 The first thing you did was, you told the world and the Kenyans in particular that the only way they can see the president getting inaugurated was through KBC. But then after that we had nothing. KBC was a station that was competing with other people. We made so many local produce shows, but now everyone is complaining about broadcast, but what is the government doing with your one station to actually bring that gap with our local content? Hello, my name is Amata, I'm a media and entertainment lawyer, and now that you are the government advisor on Creative Economy, I know this is a film event, but film captures everything, it includes music, right? So, my question is, we had, when Amata and I think was being launched, that the president is thinking of changing PPMC, which is the presidential, the permanent presidential music commission, to be the creative economy commission, so that it houses all the seven creative economy industry, right? My question is, is there a way, because you are a government advisor or you are the president advisor, like you can speak to the president and request him against that decision? For reasons that PPMC is what KFC plays, you see the role that KFC plays in the film industry, that's the role that PPMC plays in the music industry. So, by conversion of PPMC to the creative economy commission, so that it houses all the creative economies, we, like we as one of the lawyers, we have no other mandate other than to push for things like KFC to also be disbanded, so that it can also fit into the creative economy commission, which is to house the rest. Thank you. So, thank you. Thank you, Amata. KFC and reaching the gap, there is a whole reform agenda on KFC, which I am very aware of and part of. In fact, on KFC, we believe that's the home, should be the home of local productions. But just because you asked that question, I need them to add a little bit and say, and George, this is not for standard, it is Chatham homes apply on this. Most of our TV stations show super press and those ones are not subject to tax, because they come in a flash disk and they start airing. Part of the sources of the money for the film fund will be some heavy taxation on anyone showing to the novel, so as to encourage them to take local productions. So on that would be a source of film fund and all of them come in the same budget. So you should tell the novel, you have been escaping from tax for a long time, we are coming for you. And it will not be easy, it will be 50-50 for that cost, or even higher than 50%, because we have those local programs here, why not do it? And on KFC, I'm willing to have a conversation on another day, but there is a whole reform agenda on KFC to take it up. Anyway, let me not go into the politics of it, but yes, it's time for KFC to stop being a government mouthpiece and be a public broadcaster as envisioned by the Constitution. If the President has a story, let him compete with the story of this film conference on TV and then he can make a decision. So the President has to have a good story to compete with the story of everyone else, otherwise we are not running a station there. PBMC, I hear you are kidding. I also note that you have put a slight threat at the end, going to God. I would like to disappoint you because that's why you are doing the creative economy bill, so it will make it impossible for you to win in continental years, so I will have to meet the continental item. However, PBMC is part of the creative economy bill. So please don't, as they call the engagement camps, please give your views. However, the idea there is, for a long time since independence, whereas under the President, you know KFC has, if they have to write a letter to me, even for KFC President, they have to write to their PS, for their PS to write to their CS, for their CS to write to State House, then State House for the letter to me. So assuming that decision is about a few make-outs, I'm going to come to Kenya tomorrow. That deal is gone. We actually lost a book with that deal because some guys wanted us to close Mombasa Road for 10 minutes, and we couldn't make a decision. That's around 2015. We couldn't make a decision because of bad formality of letters. Yet, we closed that road for the president for over 2 hours on a normal day. So it is that kind of thing we are trying to cure in terms of getting access to the top level who speaks across government. If I write a letter today to any government department, it doesn't go through the bureaucracy. As it is established today, KFC, KFCB have a bureaucracy they have to meet to achieve a decision. PBMC too, because now it's under our ministry. But by bringing the creative economy under the President directory, reporting directly to the chief of staff and then of public service and therefore the president, you clear the bureaucracy and creative economy decisions are made on the spot. Which is a good thing for us to achieve. The quick thing we want to turn around and create the economy about within the next few moments. And that also because I've seen my teacher from Kenya Institute of Mass Communication also applies to Kenya Institute of Mass Communication. There is a film school there. Thank you Mr. Muneiro. There is a whole film school there. And all that, unless we reimagine it, unless we stop thinking about how it has operated in the past, unless we disrupt, we will remain in this room talking about these issues, our generation will pass and the next one will still come and discuss that. But we are willing to listen to you. If you think there is a way, we are not doing away with the music aspect. If you still think there is a way, that would be good. By the way, the highest in government now, the highest you can rise as a filmmaker, the highest is to be a director. And after director you know there are many things, the senior director, the secretary, the very senior position, and then P.S. and then C.S. The highest of the career few make up and rise is director. The only way we can be able to change that narrative is through the shortcut of doing something like BPMC and create a secretary there. So that you are the person and the presidency who can be able to command staff, bring that advertisement to you guys instead of relying on me and someone who can also engage with you at a more higher level that is not required by C.S. or someone else, but by the president. But that's it. Stay cold and think what is coming. If you still believe or think that needs to be done in a better way, please do. Thank you very much, good people. God bless you and keep you. Dennis has one question. There's one question. So in our duty in BINKE perhaps, and of course we are not doing BINKE as a member of the Academy of Film. What Academy of Film? That one. That one. That's the Oscars. We've got the five Kenyans in our room, so she's very special. She's our, what shall I call that? Royalty in Germany. Thank you. Thank you so much. I do use it too much, but we have to just squeeze one last one in also. My name is Vivian BINKE. First and foremost, I'm a filmmaker. I'm also the founder of an organization that has raised over 10 years $2 million and put it back into independent filmmaking. So as a stakeholder, as a filmmaker, it's wonderful to hear these amazing government plans, the centers across the country, the fund that has been created, and all these things that we've been longing for. But my question is this. Having spent the morning listening to practitioners like Joe Key, knowing Epi, people who have produced, you know, stage the 500 shows, by the time the government formulates a plan such as the film centers around the country which we're being invited to shoot in, where is the collaboration? Because KFTPA exists. That's why we're here. They've gathered us. We've become powerful. We're making many films. How can we input on these amazing government plans before they get to the stage that they've gone to? Because there is true expertise, true passion, and true initiative in this room. And we need to be not just at the table listening, but inputting. Yeah, they used to tell us, during the campaign, if you're not on the table, you're on the menu. I agree with you. We need to urgently see how sector collaborates at the point of the inception of the idea, not at the end of the budget. So I think my challenge to KSEBMK, as maybe as a takeaway on the state of the film industry, on this, what the digital, because I'm also in the digital economy has done, they have taken sector and put them as a science and digital advisory to the president, which is sector sitting in state house once a month to see what's being done to contribute and also give new ideas on what can be done. So I think we can have a film cabinet, which we can select among ourselves. We can start with, because I have the office, I can make the decision. So KSEBMK can start with a team, you know, also a lean team makes the decision. So we can start with a team of five, and I'm offering to have that meeting before we do Machigagi on 20th. So choose five people, and let's begin the conversation. That's a decision I can make. So KSEBMK, give us the five names, and I will ensure not only we have a meeting, but that we are able to meet the presidential economic team and the president himself once we do the structure. So I agree with you, and that's a very great idea. Thank you very much. God bless you and keep you back. God bless you. You know, Daniel, you said you're now our new good father, and you could die for us. You know, you almost died before, man. Don't die. This is perfect. We need you. God bless you. One more applause for Dennis Itumbi. He's a true champion of creativity. Believe the creativity.