 I thought, this thing needed some industry to support the town. They destructed it. And I thought, wow, it just overwhelms it. I just keep one. So I got rid of that one because it was just too much stuff. Next one, please. When I did that, then this road better was exposed and broken plaster and stuff. So I had to put some plaster in. Next one, please. This is the result. Next one, please. I decided to make a powerhouse for the Appleman Woodworks. And this is just a two-piece piece of cardboard to put together. Next one, please. And I streaked it and I put a brass tubing on there, a couple of guy wires to keep it erect. There's nothing more. That's all there is to it. Next one, please. This is one of the full VI techniques. This is a branch with some foliage on it. And next one, please. That hides the fact that this roof is actually going underneath the scenery right in here. You can't see it. This helps to create this between the roof and the scenery. So you can use these things to your own benefit. It implies that there's a tree back there, but there isn't, of course. Next one, please. Appleman Woodworks would be able to cap siding. And I use end scale windows for the structure because a structure like this needs small windows. And the HO scale ones were just a little bit too big. I put some stonework around the foundation. Next one, please. Now I painted all the windows apart, of course. Airbrushed them. I have a roll of two-sided tape that I streched over on a piece of 1x4. You can do it with one-sided tape if you want to staple it taut and so it's nice and flat. Just put your windows on there. It holds them nice and you can paint them easily. Next one, please. I rummaged around in my old work box and I found this dustblower. Nothing to write home about. But I used some angle wood to hold it up in place. I put it on the back side of the roof because I didn't want to draw attention to it. Next one, please. Now here is the easiest, most economical, fastest way to create interior detail. This is a piece of cardboard. The same thing I put the floor on just a couple of sides ago. Very thin cardboard. I made a regular shape here. It could be any shape. You didn't have to have a slanted one. You didn't have a T one. Put anything you want. Then color it with subdued colors. This wasn't painted. This was done with chalk. And you want to keep it muted. You don't want any bright colors. Next one, please. And I glued it to the support beams in the corners of Appleman. So it's about a quarter inch back from the windows. You don't want it right up against the windows. Next one, please. Now you can see something in there, but you don't know what it is. But it looks like it should be part of the machinery or part of boxes or something like that. And it works even with a rumored shot from Appleman in a minute. Next one, please. Now Amy Stills dry goods couldn't afford big plate glass windows. So she had to have made the panes. Next one, please. So I made an outline of the window. I used two by two styrene. I put the center one down. Otherwise it would have got safe in place. And then I cut some pieces and joined them in at three equal intervals. Much like this. And then when it was dry, I cut them all off at the window size. And I made two of those. Next one, please. And now she's got paned windows. Next one. A while ago I bought 120-priser figures for about 10 or 12 bucks. And then in that set was a lot of people going to the beach. And I don't know whether the Europeans either wear the suits under their clothes and then shed their clothes when they get there or they change on the beach. I don't know which it is. But you find piles of clothes in the set, the shoes, hats, umbrellas. All that was nice interior detail for dry goods. And I used the mannequin here to draw attention to it. Next one, please. And there it is in the case. That wallpaper is another pattern on my computer I used. So I wouldn't have a white wall. Next one, please. Next door is the bank. And it had a wooden floor. Tables and chairs are much like I did with the case. I got some green pieces of paper for blotters and pieces of paper around. You notice I put a piece of paper over, black paper over the upstairs windows. When it's open it will only have the downstairs open. Next one, please. There we go. Let's start now, hopefully we'll get better. All right. We went through trees and foliage. This isn't really trees and foliage. This is a retaining wall for the narrow gauge. And I needed one because this area here is going to be a truck support for the free house. So essentially it's part of tree and foliage that's made of wood to cribbing. The horizontal pieces are 2 by 10 or so. And then I put enough room to put 1, 8 square pieces in between and look like cribbing. Next one, please. Of course, you can't see it. It's just a little bit there. But I know it's there. Next one. Okay. This is my wade. And off that wade we got all those other ones. We can do that next time. Yeah. Well, they go to a bush about this big. Oh, I see. They're about three high. The first one is probably about this high. I can't see your hand. You're giving me a big one. Six, seven and nine. Yeah. But they grow in a bush and they usually grow in a place where nothing else grows. So I meant to bring a tree along, but I forgot. All right. Next one. Here's a way to make a stand of fir trees. I wrote an article on this before getting an old piece of window screening. One of you when you're replacing with new and use the old stuff. And with tin snips, make some vertical cuts in there. And vary the size of the height of each one. Next one, please. And this is what you end up with. Next one, please. I go with my needle nose pliers and down at the center of each one and put a cap. And fold the screen over on each side to get a little more three-dimensional look to these trees. Next one, please. And I liberally apply Elmer's glue. Next one, please. And I put woodland scenics, foliage and grass and everything. Use the dead stuff, the stuff that is, don't use anything too bright. Next one, please. And this is what the trees look like. I go one more step further. Next one. I wrote some Pullman Green into my airbrush and I put it at a low angle to get a shadow base. And then I go up once every tree to get a little shadow under the foliage. Next one, please. These are some that are at the approach to about two inches tall. You don't use them on here, but I did. They're at the approach of the narrow gauge going up the hill. Next one, please. Here is a better example of it. That's how it blends with the backdrop so it looks like it's foreground trees. And it's very simple. Very simple to do. It doesn't require any dexterity to make these things. Next one, please.