 Okay, let's take a look at this. I think it's overall very cool. There are just a couple of things that I would tweak a bit Even like simple things like this, I think you could I will curl up the thing is just a tad and Even curl up that little pinky just a bit Just to give this more of a relaxed state She is you know resting and this feels very flattened out very defaulty bit unnatural so we can go into Just detail work on stuff like that and even when she wakes up here, you could You know you have movement there, which is cool But because they are so straight it feels weirdly tense. So I think curling these is gonna help then when you Move back here with this arm a it's a straight line You're still gonna have to have a little bit of an arc. You can adjust the rotation of the wrist just a bit more So it's not pointing this way and then when it's done it's still pointing this way You want a little bit of a change in there? The fingers could curl a bit more maybe come a bit closer together as she's more tense and Then when you then push down they can be pushed into this pose where they're flattened because of all the pressure on it The other arm is cool. It's just when you get to here. Boom. It just kind of stops And it locks and then you have elbow movement here, but there's no real adjustment in the wrist So that feels a bit to IK hands There's a term That's a bit soft this turnaround and the fingers and the wrist It was like it's maybe going through the ground, but it just feels a bit too even a To be there's no texture to the timing where it might start off a little bit here You know slower and then you speed it up a bit here And then if I get to this position and kind of readjust maybe like some adjustment in the fingers That same thing here where when the hand moves here a this is up on the linear key You want to ease out of that you want to give it a little bit of an arc You can start adjusting the finger poses maybe two Frames earlier so they kind of anticipate that move So this is just like a simple IK arm movement Like that sort of a harsh move down on the phone as well. It's like a linear key comes kind of snapping in there This feels a bit work bit fast a a you have You go up with the hand but the pose is kind of the same the fingers were relaxed as you're taking the hand off the cushion So you can even again do a frame or two earlier finger animation where it anticipates that it's a bit straight up Kind of goes straight up and then to the left a bit more of an arc But I wouldn't shoot up so quickly definitely ease out of that more And then it feels a bit too slow and even how those Fingers go around that leg a all the fingers are moving that kind of moving at a very steady pace By the right even time a even his timing the timing is even and be Offset some of those fingers. You're supposed to pose Same thing here like you kind of hit I don't it's slightly offset, but it still has this feeling of she goes down that goes down arm and Hand adjust to be in this pose and stop So it feels a bit too clean and still pose to pose you can offset some of those movements and add some more complexity It's not like you want a lot of people I have a movement through here, but she's kind of like going And kind of deflating there, but through here Just there and you when she says David just kind of goes forward with the chest and kind of locks Just for that moment through there until this happens Which again feels very post-apose because legs and head and our movement are all happening at the same time but when she goes up here you could have a bit more movement in the in the chest and some More nervous movement in the head because I mean it's she is tense and nervous and That way you have contrast of movement what's going on then back in a bit more relaxed and the big sigh Then back into tension Otherwise you have always those very clean pose and hold pose and hold pose and hold moments even on this leg here When this leg goes forward whoo it feels like it's a straight path and I came There's no arc. There's no change in the foot rotation The foot will probably start moving and tensing up because of all the muscles firing up So two or three frames before that leg move the foot rotation would be different And it might rest a bit and change, but then you have a lot of Me moving going down while the foot is not moving here So always make sure that every body part is reacting to a moving body part Just a certain degree of it's not you know It's like your pinky here is not going to react to this foot But into a certain distance, you know, and you have movement through here. It's going to affect the foot It's gonna affect the hips sure Everything's good here. So yeah, there's not like that look at your transitions And finer details as we are finishing up the shots. All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want to get 16 submissions either way a like and subscribe would be awesome. All right. Thank you