 So this is a J-Term experience. We have an entire month where we work with our music, our music guy Sam, and then our choreographer, our director, the costume people, the set people, all these people coming together to create this show. So as costume designer, what's been interesting with Cabaret is that I've had to do a lot of research into the people in the history of the time period, and I've learned a lot of stuff that I didn't know. The show takes place right after the Great Depression causes the European economy to collapse in about four months before Hitler's elected into power, which is just such a fascinating moment in history. And it's been quite the experience choreographing eight different dance members, not only just for the core, but also for the MCs and for Sally and the main people who do different choreography during the dance members. And then also choreographing just tiny bits and pieces of staging and things like that. So if you have this wonderful story, right? Who's the MC? And I could just leave it at that. Honestly, who's the MC? Oh, good to see you. Oh, who's this guy? Cameraman, hello. He's not good, but he's not bad. He just sort of flips on you. He's like, it could be one thing, it could be another thing, but I'm going to give it to you. I'm going to show it to you and I want you to look, because this is interesting what's happening here, but I want you to think about it. How does your vision of your character line up with what I am able to give you? And that's been really rewarding for me. I've really enjoyed being able to collaborate with my peers and my friends. And it it's nice to have that kind of collaboration and theater and really be able to create something organically like that. It's not just my idea of what the cabaret looks like. It's very the amalgamation of everyone working together to create this one production.