 Welcome back fellow techies to our latest tutorial video. I am The Technician Project, and today's tutorial is gonna show you how to get your acoustic mix ready, part six, mastering. So where we left off our previous videos, how to bounce out our project. So we left it after our bounce. So what we're gonna do now is we're gonna create a new project. So we're gonna go File, New. We're gonna close this project and save it. And we're gonna create an audio track. What we're gonna do is we're just gonna find our audio track in our Finder. So where we bounced out our mix is that acoustic mix bounce. We're gonna click and drag it in. Now this is an interleaves file, and we're gonna import any tempo changes because there will be some. Wait for that to load in and finish creating our track. So that is our bounced mix. What we're gonna do is we're gonna turn some of the tail off because we don't want all that perfect. So just like that, let's just check the outputs are correct, lovely. So now what we're gonna do is we're gonna get the mix ready for mastering. It's dead easy because we've done all the effects on our bounce already from the mix version. What we're gonna do is we're gonna listen through to it. But before we do that, we're gonna add a few settings to the stereo output just as a mastering tool. So we're gonna put some mastering on a pop final mix and we'll listen back to it whilst edit at the same time. And we're gonna put it on a compression as well. Let's have a quick look at compression tools. Let's just find a simple compression tool. Now we will listen to these whilst the tools are on, but we'll turn them on off during the playback just to have a quick listen. Just trying to find one which will just be good for what we need. Let's just see. We may just leave the compression. Let's turn the compression off and just see what the EQ sounds like. Here we go, let's play the track back. If you keep an eye on the EQ, you'll see that I'll editing the EQ as we go along. This is what our mix sounds like before the EQ. This is what our mix sounds like before the EQ. You'll see that Christ me still stay here stashed with your soul esteem and they'll never guess above the truth. So as you see there, I've added a little EQ unit to it and a little compression unit. So now all we're gonna do is we're gonna just play back our EQ and have a little listen. So there's the EQ and I think it sounds really good. Our next bit is the compression. Let's have a listen without the compression and the Q1. Now let's add the compression unit to it. The things, you usually master to a quite a high output level. Now this is, we've obviously increased the output level by two more dB. There's no clipping going on and we've adjusted the threshold and you can see that this purple bar here which is our threshold, that is now ready to be exported out as our master mix because I'm happy with just adding those two effects to it. So it's now ready for mastering. So what we do is we command B again and we add a bit of just noise differing at the end. Just increase, so just normal differing. We do it at 44.1, 16 bit and we export and we name it the acoustic mix but we name it the master. So acoustic mix dash master. Dot blab, lovely. Thanks for watching. Don't forget to like the video if you enjoyed it and subscribe for more. And also ding dong that notification bell to get further updates. Thanks again, goodbye.