna be cool and that's that all right I'm actually gonna Close this and here is the shot in its current form That's cool. That's a different jump up there And then into that. So let me just see Something a bit sharp in her root. I would have to say She comes in here. There's some moments where it feels like she Goes forward and then suddenly stops where it it's a bit harsh in in actions like these Or I think you can soften that just a little bit more Just a tiny bit even through here You can see as she goes forward and bam goes down and then kind of stays put and then Bam here another sharp frame down if you watch this in real time It seems just a bit sharp the your t y you're up and down just seems a bit sharp But that's cool. I like that type of jump up I think as we're getting forward you can start adding a few more Hand poses gives a bit of impression of what you want to do with that. Let me just see you have a The jump is mostly through here as in You could not that you have to I mean this can this can easily be just a jump like that And then she gets into this and pushes up from a technical point of view Um, it's a bit sharp how she bends down and then and then locks here As we go up and then with that sharp move up here The thing I was going to mention is that she could Bring this leg up higher earlier so that this jump is also slightly motivated by this This leg swing up Again, I would just soften some of these transitions. She just feels very sharp On the up and down I do like the action of push And if you but if you push Into this I will potentially exaggerate a little bit Bring those shoulders down a bit more and something like this if she's already off I mean you could have the fingers still there And on the next frame that wrist is further back Just a really you sense that Big push off flatter here And on that That will be okay, but you'd flatten those fingers And then same thing if you push off instead of arm out, they will be Closer in let's see because you're doing Straight up pop into a bend And then actually go back the other way and then go back out And then your arm also locks through there with just the forearm moving I think all that could be simplified and cleaned up a bit and you can just Have that On this there like that next up there closer to the body Still a bit closer and then they start to Fold up into what you have here Same thing with this arm. Let me just see if you push Into this finger bend Then arms still straight And then start to bend it's good to have an offset In both of these but just watch out Same thing happens here when they when this arm shoots up still that's a bit wonky there And then shoots up into one frame up here and then down I don't know if you need to go That much higher. It could just be a direct action from here to here But I think that's something I would I would push just that moment of Since she's basically just jumping a little bit and then the the whole jump comes through her arms So if that's a Such a forceful Jump there. I would just push that those arm pose a bit more And even if you have a Big bend down like that just breaking up Chest and head actions just a bit more Stabilize that knee a little bit. It's a bit wobbly Yeah, it's a cool action. It's just it just seems a bit A bit messy That's a bit of a jump cut. No, it's okay Watch out some of these poses are a bit harsh We can bend down more than up But if this is or wrists can usually do that But that's a bit sharp that just gets a bit a bit I K in terms of how much this is moving, but then the wrist is locked in comparison But even then I would push this Because you're really putting pressure there and folding this up where you can bring up that hand Sooner Because it's not like she has to really hold on to that too much She could also slide down a bit and then move it over down to here also possible This still has that moment and you mentioned an email you haven't gotten too far into this All right, this is all cool because I like the actions here right the action. That's cool There's a certain energy and determination in this and Athleticism like you've done this before the angle ready and then she gets into this and the moment we hit this here It's it's slow and even And this feels more like she's waiting at you know at the airport the mv Whatever office you're at like, all right, it's getting kind of boring here. That's what she's thinking really Versus then I know the panel comes up later But this could also be your moment of Is this where she You know, it's also an interesting outfit to be in here. So maybe she pulls that down to be You know, I don't clean her or she she pushes up the the fold up Sleeves, I mean, so maybe that goes here and then pushes up again Just a bit more There's just the hair there's a bit of a wiggle there to be really Really fully in it and comfortable. I don't I feel like this could be a great moment A character moment where we go. All right now. I really know how she feels She's getting ready And then this closes And then like I said, you know the actions in the in the layout anything that gives us some personality traits Versus just an action of I'm sitting down waiting. That's it. I like that She acknowledges that this goes down by having a dart or maybe she knows That this is going to happen. Maybe it could be a slight delay where You know, it doesn't feel like the head is actually leaning on this part because this part is moving So maybe this is a pose where maybe she's not that straight and it's a slight lean And she has kind of a lean forward because she knows this is about to move when it moves Then she leans back again Meaning that she's fully aware of which parts over the mech are moving And she knows when to move away from them Just giving a bit more just a bigger sense of familiarity of I've done this before I've been in here before And I'm ready All right. Hope that makes sense. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you