 I feel like we're seeing that since so many of the bigger outlets are more for lack of better terms and say like major control and a lot of artists aren't getting the opportunities to do interviews with these media outlets, I personally feel like we're starting to see like less and less media trained artists who really know how to like take full advantage of an interview. Are you seeing that? Aren't y'all in? 100%. Yeah. I can easily tell which artists have been media trained and then which person just like doesn't even want to be there. So I would say like the more they respect you, the better the interview will be, you know? If they don't know you at all, there's just a bigger chance that they're just gonna like slouch and, you know, not really explain a story fully, you just got to like make them respect you. You know what I'm talking about? Yeah. Yeah. And I get that. Like getting under respect to art, respect to content, wanting to be on the platform, that type of stuff. So let's keep that same thought in mind then. So let's say I'm an artist and I haven't done a lot of interviews, I'm looking at a platform like yours. I said, you reach out to me, you want to do an interview. What are some of the things that just offer what you've noticed help to make an artist interview stand out or resonate, whether that be from the standpoint of just being a good piece of content or just to the point of even being something that like their fans look at it like, oh shit, this was a really dope interview for you. I think every artist, big or small should look at an interview the same way as the ones they watch. You know, like, would they watch this video if it was coming out? You know, like, let's say I did an interview with a small artist. That small artist should do the interview as if, you know, it's on the breakfast tub or something. You know, just explain things with stories because that's what people actually relate to. If you just give like two sentence answers and like, you know, things that are just super boring and not different from everyone else, like no one's going to watch your interview and no one's going to connect to it. So like fans, you know, like you will gain fans and people will actually connect to your stories, your background. So you've got to be able to actually explain that in your interviews. Okay. Who's been your favorite interview from like that standpoint? They gave great answers. They did, you know, all the right things. They took up all the right boxes in your opinion and then what were some of those things about the interview that made it just a really good interview? Yeah, there's a lot. But I would say, I would say Toby Lu because, you know, he was kind of talking to me as if I was his friend. He wasn't being disrespectful at all. But the best thing is like, you know, if I would say any topic, he would just like bring up a story from back then. Like we talked about Juice World and he's like, oh yeah, you know, I went to school with Juice World and all this stuff. So it's like, you know, you can use those little clips and like people will actually like watch it online. Like people think that stuff is interesting. So Toby Lu for sure. Who else? Let me think. Man, I've done so many interviews that I'm just drawing a blank. But let me see. Yeah, I'd say Toby Lu was the best. That's a great point you brought up, bro. Very great point we bring up a lot is the having the story like stuff are needed to have a reason for you to even want to talk to them, right? Because we'll be, we'll get clients and things. So I want to do press and we'll be like, okay, before we start reaching out to publish something like, what's your story? Because if the story is X artist drops new song, that's not interesting to you, right? That's the worst story in the world. But it's like X artists, you know, wrote this story while blindfolded in a closet. It's like, oh shit, now you have something to talk about. Now you have something that you will actually want to watch about, right? That's a good story right there. Yeah, yeah, yeah. Has there been any particular gem that you picked up from these artists that just like stuck out or something that like, yo, such as I said, this is like every artist needs to know this shit. Damn, that's so rough. Like there's probably so many things. I'm kind of drawing a blank, but let me think. Man, off the top of my head, I probably can't remember this because there's so many like gems. Yeah. Going back to, I think all the interviews I've seen, Toby Lou interview is probably the one where it felt like, you know, Toby really doesn't care where he's dropping out a game right now. Oh, right. I do remember from Toby Lou interview, what he was saying was, you know, he was just talking about how he drove Uber at the time. And like he didn't, like, you know, like you got to do what you got to do. If it seems like I could be moralizing job or whatever. It doesn't matter. You got to do what you got to do to, you know, get your career going. I think I really respected when Toby said the Uber thing, because a lot of artists are just like, sometimes they're scared to, you know, if they need money, they're like, oh, I can't work a job. You know, it's like now sometimes you got to go work, be a fry cook at McDonald's and just make some money. You've got to get some recording time and then boom, like now you have an opportunity. Everybody's like, the money guy comes somewhere. We know, we know you have to spend the money. The money guy comes somewhere. We're not, we're not tripping on it. I think that was the part that got me too. So, Toby, which I also actually, I think is one of the cooler things of ours coming up today where it used to be so secretive about, you know, all these artists have a job. This is what these artists are doing to grow. But ours, they're like, nah, bro, this is what I did. I was working, you know, 20 hours a week in McDonald's, stacking my check up, going to live shows every week. And I did this and then here I am. I always think that's cool. It seems like I was unafraid to share the game and let others know what it did to get there. Facts, if I was an upcoming artist, or if I got a chance to do an interview, I would definitely mention those things because people can relate to that, you know? People relate to you working at McDonald's because they probably get it themselves. Yeah, yeah, that's right, man. That's a good point, man.