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Beethoven - 7th Symphony (Complete) ✔

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Published on Jan 23, 2012

/.(0:00).........//.(14:42).........///.(23:41).........////.(32:56)
▬▬▬(ஜ۩۞۩ஜ)▬ BEETHOVEN ▬(ஜ۩۞۩ஜ)▬▬▬

The **COMPLETE** version of Beethoven's Symphony No. 7.
One of the best renditions in the world. Excellent sound quality.

Ludwig van Beethoven
7th Symphony, Full version
http://www.youtube.com/watch?v=B6Mi3f...
Thank you for watching this symphony...

Symphony No. 7 in A major (Opus 92) is a composition reflecting Beethoven's unparalleled wisdom. Beethoven began writing Symphony No. 7 in 1811 and completed it in 1812. He took his time to create something totally amazing, and this remains one of the best music ever written. This is the moment when we identify a modern stage in the composer's creation, where classical elements intertwine with romantic ones, thus generating a new expression far more intimate and more complex.


Movement I (Vivace)

The first movement starts with a long, expanded introduction marked "poco sustention", showing a solemn and majestic character. On the rhythmical background we hear the fine motif. This first part brings many new elements, easy to decipher, because the composer achieved perfection through sound. Here, we see Beethoven's distinctive use of rhythm and pioneering sense of key relationships.


Movement II (Allegretto)

The second movement is perhaps the most expressive part of this symphony. This movement was encored at the premiere and has remained popular since. It begins with the main melody played by the violas and cellos. The melody is then played by the second violins while the violas and cellos play a different melody which is equally important, described by George Grover as "a string of beauties hand-in-hand". While in the first movement the A major sonorities conferred greatness and sumptuousness, the theme in Movement II, in A minor, brings a whole new atmosphere, thus emphasizing the contrast between the two.


Movement III (Presto)

The third movement represents a splendid triumph in rendering the scherzo form. As a whole, it conveys a genuine bucolic scene with pictorial meanings and associations. With this (meno presto assai) in trio, the composer uses a theme from an Austrian folkloric song, the theme of which had been jotted down while Beethoven was in Teplitz.


Movement IIII (Allegro)

The fourth movement emanates an immense joy from beginning to the end (allegro con brio). It is a whole series of images, full of energy and pleasure of life. This last movement is in sonata form, the coda of which contains an example of the dynamic marking ƒƒƒ (called forte fortissimo or fortississimo). Listening to this symphony's grand finale one can hardly decide what to think more astonishing: Beethoven's amazing creative fantasy, the impeccable form, the amazing talent in using all the musical resources in developing the themes, or his compact, luscious, sumptuous instrumentation.
______________________

Movement I, Conducted by Gustav Kuhn (Haydn Orchestra of Bolzano & Trento)

Movement II, Conducted by Fritz Reiner (Chicago Symphony Orchestra)

Movement III, Conducted by Jan Willem de Vriend (The Netherlands Symphony Orchestra)

Movement IIII, Conducted by Jan Willem de Vriend (The Netherlands Symphony Orchestra)
_______________________

**Thanks for Appreciations!!** Each movement was selected from the above conductors so as to get the best quality standard for the whole Symphony. **Thanks for Appreciations!!**

  • Category

  • License

    • Standard YouTube License
  • Suggested by Expoza Music

  • Song

    • Symphony No 7 A Major Op 92 I - Poco Sostenuto - Vivace-13805
  • Artist

    • Ludwig Van Beethoven
  • Album

    • ESO140 Beethoven II
  • Licensed by

    • AdRev for a 3rd Party (on behalf of Enterprises Sonor (WCPM - DNC)); UMPI, and 3 Music Rights Societies
  • Song

  • Artist

    • Franz Winter, Haydn Orchester von Bozen und Trient, Gustav Kuhn & Haydn Chor
  • Album

    • Beethoven Hörbücher
  • Licensed by

    • Kontor New Media Music (on behalf of col legno), and 1 Music Rights Societies
  • Song

    • Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
  • Artist

    • Bernard Haitink, London Symphony Orchestra
  • Album

    • Beethoven: Symphonies Nos. 1-9
  • Licensed by

    • IODA, The Orchard Music, [Merlin] Harmonia Mundi (on behalf of Lso Live); SOLAR Music Rights Management, Music Sales (Publishing), and 5 Music Rights Societies
  • Song

    • Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
  • Artist

    • Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel
  • Album

    • Dudamel - Beethoven 7
  • Licensed by

    • Believe Music (on behalf of Gustavo Dudamel), and 4 Music Rights Societies
  • Song

    • 交響曲第7番イ長調 作品92 I- Poco Sostenuto - Vivace
  • Artist

    • スタニスラフ・スクロヴァチェフスキ指揮/読売日本交響楽団
  • Album

    • ベートーヴェン:交響曲第7番・第2番
  • Licensed by

    • columbia (on behalf of DENON), and 1 Music Rights Societies
  • Song

    • Symphony no. 7 op. 92 in A major: Presto
  • Artist

    • Jan Willem de Vriend, The Netherlands Symphony Orchestra
  • Album

    • Beethoven: Symphonies nos. 7&8 - Complete symphonies vol.3
  • Licensed by

    • Expoza Music (on behalf of Challenge Classics), and 1 Music Rights Societies
  • Song

    • Symphony no. 7 op. 92 in A major: Allegro con brio
  • Artist

    • Jan Willem de Vriend, The Netherlands Symphony Orchestra
  • Album

    • Beethoven: Symphonies nos. 7&8 - Complete symphonies vol.3
  • Licensed by

    • Expoza Music (on behalf of Challenge Classics), and 5 Music Rights Societies

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