 So your music video for Waze Be Wicked is all over the internet. Can you give me a bit of this song a cappella? Boobie really wants to. We got all the ways to be, W-I-C-K-E-D. All right, I'll do your part. We hear a voice in my head. Are you able to do your part? Then I want to hear your take. Mother always knows best. You've got to curve the back in a bit more. Oh wait, this way or this way? Booty out. Oh, booty out, yeah. Can you talk us through what it was like to film? Waze Be Wicked was actually a pretty epic number to film. Cole Walliser, he directed that video. Oh yeah. He's awesome. We become like really good buddies. Yeah, he's really cool. You guys both have really long hair as well. We do, we have long hair. Yeah, they bonded on that. I did too because I hadn't violent hair down that day. We took a hair picture. We took a hair picture. It was hair goals. And it was cool because you have parts of the actual movie and then the video clip that we did. It was kind of funny because we didn't really know going into it when we that day, we didn't really know what we were doing. No. We just turned the music on and they were like, just go have fun. And we were like, OK, here it goes. We said no dance choreography, like practice. There was choreography in the movie 100%. And they mixed it in with like a live performance. With like a live music video kind of set. Which is really funny, like at least for Cameron and I, who don't do music videos, like she does her music videos and you know, Dove and for us we're like singing to the camera, like this is so weird. But it turned out so cool, like all the cool camera angles that they used. And it's cool the first time we saw it too. Yeah, we were like, oh, wow. But we were at the Radio Disney Music Awards. Oh, yeah. And they opened the show with that music video and literally we were behind a curtain like. Listening to the audience like. Yeah, thousands of people. It was so cool. So how many apples did you actually eat? Because everyone's taking a bite of an apple. There were a lot of apples and a lot of them were real. Like sometimes they weren't real, but a lot of the times they were real apples. Yes. Probably hundreds of apples. Oh yeah, easily. Yeah, easily. So if you're poisoning them personally. I poisoned them all. So it wasn't acting, it was real. Each apple had a different portion. Had a different kind of poison, yeah. Different spell, you know. That moment that like wide shot of like all like hundreds of us doing the march is like pretty epic. Like we got all the ways to do. Yeah, I like that. That was really cool. Everything is makeshift in rehearsal. You know, you have like tape on the floor mapping out how much space you have and things like that. Where like the big pirate pole on the ship is gonna go or like where the steps are on the yacht. And like it's very interesting how we have to make it work. And then you get into the set and you're like, oh that's different than what we rehearsed. We have to change. It's like a lot of it is like just spur of the moment. Like, okay, let's change to this. And let's literally like an hour before we shoot sometimes Kenny's like, we have to change that. But that's why everyone they're all, we're all classified as performers, not actors. Because it's like, you know, if you're on a stage and you're doing theater production and something goes wrong, you have to, on your feet. It's the same thing with descendants. I mean, we have a couple takes to get it right. But I mean, I remember we showed up on the pirate ship and there's this bridge, right? Where they're crossing from the pirate ship to the like base. Oh, the bridge. And that bridge was a lot thinner than we thought was. That bridge was like this wide. And when we were rehearsing with our pirate swords, they weren't real swords, they were shorter. And so then we got the real like heavy metal ones. When you're swinging like this, it would get caught on the wood of the bridge. And so we had to order new swords and you have to incorporate it and change it so that you're not going like this. Surely there can't be everyone going in the same direction at the same moment. Did you have to redo the scenes? We know what happened to me. I'm very clumsy and we had to throw the toss the apples. And I think there was maybe one or two takes where I didn't drop the apple. So I was like, oh my God, Sophia, please, please. There's like a hundred people doing this right now. Like please get it together, get it together. So that was my one struggle. I was like, catching it. And then we actually practice. If you drop the apple, what to do? What to do, you have to play it off. You just keep going. And at one point I did, I just grabbed it from the floor again. I don't think anyone noticed.