 Right, so here's Clocks by Cole Play. As you guys requested for another Cole Play tutorial, this is quite a nice one to begin with and it's piano driven. It's something you have to play if you're a pianist, I guess. So the chords are very simple. However, the style of playing the chords is what is quite, what will attract you to the song. So if you look at all the chords which we play, if you take the first chord, E-flat major, so what's nice about the accent pattern is it's one, two, three, one, two, three, one, two. So it's a very irregular accent pattern. So irregular that it becomes its own riff or it becomes a very rememberable, catchy kind of phrase which is driven by the instrument. Otherwise it would have been, this sounds like anything else, right? So the pattern is quite interesting. One, two, three, one, two, three, one, two. So on the piano, you can take the top note of the chord, middle note, bottom, again, and, so it's one, two, three, one, two, three, one, two. In the left hand, what he does is he just copies the right hand. So you just have to go, that's the first chord. E-flat major, and then the second chord. And then again, you repeat that for the third chord. And the fourth chord is F minor in normal position. So it's, this is the first chord. So I'll try to play the chords and sing. With the arpeggio, it's also not. Quite a nice piano exercise. So this goes on for almost the whole song. However, if you're not familiar with arpeggios, you could perhaps just play the chords. E-flat major, E-flat minor, E-flat minor. Perhaps you could start with that. And even if you're not a singer, I would encourage you to sing along. That really gives you perspective and allows you to make sure your part goes well with the song because eventually you'll have to play it with a singer, which is either yourself or your bandmate. This is the part. So it's two hands looping, copy-pasting the same thing. And at the very, somewhere in the end of the song, a guitar starts playing that actually works on the same chords. This is a different arpeggio pattern. So the guitarist starts playing that and at the very end of the song, even the pianist starts playing that. So that phrase is, mind you, this goes over the same chords. That's E-flat. So you could actually play the chords in the left hand like I'm doing here. So it's pretty much 80% of the time. As the song gets heavier, as the drummer starts grooving more, you play the higher version instead of. Okay. And the last part of the song, which I wanted to talk about is the bridge, where there are completely different chords which sound really awesome together. So the first chord, so that's this section. So on those chords are F-sharp, major seventh. So that's like an F-sharp triad with a major seventh interval. So that's F-sharp major with F. So, and I would suggest playing this also in that same 3-3-2 pattern. One, two, three, one, two, three, one. It's only, the only difference is you're playing it chordily. That means one, two, three, one, two, three, one, two. Earlier you did, as an up. Now it's together, right? Then as compared, D-flat, and then A-flat suspended four. It's a very interesting chord. So instead of playing A-flat major, you remove the third and you play the perfect fourth, or D-flat. Or you can just see what I'm doing and copy it. Okay, so we repeat, first chord F-sharp and nothing else compared, D-flat. Try to follow these inversions. It'll make it quite easy for you, I feel, on the piano. And that's repeated three times. Stay on F-sharp, your original riff. So don't miss out on the bridge. We tend to forget some of the smaller sections of songs or the sections which are not so catchy. But if you perform this live, the audience will get a break from that same monotonous kind of riff. So these bridge parts are the not so interesting or not so important parts, rather, are the parts which you'll have to probably learn a little bit harder and put in a little bit more time because those are the parts where the artists themselves want to make the song a bit more interesting. So inevitably, they're gonna add some more fancier chords, different rhythms and so on. So in a nutshell, Clox by Coldplay basically is a 3-3-2 kind of arpeggio or a 3-3-2 phrasing throughout. I'd encourage you guys to watch my video on the 3-3-2 pop exercise. I will link it in the description. Do check that out. And that shows you not just Clox, but a lot of other songs which use pretty much the same progression. One, two, three, one, two, three, one, two. One, two, three, one, two. You take a song like Shape of You, for example. So that's again, one, two, three, one, two, three. Three, one, two, three, one, two, three, one, two, three. So the accents or the phrasing is basically in that really, really interesting, as they say, like a salsa kind of rhythm, a very Latin kind of rhythm which has been sort of used in almost every genre. You're looking at alternative rock by Coldplay all the way to pop, to jazz, to pretty much every genre you'll find. So all the best playing Clox by Coldplay and it's a really fun song. If you're new to the piano or if you've been playing piano for a while, this is just some song you will really have to play. It's like a staple diet kind of song and all singers love this, so you need to play it. Otherwise, they'll get angry with you. Okay, cheers. Don't forget to like, subscribe, hit that bell icon for notifications. Leave us a comment for any other video you'd like us to do next and don't forget to share the video with all your musician friends. Cheers.