 Hey, everybody, it's Greg back to here and in this video I'm going to walk you through a multi-cam edit in Adobe Premiere. So let's get started. So I've opened Adobe Premiere and I'm on the editing tab right now. I'm going to click on Assemble. I'm going to import some footage. So what I've done is I have three different camera perspectives plus a main audio. I've put them in a folder called Video 2 and then I've labeled them 5D. This is the kind of 5D Mark II. I've labeled the GH5. I've labeled the Ninja and then I have my audio file. So what I'm going to do is I'm going to import all of these. So if you can separate your files beforehand, that's going to make it easier to find them. So now I know they're all the same tracks. What I want to do is create my multi-camera sequence. So you can see they're all highlighted. I'm going to right click and I'm going to go to Create Multi-Camera Source Sequence. So now you can see we have another menu. I'm going to leave this just like it is the top video clip name, Multi-Cam. I'm going to choose Audio. Now the trick to this is to clap your hands a couple of times and make sure that you have all of your cameras on, that you have audio going, make sure there's mics, that they can hear the audio clips, and then I have a master audio track that I recorded with the Zoom and a lav mic. So actually every camera has some sound, but this is the better quality sound. That's what I'm going to use for the overall edit, but for this sync to work, you have to have sound on all three tracks. Make sure you have that. Now I just got my Track Channel 1 and Sequence Preset, Automatic, Sequence Settings, Camera 1, Stereo. And I'm going to use my track names because I've already gone ahead and said which cameras which. So we've got the GH5, the Ninja, and the 5D. I'm going to say OK. That's going to create the Multi-Camera Sequence. Now I want to show you a trick that allows you to edit your audio on your master track, allows you to color grade to match all of your cameras. And then you'll get to the Multi-Camera Sequence part of the editing. So here we have all of our clips synced. I'm going to right click, and I'm going to click on Open in Timeline. Now you can see we have all our footage. We have our GH5, we have our Ninja, and we have our 5D. And then you can see this green track here. That's our master audio track. So I'll show you how to edit this as well. I just want to show you how to color grade. So in order to do some color grading, what we did beforehand was with each camera, we set it up to be the same white balance. So we set it up to be 5400 because we were in daylight, we had a big window, and then we had some daylight balanced bulbs. And so that's what we set the cameras to, but because we have a GH5, we have a Canon, the color is just a little bit different. So we took a shot of the Color Checker video passport here. It's a little larger than say the Color Checker that you would use for photography. Now in Adobe Premiere, if you click on the Color tab, you can see we have a white balance selector, and we are on the GH5. So I'm going to just click on that. I'm going to go over to just the white tab here. I'm going to click on that. You can see it warmed it up a bit. Now we're 25 minus 2, 3. So now I'm going to click on the little eyeball in the timeline, and now we're looking at the Ninja. So make sure you click on the next video clip so you can see we don't have any color there. I'm going to click on the white balance tool. I'm going to click on the white, and you can see it didn't make any adjustments. So it thinks it's balanced properly. I'm going to toggle that off so we can see the 5D. I click on that track, and we're a little further away, but I'm going to just try it anyway, and I'm going to click. And you can see it made some adjustments to the 5D. Now on the left, I have my scopes. So if I want to fine tune this color grade or make exposure adjustments, I can do that. Just make sure that you're on the right camera so that you're aware of what camera you're doing what to. And then again, I can toggle these back on, and then we're back at the GH5. So if you wanted to make any color grading adjustments to match your cameras, you do it this way. Now if you wanted to edit your master audio, what you can do is you can right click, and if you have the creative cloud, you can take it into Adobe Edition. So I'm going to open up Adobe Edition. I'll show you a couple of quick tweaks I make when I'm using a lav mic and it's possibly loud. So I'm going to zoom into a part where I wasn't talking, for example. So you can see here there's talking, no talking. I'm going to just take a sample audio clip, and I'm going to highlight it that way. I'm going to click on effects. I'm going to go noise reduction, noise reduction process. Then I'm going to click on capture noise print. So I've done that. Then I'm going to click command A to highlight everything, and I'm going to click apply. Now that's going to reduce all of the noise, and then what I'm going to do is I'm going to boost the audio levels. So effects, amplitude and compression, multiband compressor. I like to use broadcast, and then I click apply. So I get rid of the noise first, then I make it louder, and then again, I take out the noise that I may have boosted. So again, I highlight a section where there's no talking, effects, noise reduction, noise reduction process, captured noise print. So a couple of vector steps, but command A highlight everything. So I do two steps of noise reduction, and then I just click file and save. Now it's going to save that file, and if we go back to the timeline, if we look at the audio, if I click, you'll see it sort of getting bigger. So that's applied the new adjustments. Now for some reason, this is a mono track, and I normally hear it in the left and right speakers, but for some reason when I did the multi-can, it wasn't working. It was driving me crazy. So if you have that problem, if you right click on that track and you go to audio channels, just checked. For some reason it's checked on the right channel here. I found that when I had these both checked and then said okay, then I got stereo. So audio and left and right. Okay, something to watch out for. So that's all the pre prep for your multi-cam. That's the audio. That's the color grading. So we're still not done yet though. What we want to do is we want to create our multi-camera sequence. So again, we go to that same multi-cam right here. We right click. So if you remember in the first time we said open in timeline. So that allowed us to see all of the tracks. This time we want to create a new sequence from clip. Now when I do that, you can see it looks different. So it's merged all of these clips. But as of right now, we can't really see all of those clips. So then there we are with the color checker right there. So we can't see all of these. So if you're not seeing all of these, if you look over here to the right, toggle multi-camera view. If you don't see that as a control, if you click on the plus symbol here, you can see all of these. Look for it and then drag it down to this bar and then you can toggle it on and off. So when I click on this now, you'll see the multi-camera view. Now one thing too is I should have rotated that Ninja. So the thing is if you see something, you're like, oh, I should have fixed that when I was on the other view. If you just look to the left, you click here, I can go to my Ninja. I'm just going to turn off the GH5 so I just see the Ninja. If I go to editing and if I go to my effects tab, you'll see one here for rotation. So if I click and I put 90 degrees, it's going to rotate that 90 degrees. And I know from just doing a test run that it should be about 75 in size. So that will replace any of the other camera views. Now if I go back to my other view, then we can see how that looks. So again, we've got our editing tab and then we've got our source clips over here. We have our audio clip and again, there's assembly and then you can see right here, I go back and now I can see that when it goes to the Ninja, it's uprighted. So if you need to go back and make some adjustments, you can. So again, now I made a mistake. I left that camera off. We need to toggle that back on so that we can see it in the other view. Now I come back, we should see our different camera angles. Alright, so that's how you make those adjustments. Now in order to go from one camera to the next, I have one that is on a tripod. So I know that it's always going to be the same view. Also, I know that the Ninja is always going to be the same view. That's on a tripod as well. This one, the GH5, this is a roving camera. So we have this on a Ronin S and you can see that this camera angle is going to move around. It's going to follow me from time to time. So that's just one thing I want to keep in mind that if I ever need just that static shot, I know it's this one or this one. So let's just go through and edit. So I can change this camera view just by clicking on these different images. And then what you can do is play it back and watch it and make some fine tune adjustments if you'd like to do that. So let's get started with that. So I'm going to click play by taking the spacebar and we're going to start with our 5D, our static camera. So that's the first shot we're looking at. Then we're going to move to the GH5. We're going to move back because I'm addressing the camera here. Now, I'm going to start shooting and that's why I have the Ninja so that I can show people in a tutorial the perspective from where I'm shooting from. So for example, how she's looking with the posing, how the eye autofocus looks and things like that. So that's what the purpose of the Ninja is. And then again, I'm just making clips and just by doing that. Now you can see down here, if we look at the timeline, you can see that it's made edits now to that. Now you can fine tune those. If you go to the ripple edit tool, you can drag and move those a bit and kind of fine tune those adjustments. Anyway, I want to wrap that up. I know I covered a lot. If I went too fast, just watch this video again or bookmark it and come back to it later. And just remember that you have your multi-cam sequence here where you can see and make color grading adjustments. Just remember that you're on the right camera. When you're clicked on color, it's easy to get mixed up and then start making adjustments to the wrong camera. And if you can't see the camera, just toggle them off with the eyeball. And like I said, just make sure you're on the right camera when you're making those adjustments. When you get everything going good, you got your audio, then you can go back and you can do your multi-cam edit just by creating that new sequence and doing your multi-cam edit. Anyway, I hope you found this helpful. If you're not already a subscriber, hit that subscribe button. Hit the bell notification to get weekly updates. And also, give me a thumbs up if you found this helpful. And if you have any comments or questions, you can post them down below. All right, thanks for watching this video. Give me a thumbs up. And I'll see you in the next one.