 All righty here new shop no sound Let's check this out. We've got turtle versus turtle pizza rig Makes me hungry. All right So as you mentioned here till early Stages and you're not super married to the ideas. I Think let me see what's going on here. I think what helps sometimes at the beginning is to not go too crazy with the camera Not that there's a lot of craziness. I see like a little bit of movement there What strikes me that there is a lot of Like one thing you can do something that gets a bit tricky with stepped versus a spline camera, but I would not step the cameras Keep that spline and then you just potentially just have to have more keys on this to sell that but I'm just curious if this is Going to be too fast Going up there, but it doesn't seem like he's going up That high in the lands, I know I'm slightly concerned about just this moment here and Then this switch into this mainly because like when I when I watch this The couple things This is a massive explosion of a new event, which is cool But watch out. We have some overlap here. So it gets not super clear and he's also having barely a reaction Now you might argue that's his character and that's what he does But you could potentially have at least one step back or then one foot is here The foot is here, you know, and he has maybe the shell is like that and he looks over and it gets kind of ready Again, this is maybe the part of the your your character thing of ah, he's not, you know He's not that quick. Especially as you can see here Kind of clumsy can't get to him really and then that I know that's hold the whole clumsy thing But I wonder if that could also help you with Maybe you have I'm just throwing out ideas here. You know, this could be something where he's about to eat this We have a bit of a rumble here. I know it takes away from a surprise But it gives him a moment to to look and I know I'm extending the shot as well I'm basically trying to find ways for him to React to this and even if it's a lean back a bit And he has the pizza here, so we really free up this silhouette But I also want him to get out of this IK leg things That's the other thing that I'm always feeling when I see shots where stuff is happening But the character is not moving whatsoever. You can see how there's a slight foot switch, right? But that's it. It feels like ah, I didn't want to move my my legs just because you know weight shift is complicated But it just feels so like bolted down. That's why I feel like if you already have this Might as well have him take me at least a small step back readjustment gives you a clean separation between these two here. I Would spline The camera I would also potentially to be honest Stage it maybe like this. I also feel like everything feels a bit crammed in That's the other feeling that I had So we get to see this Again, you have to know just a bit more room out here And then that way we have a little bit more room on the edges here and the thing is he could also Do this instead of this we're even color wise He gets very muddy here terms of silhouette this bit of a tangent there with the shoe Where like what if he really grabs this and maybe puts it up a bit higher Pizza and then the other guy is here. I can really clean Thirds type of thing. Whoops. Where we're not so overlapping Even here again when you go back a bit of a tangent there It just I guess just too much and if we're zoomed out a bit and You might even dare I say You know imagine like he's more like this here and then you have I gotta switch growing tools here What am I switching your orange shirt? What if then he is here shell Hey, I got your pizza. You know, I mean, so now we have all this space here for this guy Showing in a very clear silhouette. I got what you what you want was even here I know we know what it is by now But imagine he would hold it just maybe maybe the hand is you know on top holding it So it's a very very clean silhouette and then you have a nice clean silhouette for that guy Copy the thought there, you know, then you have maybe more room for this as well again We're just very close here and Then when he gets into this we immediately have this overlap so imagine the character is more on the left like I said He also has a more range to go in terms of Switches over here so imagine he is You know going from here and then the other turtle is is that the wrong tool? There you go The turtle is here, right? The other guy is here. Now you have more diagonal space to go where you are A bit more three-quarter Instead of head-on which gives you a bit more to play with terms of you know the spline change and the Line of action change will anything like that's head-on gets a bit flat And he exits Like what is he doing here? Is he this seems like he's actually getting punched Like where is the pizza? Hold on so he is eating it So are you saying that he actually ate the thing like what is it? Is he throwing it up in the air because it lands here and it grabs it? Maybe I'm not super clear about this here Okay, this seems like he's throwing it up in the air and that's when he charges him punches him But then why is it here? Is it falling down here? And that's where he grabs it and then swings it back Not super clear. That leads to me So if you if you punch the same this could be also Potentially a punch with the right hand. So then and then going back to my Guy imagine, you know, he would be here So now even if he's still in this pose now you got that right arm to come into this You know silhouette maybe that arm is up here And you have all of this and the other arm could be here You just have a much cleaner stronger but more visible view within what's going on here And again with all that extra space up there and down there Maybe we get to understand a bit more what that pizza thing is doing and even this at the end It's a bit too overlapping where Like even here bring out that forearm and just just clean this up a bit And then he falls down and then we have that and that's totally fine But you also be caught out a bit too soon you would have to add another second for it to If he would land and the pizza go Have a bit of a exaggerated timing of hold maybe and then Nice splat maybe with the top kind of You know the the the tip here This lands first and then at the end that or maybe part of the pepperoni Comes off something like that. You know, I mean just gives a bit more time at the end But that is mainly that hope that makes sense Again, maybe I just I missed something super obvious But that's the impression that I had you for this clip and that's it. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way the like and subscribe would be awesome. All right. Thank you