 According to the calendar, it is Thursday and that means it's acting analysis day. And today I want to take a very brief look at Netflix's movie, Extinction. Okay, technically today I was going to talk about the illusionist. So there are two clips I want to show. But then a couple of days ago I watched Extinction on Netflix with a group of friends and there's a scene that stood out that was not to be mean, but it was so ridiculous. Everybody in the room laughed because what the character was doing seemed so out of place and not right according to the situation and the scene and what was going on before and after. So if you take a look at it, they're all being careful was there being shot at, people are dying, it's dangerous and they have to be sneaky and quiet because those aliens or those creatures or whatever, they're outside and they are hunting them and it's all dangerous. And as you can see in the clip, everybody's afraid and he's walking up the stairs very slowly. But then what he does is he just grabs the handle of the door and down opens it like it was just like it's a Thursday. Okay, I'm just going there into the kitchen. Maybe this kitchen door open this grab a beer, very casual and especially really loud. It's such a weird opening this. And then as we continue with the shot, he peeks out and he's very quiet and he's slow and he's kind of sneaky and he's careful. Right. The main thing is that he's quiet and careful because he doesn't want to make noise so that he doesn't attract attention so he doesn't get shot and killed, especially his family. So I don't understand that moment of and especially filming it with the handle and it being so loud. He used to say in the room, it got a big laugh. It just felt really, really out of place. So today is not really a clip of what you're supposed to do, but in a way it's like, what are you not supposed to do? So not that I want to just bag on this movie because people work really hard and, you know, I don't want to dismiss the whole thing just based on this scene. But it felt weird. It fell out of place. And it's just something that if you have your character in a specific scene, in a specific environment, in a specific context, the character has to do something. So let's pretend your character has to sneak. That's your assignment or that's your objective or that's whatever shot you have. I wish to be careful that throughout the whole scene or sequence, your character follows that and is conscious of the fact of, I have to be quiet. I have to be sneaky. I can't make noise because otherwise I get caught. I get killed. I get shot. Or it's a kid and he gets punished because he's sneaking to the kitchen to get cookies. I mean, I could be whatever situation, but you're not going to have someone go and sneak and then just open up the door or just do something really loud or put on music really loud to then continue the objective of being sneaky. It just doesn't feel right. And then that's it. It's super short. It's probably the shortest acting analysis movie I've done and I just wanted to do a quick movie about this. And it seemed obvious. So I'm not sure maybe you've seen it and you have a different interpretation. And that's all you find. Let me know in the comments. You can say, hey, I think this is because of this and I could be totally wrong. I'm curious what you think. Let me know. In the meantime, if you have something with your character, make sure that the character stays in character. They follow through with his or her objective of I got to be loud, quiet, suspicious, sneaky, tired. You don't break character because it could be confusing to the audience. All right. That's it. I think this is so short that I think the background music hasn't really reached its end. I don't know yet. I'm recording this. I haven't put the music in, so we'll see what I sneak in there. But if you like this, as always, give this a like, even though it was really, really short. Subscribe if you want to see more. Tomorrow's FNA is going to be a new topic. And if you watch this whole thing till the very end, even though it was short, I appreciate it. Thank you very much. And I will see you potentially tomorrow or next week.