 You guys, oh wait, on you guys, come out on you guys. Okay, three you guys. Lares, test piece, take one. It is, this one and this one are Lares. The white and the red are from Lares. Susanna Danks, I think I'm saying it right this time. Thank you so much to her and Laura for getting me these pieces of, nope, these, what word are these? These pigments, thanks, yeah. They're epoxy pigments, focus, they're epoxy pigments. This one is Angel White. This is sassy red. And this is sassy, sassy, sassy, sassy red. And they are pigment paste, they're super thick. Like you'll see, I'm not gonna put my finger in there. You can, you got it. And so those are gonna be the main colors because we wanna see how they work out. This is also Susie D, our little Australian mascot. She sent it to us and she's our friend now. I'm gonna see how Kujo will react to him. He's probably gonna either freak out or not be bothered. That says only two modes. We're also gonna include Mayron because it's one of our favorite golds. Also, we're gonna try the silver soon. And we're using whale. This was countertop, nope. The concrete, distinctive concrete designs. Oh, it was on the back. This shade is called whale. I don't know the, yeah, we used it on that big red one. And it's pretty awesome. So we're gonna see how these different thicknesses of paints react with each other. I'm super excited because white pigment paste is supposed to be like the cell queen. So we're gonna see between the gold and the white which usually sell up like crazy. Who wins? Battle Royale. Oh, also, the resin that we're using is basically honey because it's cold out and it is. It is not cold out. I needed a cold in like Wisconsin or somewhere like. We needed hoodies today in Texas and it's spring. It's in the 60s today, isn't it? That's not cold. Oh, yes it is. You know, some of you people watch us from like northern states and they're like, girl, cold is three and a half inches of snow. Deb has like, she said it's a beautiful day-to-day it's t-shirt weather, only one inch of snow. We're supposed to get three and a half tomorrow. Oh, countertop epoxy FX is the resin that we're using today. I will link all the materials that we're using in the description box below. I just wanted to say thank you again to Ms. Danks and Ms. Laura for sending us these beautiful pigments and powders. We have a lot to test over the next few days. Super excited about these as well. It's taking everything in me not to throw it all into one big painting, but. And there's another Suzy, right? Yes, we know a few Suzy's, including my mom. You wanna thank Ms. Judy, she's always really nice. Super sweet when we get donations from you guys and that one just surprised us today. Thank you so much Judy for your very charitable heart. Also, I'm looking forward to doing your floors. I've already like amped up my research because I do that. I've researched everything for a long, long time. She's getting her very own she shed and kind of jealous. Her own she shed resin shop and it's coming along quite nicely. So I have to say it in all the videos, make sure you measure your parts of your resin appropriately, most of our resins are one to one. So it's equal parts, half and half to resin to hardener. All of our resins are one to one. Lies, because we use the one that was two to one. The flooring, I mean the, yeah. The flooring one was one to one. Memba. So. Oh yeah, flooring one was, shh. Well, that's the stuff. These, the concrete people that sent us, concrete epoxy they sent us is they sent it to you with just the right amount on each one and you just pour it into itself. There's no measuring, which is really nice. But you got to use it all at once, so. I'll link that video. And it's really nice. It's a really different epoxy. Like it really, it really manipulates the paint and it sets like glass. Like it, it's really a real smooth epoxy. But a lot, a lot of people are asking us lately about the smell of resin, like the VOC. Like how bad is it? Because we have some that have like health problems, are they? That is so, I don't even know if we should put that much. We'll just put that much and then we'll drop. So, the smell that's in this stuff. I think the least smelliest one that we've used was in Viratex, followed by this. That didn't take a lot at all. A little bit of drop. I didn't even, I just let it drop off of this. So, the countertop epoxy that we're using today is the second least smelly. And then the one we've been using lately, the Promarine. It has a little bit more of a smell, but honestly, if I were standing this far away from where Jeff is mixing up resin, I wouldn't be able to smell it. It's only slightly noticeable. Not even almost enough to mention, but we wanna give you guys the full experience of these materials, so I have to share. The worst smelly one was the flooring epoxy. You could spill that and it wouldn't come out. No bad at all. And now I just wanna keep some because I want you to do the late, like a line of clear and then the white over it on some part. You always like to have some left over of this stuff, don't you? Yeah, this might need too much for that for this. I really like that red one that we did. But I painted it red, didn't I? I paint that canvas red a lot. You did and you painted it. It was not a matching red. No, that's right. I just hope this doesn't turn pink. Well. But it might look cool, just dark stuff. We'll see. And we prepped this canvas according to this tutorial right here. I know a lot of people don't like pouring on canvases because it tends to dip in the middle and we prep it in such a way that it reduces it. I don't know that you can ever like completely axe out. It dipping in the middle, but sometimes we don't mind because then your piece can change and you just wake up every day to a surprise. And you know what, be that one that we did that the sherbet looking one. You took that off. Yes. That's the way it's end up getting. It's gonna, I don't know, it's on the side of this jar too. It's gonna all be in there anyways. What was I saying? Oh, that piece you did, the sherbet one. Ice cream sunset or ice cream galaxy. It was really neat the way it separated because, oh, that piece is here. Cause when it separated, it showed that blue. So it kind of worked with it. So let's start with this dark. And I've been wanting to do, you may notice in the last two videos, it's this puddle pour and it runs. And then it just kind of drags all the other colors with it. And then that's those really crazy long cells. This is one of those pieces. This is a little different. I love L'Erve anything metallic. New take on puddle pouring right here. Stina here first, folks. Wow, this is gonna, my goal is to be able just to pour it and just tilt it one time and let it run and then stop. And I'm just trying to figure out how I'm gonna achieve that. That's what we're here to do. Oh, I wanted to put tape on the sides. That's what I wanted to do. Still use that aluminum tape. These cells are already popping. There's another way that we are gonna try to do a pour, which has never been done. Let's take you guys out of here. Let's go for a ride. Wheel might be a little bit much. I don't know. It's kind of gone. Not enough. I would almost leave that and work with the negative space. I'm literally just gonna let this all run. Take this white and just go right here. That's a pretty true red. It is very red. The great suggestion, Laura, this red turned out to be the red that we could actually work with. I mean, you saw how much white we put on it and it's still like red. Look at this gold popping up. Pink, pink, pink, pink. This is real time. I'm staying on here so that you guys can see that it's real time. Just pink, pink, pink, pink, pink. Not even any heat on it. It's just, what are we doing up here? I was just trying to cover up that red. I think the nice just had. It's really neat. I'm sad that the whale is gone. I'm gonna tilt it this way and just see what we got. That looks so neat though. I think we just keep putting the heat on that gold and it just keeps popping through. Love it when there's movement. Mm-hmm. This is such odd movement though. Like usually this gold looks almost grainy and it's like very silky. I don't like that. Babe, there's red in the meat there. That's not good. I'm just gonna scrape the red off. To make more white too, there's some left over. Put some white on it before you blow it or no. Easy with it. That looks awesome. I was gonna say, I'm kind of bummed that the whale has, could you imagine doing marble with whale? This one is, but the other one didn't. I don't know, if I get very simple, what, there's like a piece in there. No, it's like, it's doing it, it's just a pattern. There's nothing in it. Cause I thought these over here had something in it. I hope you keep the white ratio on this side so it balances. I like it. Mm-hmm. I think that's like somebody's like, like they're like, oh my God, those are my colors in my home. You like it? It's got to be the shortest thing you've ever. I'm out of 20 minutes. I need them to see this. Just that like, looks like just red, just gold. These are not holes. Like, did it? They're, they're just, they're just cells.