 Hi everybody, my name is Charlotte and I am the Education Director at the Museum of Craft and Design. We are thrilled to be here with you today. The San Francisco Public Library is a long time heartfelt partner for the Museum of Craft and Design. Some of you may have seen us at some of the local branches over the years where you've been there doing various free workshops for participants of all ages. And we're getting back into the swing of things post pandemic. We have a brand new beautiful colorful mobile make art vehicle that we will be bringing around to all of the all of the branches that we were at before and even some new ones. And we'll be bringing our wonderful make art kits and hands on experiences. So we're just really excited that you've joined us today for this virtual workshop. This is in support of the pandemic past pastimes exhibition that you can see at the main library. And there's a lot of really cool things that people have taken up during our time at home. And the library has honored that with their pandemic pandemic pastimes exhibition. And one of those items on the list is of course weaving textile arts knitting things of that nature crochet and ties in really well with our current exhibition. And a lot of you have the make art kit that we created for this particular program. If you did then inside you will see our little brochure for the exhibition. This is for mode brute. This is a exhibition partnership with creativity explored creativity explored is a professional art studio that features the artwork and the studio practice of a number of developmentally disabled disabled artists who work from within those walls. The exhibition was planned for months, years in advance and the idea was that the design partners that worked on the fashion line with the artists were going to be working with them within the creativity explored studio walls. But with the pandemic, things changed, and everything had to go virtual just like this. And so this is really appropriate way for us to also be participating in this activity. The artists from creativity explored and the community design partners that were selected to work with them had to do this very thing in order to get their fashion lines off the ground. So that is to say mode brute is a fashion exhibition there. And here are a number of different styles of work that you can see within the galleries. We're going to be we're sort of inspired by this piece right up here. This is from the creativity explored studio line, and it's a wonderful jacket and a matching purse that is woven together with just all manner of really interesting really cool strings yarns shoelaces pieces of leather. And other techniques that you can see throughout the exhibition include fabric painting, fabric drawing, writing embroidery, lots of embroidery. So it's really worthwhile to come down, check it out, see what the artists were up to it's colorful it's vibrant it's really really interesting. I'm going to just throw in the chat here I actually have some links for y'all, including a free pass to the museum. So use the code that I'm about to put in here. I'm going to do the, the first link for booking your tickets, and you'll be able to get into the museum for free. We also if you're not making it out of the out of the house or you're from far away. We do have a 360 view exhibition that you can also explore from your computer. So that is the mode brute exhibition link that I have down there. So if you want to see follow some links, check out 360 view exhibition, it's interactive, it's really really cool. Finally, and we have our final link MCD at home. If you're into what we're doing today, if you like hands on projects. We have a whole archive of projects on our MCD at home website, and these projects are all easily found materials, there's nothing too specialized crazy or anything like that, a lot of it can be found in your house. A lot of it's recycled materials. So browse browse that selection of projects as well. The projects are for all ages. There's entry points for everyone so I really encourage you to check that out. And so the other do I think we should probably get into our wall weaving. We, I am going to actually have a side by side view of my hands so that you can see what I'm doing as we're going through all of the materials. I'm going to keep this view up as well so that we can also, here I am. We can also look at materials and things of that nature from the front view as well. So, hopefully a lot of people have picked up their materials bags, the make art kits. If you sourced materials on your own that's wonderful. Thank you for doing that as well. It's a really kind of loosey goosey project in the sense that you don't need to have everything exactly the same way that we do so let's go through what we've gotten there. And first off, we have our cardboard. So this is going to be the foundation of our loom along with it. We've got these two little cardboard pieces. And those also are a part of the loom making process. Next, a little bundle of string or twine. That's going to be for your, for your warp string on the loom. You've got a little pair of safety scissors that is going to be able to cut through all of your string and everything just fine so don't worry about that. And then there's a museum of craft and design pencil, you're going to notice that when you hold this pencil and it gets warm. It does start to change color. It's not broken or defective. So don't be alarmed when it starts to turn white. It is heat activated. Here we have a glue stick. We have a ruler. We have a large embroidery needle, which is very useful that's going to come in handy further on down the road to there's definitely some materials you'll be able to reuse here. Here we have some strips of fabric. These are found materials, some of them have come from donated sources, such as Koyushi, which is a local San Francisco company that is working in sustainable fabrics sustainable and organic fabrics. So big, big thanks to them for that. And then we've got a bunch of little yarns you got you got random yarns. And so I'm working with two colors today. And then we also have our big floofy yarns. So these, we just call these big yarns, and these are big yarn scraps. And we Is anybody else having the trouble that the presenter is frozen. Yes. Okay. I guess we'll wait. Okay. Yeah, I can't hear her either. Like she's gone. Yeah, also, no visual or audio. Hopefully she pops back up because I can still see her instructor view but with her materials, nothing else. I would like to hear you. And she's doing something so she's talking and we can still see your materials but we cannot hear you. You're on mute. Let me tell her. I've lost my main view. Okay, we can hear you again. Can everyone else please mute so that your picture doesn't come up instead of hers. Okay, everyone seems like we're having some technical difficulties so just be patient. And Charlotte will rejoin us in a minute. Thanks. All right, I am. I'm back, and I am going to try and get our instructor view back. Many apologies everyone as soon as the power went out it killed my wifi. So I'm going to try and get our instructor view pinned again. Which is to be expected. Can I please get somebody to put the meeting passcode into the chat so I can just easily put that onto my phone for this, this overview. Excellent. Thank you. Thank you. Thank you. Okay, there we go. The joys of technology, right. All right, let's try and get that instructor view pinned again. Thank you everybody. I really apologize for that. We're going to record this I can also record a brand new fully clean version that then we can we can send out to everybody so that we don't have anything broken in it. All right, so as we continue. Let's get going. First things that you're going to need are your pencil, your large piece of cardboard and your ruler. What we want to do depending on whatever size of cardboard you have, even if, even if you don't have a kit or anything like that. The first thing that you want to do is find the midpoint of your of the short side of your piece of cardboard. So our pieces here are eight inches long. So our midpoint is going to be at the four inch mark. So I'm just going to create a mark right there. Now, moving up from there we're going to create other hash marks at the half inch point. So I'm going up four and a half inches, five, five and a half, six, six and a half, and then seven. I'm not going to go to seven and a half because I'd like to keep a little bit of a border on either side. But we'll just allow for a little bit more space to be able to work with my loom. So then, all the way over on the other side, we'll go to three and a half. We've got three, two and a half, two inches, and then one and a half inches as well. So let's see one, two, three, four, five, six, seven, eight, nine, 10, 11, 12. Let's do one more. You always have to have an odd number. So I need to go to my one inch mark as well. Okay, we're going to do the exact same thing on the other side. So find your half point. There it is at four. And I'll start on the other side this time. So I don't confuse myself one inch, one and a half, two, two and a half, three, three and a half. There's my four. Move the camera over. Move your camera so we can see what you're doing. Do you have the instructor view pin? Oh yeah, but we can't see your hands. My hands? That's all I can see. No, we don't have your instructor view. I've got it. I can see her instructor view. Or move your camera so it's the center of your body. Then we can see what you're doing. I can see exactly what we're looking at here. Can you try your changing your view to. How do we do that? Just don't see what you're working on. Can you hold it up? You're on the wrong view. You don't want to see the one that says Marie Dinninger. You want to see the one that says instructor view. And it should be pinned. I don't understand why. Let's see. Maybe I can spotlight it. Let's try that. Yeah, it wasn't pinned for me. I had to pin it myself. You did? Okay. I had to go look at the different icons and then find your specific overhead view. Okay. I'm going to need to see if perhaps someone from the libraries can spotlight. My instructor view. I'm not able to do it myself. Unfortunately. I pinned it. I figured I'd had to pin it. I did. Yeah. Okay. If you go to gallery view, which is in the upper left, then you can select it. And then it will become your view. I don't know how to do it. I still cannot see your material. But now I can see now. I can see your material now. Okay. And then if you go up. Right. If you go up to, um, there should be three little dots in the corner. And it will say pin. And then that will pin. That will make it so that it's big and it won't move for you. Um, I don't seem to have it either. I'm on speaker view and I have the one that says your name. And I don't see the three dots. I have a Chromebook. Does that work? I couldn't tell you. Let's see. But I can watch your, your video later too. Are you able to. Um, when I talk, if it's in gallery, or I'm sorry, if it's in speaker view and I'm talking, are you able to, um, See the instructor view with my hands. Uh, Oh, I see one now. I'm going to click into that. Yeah, I see something. I see something says instructor view. Was he click? Yeah. It's not doing anything. I'm pressing it, but it won't. No, no, no. Don't click on the, on the screen. Just hover over in the corner on the right. The right top corner. And then it should, it should say pin. Oh, I just have exit full screen. Setting. Is that a setting? If you, if you hover in the corner, the top right corner of the, of the instructor view. Oh, okay. Let me see. There you go. Yeah, I am, but I don't see a pin thing. There's no three dots. Uh, I have my arrow and instructor view and no. I don't see any blue dot. The three dots are hidden. I mean, when you go to the right hand side, then suddenly the three blue dots appear. That's why they are hidden. Um, I don't seem to. Well, of course I can't see hidden things, but. So if you just bring your cursor up to your right hand corner of the instructor view or I'm going to that. I'm doing that. You don't get a blue box with three dots in it. I don't think that's what this weird thing is. If I, if it, that could, what do I do? Click that. Yeah, click on that. Hmm. I don't seem to have it. I don't know if we'll get it. I'll just, I'll listen to what I can. And then I'll watch your thing later too. Cause I don't want to hold up your class. Okay. Let's, let's see too. Um, library. If you're able to keep looking to see if you're able to spotlight me. Um, and the instructor view and then that should. Um, Hopefully that will, that will make it show up for everyone. Um, but this is classic zoom. Tom foolery. All right. So I'm going to keep doing my, my half. Uh, points. My half inch points all the way to my seven right here. Um, next I'm going to take my scissors. I'm going to take my scissors. I'm going to keep doing each of the marks that you've made. Now you're not going to use the, the nose of your scissors because it won't have enough pressure. So you want to go towards the back and just do a quick snip. Through each of your little lines. Okay. And then again on the other side. How deep a cut are we making? All the way through the cardboard. I mean, like a half an inch, an inch. They're only going on your little marks here. See. As at least half an inch no more than three quarters of an inch. Okay. So now we've got those little parts that have been snipped we're going to take our two pieces and our glue stick and you want to. adequately. cover one side of one of the sticks with your purple glue and then you will line that up along the base of your snips across the piece of cardboard. Okay, let's get that nice and. Nice and flat and tight and then we'll do the same thing on the other side and. So these pieces are used to give a little bit of distance between your warp string and the base of your loom so that you have enough space to be able to weave between the loom and the strings. And let's get our cap back on our glue and speaking of strings, we will take our twine take off your little rubber band and then. Carefully unravel it so that it is nice and long. And so that it won't get to tangled as you're using it, so what I like to do is just make sure that I can get it fully stretched out. And then i'm going to just drop one end on the floor of my beside my table and we have we have extra string here so don't worry if you need to cut it at some point or something and start over but. i'm going to now give myself about three inches or so and then. i'm going to tie a simple not in the end and i'm not going to like tight it too tight, I want it to be sort of loose and I might even do a second not in the exact same place. Because this is going to be an anchor for the string as we put it into our loom okay so there we go now to feed it into the loom when I turn my loom over. And this is actually my starting point on the right the upper right mark when when your when your loom is turned over you're going to feed your string into that notch into that little cut. Like so. Okay, and then flip it over and your string will be coming up the front of the loom on the left hand side. And you will just pull the string down and push it through the cut directly below the one that you just fed it through at the top. And make sure it's not you don't want it to be too too too too tight and it's going to hold in there just fine so no need to like pull pull pull just feed it in naturally and then. you're going to flip your loom over again and from the back, you will feed the string into the next loop from behind the next notch from behind like so. And then like you're flossing. And then pull it up. And push it in. To the one directly across and you're just going to keep doing that until you're all the way loomed. And this is what we call the warp string, and this is the string that we will be weaving through. And once you start to get the feel for it you're going to be able to just kind of you don't necessarily need to flip it over every single time, but you are totally welcome to welcome and able to. as needed, and I know that this this part takes just a little bit of time i'm just going to keep going and get us as far the way through this as we possibly can. And again i'm going to create a whole another video that will be able to send out. So that so that you can make sure that you're getting all of the information on how to finish the piece and all that good stuff so here I am at the last at the last notch in my loom so i'm going to push it through there i'm going to turn over and just like at the start i'm going to give myself a couple inches. i'm going to snip and then i've got a little bit of extra string leftover that I can use for hanging later. i'm hanging my piece and i'm going to do another little not here don't necessarily need to do the double not again doesn't need to be super super tight or anything and now i've got a loom i've loomed. And and we can begin leaving now so are we having materials. Also, if you have if you have scotch tape or something or like washy tape or something on hand and you feel so inclined, you can. Just like tape these little tails down so that they don't bug you, but it's absolutely not necessarily I don't usually do that, but I happen to have a little bit take care next to me um so what you want next is your. embroidery needle. You want your. Okay Okay, it looks like we swallowed it great and you also have your pieces of fabric scrap your yarn and your big yarn. And and right now it's really up to you how you want to start I think what i'm going to start with though. Is our regular yarn just so that we can get a clear idea of how weaving works and then we will we'll move on to the other the other materials from there, because there are slightly different techniques for getting those through your loom. So with our small yarn. i'm just going to take that paper off and unravel a little bit I don't like to cut too much yarn to where it's like unmanageable so about. To like two arms length like if you hold it out in front of your chest from from fingertip to fingertip that's about how much I like to start and honestly that's kind of my tip for. Any type of material that i'm that i'm using textile material that i'm using like embroidery thread when embroidering that's sort of the maximum of what is easy to work with. So next you will thread one end of your yarn into your needle I nice big needle eyes. So that shouldn't be too hard and you're not going to feed it all the way through you're just going to leave a little bit of a tail so three or four inches. enough so that you can maybe even grip it grip the tail with your with your pinky. or your hand in this in this case. So that it doesn't so that the the needle doesn't slide off. Now, weaving is very basic, the only thing that you need to keep keep in mind is that we are alternating the over under under over technique so. We will start i'm going to start on my very first work string and i'm going to start down at the bottom we always start at the bottom of our loom. i'm going to start over it doesn't matter if you start over or under but you'll see here my my needle is over my first work string, so I have to go under my next one and then over and then under and then over and under all the way down the line. Under over under over and now I pull through I make sure to hold on to my little tail. And I want to go all the way to the end of my piece of yarn. So you just keep on pulling keep keep pulling and I want to leave a little tail also at name of the game is leaving a tail so i've also got a little bit that i'm leaving out the end of the loom over here, which we will deal with later. And then I take my my needle and i'm going to do the same thing on the other side, but whereas I started over at the beginning. And I ended over at the end, I now want to start under so always look to see where your yarn ended up if it's over you got to start under so that's what i'm doing here's my needle underneath my work string and now i'm going over and under and over and under and over. All the way down the loom and it's really up to you kind of how you get it through there, you know different fingers are comfortable with different things, but the needle certainly does help to get you through. i'm sorry I had a phone call come in from the museum here just second we have to change our. view a little bit there we go all right about that everybody um alright so we're through. And i'm pulling now as i'm pulling through to the other side it's really important that I don't pull too much and start to pull this work thread right, so you want to make sure that work thread is staying perfectly parallel with your loom edge and the other work threads. um and now i've got this like sort of loose weave going on, so a great way to be able to work with that to fix it is take your ruler again and weave it through it doesn't matter if it's over under which way you start but basically just get it over under over under will been through. And then you can use it as this like slide tool to bring down and give you a nice tighter weave and then I just stored up there. So I still got some more turns on my yarn it looks like so i'm back at the beginning, I ended up under so i'm going to start over. Over. Under over under pulling through and this is going to give us a nice little foundation before we start playing with some of. The other materials looks like i've got about one more past i'm going to do that Nice and quickly. And then we will play with some of the fabric scraps as well oh nope one more pass I like alright so i'm under here i'm going to start over and you're going to be able to tell real quickly if you got confused and did it wrong. um because you will see you'll you'll see a bit too much of your work string um in fact i'll show you what that looks like on my final pass over here. So I ended up over here let's say I can I kind of I forgot I kind of can't see it clearly, and so I didn't I didn't realize that i'm that I need to start under and I start over again so then i'm going to go under here. And then I go all the way. back through. And when I pull my yarn I notice wait but that looks weird why is there so much why is it so loose and why is there so much of that work thread showing up. Oh that's why I didn't go over under so i'm going to pull my my my needle off and just pull it back through pull the yarn back through. And i'm going to go ahead and actually not even do that last layer i'm just going to leave this tail over here and figure it out later, so that we can move on to another material. So. Something that's really fabulous and fun about using fabric strips is that you can really play with different textures so here, for example, in mind, everybody has different has different combinations of strips. of strips i've got like kind of a cool, this is a Swedish dot print it's very classic print, and these are raised dots and that gives like a really fun kind of velvet texture. i've also got some of this beautiful stamped coey she fabric and all of this fabric has been hand torn. So you end up with these great like phrase on the sides, which is something that I personally like to really play with a lot like just pull some of those threads out and get even more. Of a texture that's going on with these pieces of fabric, you know you could even if you're so inclined take a piece we've got this good flannel and like maybe even create a little. snip at one of the ends of your strip and then. pull it. So that now you've got you've got to fabric strips and you can like incorporate those into the weaving. At different points but i'm going to play, I think, with this lovely checkerboard pattern. And with with the fabric you don't really need to use your needle you can just use your fingers and that really gives you a good feel for what what we've been really is. And so let's see i'm over here, I ended over. So i'm going to weave this piece through and it looks like i'm going to be able to go twice so i'm going to weave this through starting under. And I just use my fingers to feed it under the first piece over the second piece, and then I like to eat to pick up like just kind of pinch and pick up that third that third. Warp string and just go over the next one and the next one and just kind of feed through in that way it's really quick and. You can keep pulling all the way through there's a lot of different things that you can do with the fabric once you've got it in there, and I like to play with that after I have already gotten my. After i've already gotten the length all the way through, but if you wanted to you can start playing with what it looks like to like smash it down right now, which we'll just leave that like it is and so then i'm going to come back i'm going to go over and under. In the opposite direction and i've got my little tails at the end, I do kind of like that smooch i'm so i'm going to i'm going to play and just pinch and kind of kind of smooth it down a little bit, because it gives like a nice little like a little bubble pop it comes out. um. yeah. that's what we've got going on there. um now i'm going to. I would normally probably move on to doing some more of this green yarn to get another like base or foundation going right here but considering that we are running out of time i'm going to move on to the big yarn. And we'll see what that looks like going through and just how fun it is to have all these different textures. And then I have just like a cooking show I do have some pieces that i've already finished that I can pull out and i'll show you how to finish it. Just so that you know and again once again we'll get all of this fully compiled together and in a way where we'll we'll go all the way through a single piece and you'll be able to see that so here I have ended over. i'm going to do it again going under so i've got this big ol fat chenille yarn and it is funky it is fuzzy and it is going to add a whole new dimension to my weaving. And all I got to do is just get it through there. And since it's so floofy I kind of want to hold on to my strings a little bit as i'm pulling through just so that they don't get too much stress on them. And then i've got my little tail there on the end look those strings they just absolutely disappear even. Even without having to to smooch or do the other the other side, so I have to search for my string and I ended under so i'm just gonna go back over. Other materials that you can use in a weaving of this nature include things like wool like wool roving is a really wonderful material that can give you a really cool fluffy texture. Similarly, you could use cotton batting like cotton or cotton stuffing that you would put inside of a pillow and that's really fun, it can give you this really neat cloud effect I do recommend kind of playing with that a little bit. And, of course, other fabrics and plastic bags, you can cut up plastic bags into strips and weave with those i've done weavings with VHS tapes, which is kind of cool and a fun way to be able to. repurpose some of your favorite films that you don't necessarily watch on a vcr anymore. And you know i'm actually going to kind of play with this a little bit because it has so much texture, I can kind of pull a little loop out and like let it be a little bit taller than other areas. And that gives it it's sort of hard to see in the black there but it's that gives kind of a another fun way to play of texture just going to cut this little tail off here. And. Then i'm going to move on, I think, to my cooking show. cooking show weaving so you get the idea basically you're just using the materials that you have at your disposal, or you know other things that you have found and you just make your way all the way up to. To this line here, so you want to get up to the to the top of or the bottom I should have your your little raised. piece of cardboard and then I will show you what we do from there. So here is a piece that I created earlier, you can see we've got all sorts of crazy all of the same sort of similar materials totally different color way. Then what we were just working on and one of the fun things that we've included in the make our kit is you have these mysterious pieces of paper. These are a part of the coio sheet design process so. You attached to your instruction sheet you will have one of these and it's got a whole bunch of threads taped to it. And these are just a sneak peek into the way that a company that's creating beautiful textiles like coio she does. will go through the process of deciding what's the best color what's the what's the best weight of a thread that we should use for this particular garment or. You know, a sheet set or towels so we included those because we felt like it could be really fun to just see that, but also. To use some of those threads in your final piece so I cheated I forgot my my coio sheet, so I have just some some pieces of yarn that i've used here. But you can pull those out from the tape and there's a couple things that you can do to give even more texture the name of the game texture to your artwork. So i've just pulled a few pieces out here and one thing that you can do is maybe find a visible warp thread. And take a few pieces of your thread of your string of thread yarn whatever it may be feed it through there, and then you can do something as simple as just tying or nodding those on there. To give it almost like a tassel effect like this orange guy here, you can also make something that's like do something a little a little wider and maybe you go. This might not be long enough, but um maybe you go between two of the work threads and. see what we can do, this is a little bit tougher, but if you if you pull your thread. Over and under a piece of the work string like so, and then do it on the also on the work string next to it, you can create. A little a not of sorts. That will be from you feeding your yarn through those just through the back of those those work strings so play with that and there's you know, you could like create a whole bunch of fringe down on the bottom by doing that. And then i'm going to show you also how to get your piece off of the. The loom so the first thing that we're going to do is we're going to start at the bottom and in order to do this, you can save this loom for future use so just be careful during the step, and you will be able to do this again so you're basically just slipping the loops off of the bottom. Like so now you're going to have one that's not a loop. that's your your little knotted piece over here so just kind of flip it up and just do whatever you can to tie that loose end to the loop beside it. Just, however, you can make that manage it's going to be totally fine okay and then at the top let's see oh actually we like to do okay so next. Actually, you know what we're going to do the opposite way so up on the other end, we want to do the same thing with tying your loose end to your. loop beside it. So make sure, and with that you actually want. i'm sure what's happening at the bottom here, you actually want to pull it tight so that this loop at the bottom disappears. So you end up with actually a bunch more string up at the top and you've got that little. got a little knot on the side there now you're going to. pull this one out and you're going to take. This first loop that you still have and you're going to pull your second loop so that it gets tighter on the bottom there and. With both of these now that that that second one is out you're going to take your loop. And pull it down and just with both of the loop pieces like just as one piece tie it. And a simple not with the loop coming back out the end, so you still have your loop, but now it's holding your fabric on. down tighter and the same thing is going to happen over here, but so you just keep going down the line like so. And then pull your loop so let me show you see there goes get it down as tight as you would like it just keep doing it. So that then at the bottom you're ending up with a nice tight finish we've. that's not going to come in there, there's our last one we're falling. Okay. So in the interest of the exhibition, we actually didn't go over our tails here, but in the interest of the exhibition in the way that that's that all of the weavings are so crazy and out there. will crazy and out there i've been leaving all of my edges you might choose to like maybe most of your edges around this side, and so you just are your tails around this side, so you choose to keep them. And, and so, maybe maybe i'll just cut this guy off just for just because he's so heavy there we go and then I think i'll leave this one, why not. cut this little guy make sure that the only things that you're cutting have already been tied off. i'm gonna leave that loop and then you are done with your with your loom you can use it again you're just going to have to put another warp string on it, you can use any color warp string it doesn't have to be. It doesn't have to be why you could you could use a yarn you could use a colorful thread, it could be just get creative with that. And then you have your dowel and I like to do a long hang with my dolls, but again, this is something that you can just really play with you take your loops and you feed. Those loops on to your dowel you can play with different ways to keep that in place and we generally will do like a little piece like a little. A little dotted glue on either the ends the end pieces or on the top of each one, you can also tie your loop, you can also like cut the loops tie directly on to the dowel really whatever you feel is most attractive for the way that you want to. display your piece, you know you could you could cut these and you could tie them way shorter down here, you could get rid of the loops all together and just feed the dowel directly through the top of your weave as well. it's really up to you, and then you have that leftover piece of string from creating your warps your work pieces on your work strings, and I would use that just to tie on to the top of your. your doll at the end. Again we'll go over a way cleaner version of this that where we're not rushed in in our final video. But this is sort of the the gist of it. And then you've got a really cool mode brood inspired wall hanging and the option to come down to the museum of crafting design and check it all out. We would love to see you, and this is actually a good time to let you know, we will be back to in person programming in January will be back in action with our famous and popular after hours make event it's going to be mode route. themed we will have actually a bonus runway show of unseen looks from the creative the explored line it's going to be a real party, we will have music drinks bar. Food the whole nine yards and you are invited there will be limited tickets available, but they are at our regular price. of free for mcd members and just $10 for those those folks who are not members kids under 12 are always free and welcome, and we also have a senior discount and student discount of $8 so we would love love love love to see you there, let me try and get back to my main screen. Thank you charlotte I just want to thank you for that wonderful program, and thank you everyone who joined us today thanks for your patience when we had our little technical difficulties. Sorry about that. And we will be sending out a fresh recording of this sometime next week, along with a class evaluation. um, this was the first time we did a class like this, so please send us your feedback, any suggestions that we can improve for next time, and I just put a link in the chat to get a free pass to the museum of craft and design, so that you could go and see mode group. Thank you so much for your patience, everyone, thank you for to the library, we love you, you're great. Okay, thank you, everyone. Bye bye. Thank you very much. Bye.