 what's up guys welcome to today's class we're gonna have a lot of fun today we're gonna do something totally different we're gonna do some hair color today i know you're all very excited about it what's up lin good to see you mally up tiffany mary liz what's up what's up kylie carol all right so before we start the class today obviously this uh this is we're gonna learn so i want you guys to post your questions type them in the chat um let me move some of this stuff out of the way if you have a question type q and put in your question i'm gonna move these questions over here let's go here move that there oops uh let's see you go over here and uh so if you have any questions type q put in your question in the chat if you're new to this show you've never watched this show before then uh type new in the chat and if you're no g even watching this you're an original we're 64 episodes in uh 64 classes since march since the the quarantine and all of that uh we went to town on teaching so if you guys have been watching this for a very long time type og in the chat as well uh this show is brought to you by my friends at minerva beauty if you're looking for salon furniture check out minerva i can't talk what was that uh go to minerva beauty dot com uh and pick up your salon furniture i literally just did a virtual hands-on class for the last hour and 15 minutes uh hopefully some of you guys are on here but we were working on a zoom call and it was a lot of fun um but i've been teaching for an hour straight already so this is gonna be very fun very interesting and today we're gonna be doing color so check out uh we're gonna be doing reds we're gonna call this class 3d reds i'm gonna try to create some three-dimensional uh kind of a deposited color basically so a color technique this could also be used for toning that's kind of where i want this to go so not only is it a great uh uh technique for toning but also you know you can do it as a block color technique as well so audrey good to see you thanks for joining let's see Adele what's up good to see you all right so again the chat kind of flies by so it's hard for me to uh see your questions but if you type q and put in your question uh that gives me a much better view when i'm scrolling through to see when you guys have those questions and i can answer them uh again we're gonna have some fun so let's start coloring the head i want to talk about my formulation uh choice those guys that are new i mostly cut hair but i have educated the color for a long time so today i decided to change things up a little bit and come up with a color technique for you guys so we're gonna use 20 volume developer on all three um all three formulas here you lock that in for you so we've got a five nc uh this is all joy columbus shine use whatever color line you want just obviously know kind of what we're doing so we got our nice uh natural copper and then we have a copper copper level six and then we have a level eight uh which is an eight n w b and then eight and c what i wanted to do is just warm up a nice beige tone um for the lightest color and then um kind of where this is all coming from let me move over to the doll head here this is the cut that i did in my virtual hands-on class yesterday uh beautiful face frame haircut so what i wanted to do is just kind of highlight this and create a color technique for this uh particular hair hairstyle so i hope you guys are excited to learn this with me here all right so i'm gonna mix things up let's get into the chat here yep yep yep thin hair please help me cathleen a lot of people have thin hair we uh i get a lot of requests for uh fine haircuts i live in nortersy need a new stylist hey if there's any stylist in the chat that's from new jersey please let barber know that you can help her out all right kind of been watching for a couple weeks now i'm hooked thanks judy that's awesome all right here we go carly you want to take a seat over here carly's gonna help me out see it for her there you go all right so carly can see your questions for me let's start mixing some color all right so first we're gonna mix up the five in c you guys could measure this stuff um obviously i recommend measuring it here's the reason why um a lot of people don't measure color but if you mess up your measurement and you add a little too much developer into uh your color bowl you're gonna dilute the pigment so uh you'll get less gray coverage all that stuff so just make sure that you do that for me today i'm gonna do about half this tube actually we're gonna go the full tube joyco paid for this so we'll go all in thank you joyco okay so full tube and then two ounces of developer put that in 20 volume we're working on blonde hair i could use 10 volume probably could use five uh we're just depositing now six cc it's gonna be our medium our medium tone but our most vibrant so my goal here was to have a nice kind of natural looking base the five in c will give me that natural feel nice little copper red and now i've got the six cc which is gonna be more of a vibrant pop of copper um on the hair color and then uh we have a nice blue uh blonde tone at a level eight that we're gonna mix in that copper but keep the beige feel to it as well so i asked this question oh so you can move the mouse over and scroll up just like kind of swipe with your fingers two fingers or maybe one there why 20 volume so i tried to kind of explain this but um i'm going 20 volume just because uh i just wanted to keep it standard throughout the bowls i'm working on blonde hair so like i said if i was doing a toning technique probably five ten volume um this is permanent hair color i wanted to get it's on mannequin hair so really those are kind of my choices just i just want to add a little more uh strength to get into the mannequin hair nicky asked if the 20 volume um she said will the 20 volume not lift it well no i mean because she's blonde so uh it's not going to lift her any blonder than she is uh but it will open it up like i said guys it depends on uh the canvas so if i was going to uh obviously if she was blonde i did a blonding technique i did balayage i was going to use this as a toning technique then i would go in five volume so i didn't get any lift um i'm not really afraid she's not going to lift so but i do need the intensity of the 20 volume all right so i'm going full in with the an wb and then i'm going to put in the eight and c right into that same bowl so nancy i see your question there um i looked at my email right up until the class i didn't see anything so i apologize for that um i send the link out the day before to everybody that bought a ticket so send me an email again and i will uh make sure make sure you get the replay uh of the class and make sure that you're ready for next week for sure okay so i got all this stuff let me get rid of this we've got all of our formulas so ks asked how do you know what color to mix with another color are they the same level or is it variety so the reason i i mixed the eight and wb and the eight and c uh together my goal was to just add a little more of that copper tone uh to the eight and wb so they were the same level um obviously know if you mix like an eight and a six together you're going to get probably more like a level seven so you got to be careful level wise what you're choosing but if you're choosing the same level it's just more your artistic feel so uh just deciding well what do you want your tone to be eight and wb would have been fine by itself but i wanted it to kind of go with my five and c and my six cc to have that little bit of copper feel so that's why i mixed it together all right monica said is that good is this good for gray coverage so coppers i mean so anything with a brown or base i would put i would add into to my colors so the nc i feel like i would i would be very confident that i would get my coverage um the cc would probably be super vibrant on gray hair especially lighter gray hair so i would probably add a little bit of a brown base to that and then the eight and wb would be fine um what i find is that sometimes when you have too light so if i went above a level eight then i i lack a little bit of gray coverage um or if i lack brown pigment because the way that color works guys for me it or what i know about it is that brown plays as a filler right so if you have super blonde hair and you're trying to um you have super blonde hair and you're trying to uh take it down levels you've got to fill it you've got to fill it with the lacking pigment so let's say uh she's a level nine you got to fill it with the oranges the reds to bring it down to that level five if you don't then um it won't take so we're kind of working in that same scenario a little bit except for the six cc i'm excited for the the vibrancy in the copper we're putting it on blonde hair and then the five nc has a little bit of brown in it so uh we'll get that kind of filler effect as well plus we're playing with oranges so all right how many of you guys are excited about this let me know in the chat let's see a hundred or your favorite emoji i don't care which one of this could you please write down the color formula in the description below yeah for sure actually carly if you hit on the text i'm gonna teach you something here you hit that text right there yeah click that and you could type in so do you know what they are kind of five and c let's put 10 volume so we don't get 120 volume questions uh from people just checking in because that doesn't really matter what's that based mid shaft yeah all right so carly's writing down the formula for you guys so it'll be up there in a sec here's our beautiful cut from yesterday's class if you guys took that thank you for doing that um it's one of my favorite cuts i've cut in a long time so some long layers throughout the back here so i want to create some dimension and depth within that um so then it was six cc and then eight nwb with eight nc yeah eight nwb cool all right so that five nc so then you can move it carly like you can pick it up you can make it smaller move it to the other side maybe cool yeah nailed it all right so base mid shaft we're going to be doing the five nc eight cc eight nwb with the eight nc we're going to be doing throughout the top to really pop that brightness so the way that i look at hair color is i want to make it as natural looking as possible so um so we're going to play off all of our sectioning in that way um the way that we're going to make it three-dimensional is i'm going to use some triangles some zigzag partings create depth within it so let's go right here and i'm going to show you guys the back here and let's let's get messy here so i'm going to start in my depth area right here in the back so i'm going to start by zigzagging across the back of the head just like that the deeper those triangles the more depth i can create twist that up in a way clip it i use a couple here all right so i'll turn it so you guys can see so look at the uh the zigzag so that creates that depth so now i'll use my five nc and i'm going to come right up into the hair i'm going to start painting those triangles and i'm really not i i color hair way different than i cut it so there's nothing precision about my uh my hair coloring technique i actually think the more organic you can make it the better so colors might argue with me on that but uh for me i like to really blend these tones together so i'm going to work that five nc uh base mid shaft ends at the very bottom and what i was saying earlier is that um when you work with oh yeah good uh when you work with um color i think having a more natural feel is the best so having it be the deepest tone in the bottom not saying color black and color white like the deepest tone like it's two levels different so i don't really want uh things to be that crazy uh highs and lows so i'm going to work all that color through it's my comb here so that's the first tone so guys i did use 20 volume and this is going to come up but i'm only doing that for the mannequin i should have just poured 20 volume in the time so another zigzag here across and this is why this is a great toning technique as well because it's very quick so you're just creating depth with the zigzag so now i'm going to go with my six cc tone through it probably can you go to number five camera this is where i get color all over my stuff just hopefully not on my shoes so i ask all right so six cc painting this entire section again these are only one level different that's why it's okay if they were crazy different levels then i would change things up just a little bit maybe add a depth root and then add in the uh lighter more vibrant tone mid-shaft to ends okay and remember guys if you have questions type q put in your question carly will read it to me i can see them let's try to get this as interactive as possible doesn't even have to be about this technique can be about anything so monica said um i want to ask what color brand would you use instead of these colors if you didn't have like what i don't know i don't understand so to to help people that don't have this color brand like if you're not using joyco um then just find there's got to be a neutral copper and if there's not just find your copper and add brown to it um that would help kind of create that tone and then um use your straight copper for the medium tone and then uh whatever your nb um add a little bit of gold to it and add a little bit of copper to it like you can create those kind of tones pretty pretty simple stuff right said white shoes in red color are you crazy i know i know i wasn't thinking about it at all it'll be fine it'll be fine oh i just went flying all right so go back to that front camera a little bit number two yep so here's our zigzags into our second section so we've got our five in c below and then we've got our um six cc here and now i'm gonna do the same thing here's the other thing guys a little fun fact um while this processes i'm gonna show you guys a dry haircut so stay tuned see what i did last time i colored carly see all these buttons i mean i put color all over them all right so now we're still working through the back here but i'm gonna start working with my lighter tone now so zigzag through i'll go here zigzag zigzag this is all in the crown area i'm gonna go a little deeper check it out all this fun hair coming off here so now clip this section away so what i'm gonna do is i'm gonna work that five in c right now in the base of this section so this is going to be our deeper tone into these triangles and then we're going to melt our eight our level eight color into the mid shaft and ends so i'm painting it through those zigzags so imagine doing this at the bowl especially in a maneuverable right and go through you can zigzag real quick apply your toner do a few different tones for your toner and then you get a multi-dimensional blonde doing this technique so it's a it's a pretty cool way to create options in your color and you can also charge a little extra for a more customized toner which makes sense so now this is my level eight i'm gonna work that mid shaft to ends um ethan ethan would like to know is there a brand of color bowl and brush that you like to use or it doesn't matter yeah i mean it doesn't really matter for me uh i do like the um what's that brand that i like from r i like from r stuff bowls and brushes i like liz said if you're using such big sections how are you being sure that the color fully saturated the hair at the base or the root um well i'm combing it through so uh that's another thing and they're not really that big of sections they're a couple inches um but i'm like i said not a precise color but once i get that that color on then i'll comb it so now i'll start mid shaft to ends because this is more of a color melt and i've got a deeper base so i'll make sure that that's through there and then i'll work that color through on each little part here to make sure then once i get that i run it through my hands a couple more times and then i'll also give a little extra saturation to the base before i leave it alone for the rest of the processing time so just like that ks said why are you zigzagging i'm zigzagging to create uh depth into the the movement of the the hair so we have some layers underneath here different things going on what i want to do is when you come up in those triangles it brings this level five into my level six so it's kind of they start mix mixing and matching instead of going straight line and just having a color a color a color it's a more diffused feel to the color all right so i want to start getting in and this is where i'll start to like look at what's happening in the head so as i lift her up start looking at what i'm creating so i'm going to do a zigzagging the side here why are you going from the five and c to the eight and c and not the six cc because i don't want hot roots so i don't want fiery copper roots uh in that hair color that's that's really my goal is to not have that so um the only part that really is going to have that is that little blanket in the bottom and now i'll work that copper through um which will give me some copper pieces so this is kind of that triangle thing too in the in the zigzag if this piece up here is colored five and c and then six cc and then this is but then this piece is colored a different color now you've got different variations of different colors even though i color the base with the five the five uh and c it's still giving me a variation of highs and lows with the mid shaft at ends so that's kind of where my my head is at when i'm painting this stuff on can you use this technique with all color applications yeah for sure like this is a block color technique um i would say like in a nutshell um but here so you can really use it with any color any tones uh use it for toning it's a pretty versatile thing there and then i'm gonna do the level eight because this is the very bottom section and i don't want that copper popping uh straight out the bottom that's just personal choice there we go re-saturate five and c working through the top here brush so this is how she parts her hair uh is off to the side i'm gonna show you guys that real quick so you can see where we're gonna move to so this all falls over this side and she parts over there so i want to be careful when i'm moving with these zigzags that um the top is going to kind of have its own feeling kind of more of an organic feel instead of it being so blocked through the top so what i'll do is the first thing i'm going to grab this whole top section and i'm going to zigzag through that right around that parietal ridge area and i'm going to clip that up in a way like that i'm going to come around the other side so now we've got this kind of underneath zigzag over to this parting now this is all underneath and then everything else up in my hand this is all the top so it's important to know where that top's gonna fall i'll twist this up uh flip it away question how much would one expect to pay for something like this in the salon so if i was charging so it depends obviously based on your your pricing so let's just look at it from a basic pricing standpoint for me this is a block color technique so if you have a multi-dimensional color price that's what i would charge for this so instead of doing let's say like a um a single color uh on one of your guests even if they're uh an older client instead of doing a single color you could do this kind of multi-dimensional color and create movement in their hair and just upcharge it a little bit so let's say that your single color is 60 bucks then i would say this would probably be like 110 80 something like that just you're not using a ton more color even though i mixed a lot in my bowls today but in the salon like you're just using probably like an extra bowl or maybe half an ounce of of each tone just to add in a little bit of uh difference so just to change things up no one wants a single color every single time so going in there accenting your haircut a little bit creating something just a little bit new maybe adding in some of these fall tones that's always kind of a win-win lindsey asked would this be difficult to do again when you have free regrowth on the client so lindsey this is the greatest part about this i'm doing the five in c pretty much all the way through the root so it's a five in c touch up so you don't even have to do this every single time um you could just do the five in c touch up and then every other time add some dimension in there does it need to match up every time no way so uh and also depending on you know the base or whatever um you could like depending on what her ends fade to and all of that uh it really will help you decide whether you're going to just go in and and do it all organically again or if you want to follow a little bit of a pattern um because no matter what it's going to be pretty similar so this is now we're going to add in some of that copper tone again but still doing the five in c base through it and then the six cc through mid shaft ends just like that there's last section underneath right at that parietal ridge it'll be again five and c and then the eight n wb oh here it says eight n w m b it's got my initials in it somebody's googling that one there's that surely wants to know how long do you leave the dye on before washing it out so 35 minutes we'll process and then we'll wash it um and then i'll blow it dry for you guys and you can see it again those of you guys just tuning in i'm going to do a haircut while this processes i'm a dry haircut his battery died we will be right back sorry guys i'll be right there just getting the batteries for the microphone alexa this is the joyco um lume shine and it is a you are correct a natural warm is it natural warm beige it is a natural warm blonde warm blonde beige blonde beige okay that's always fun you never know when those things are going to go out all right so now we're moving in this is the parietal ridge on the opposite side so five and c here dany asked would the process be different if you start with a brunette would you need to bleach first uh no uh so it would be more subtle for sure like you'll be able to see the pops of colors on this because it's blonde obviously um but you and i'm gonna put the copper on this but you uh you could just it would just be more subtle so like if i had a client who is uh level six single color let's say and she has gray hair i would do her touch up level six and then her ends i'd probably just try to throw in different tones through it so like adding maybe a little bit of copper to it um or adding you know just a different maybe an ash to add a little depth and then create like an nb to give you kind of more of a caramel kind of softer brown yeah those those kind of things create that dimension in the hair so then that way you can you know just create that movement like if i was going to try to accent a haircut i might do a an ash based tone underneath to show depth in that haircut but at the same level so i could do like a level six a which might feel more like five ish and then do like a seven a highlight or um something like that through it with these zigzag partings just to just to pop a little bit of movement into the hair all right so now what i'm going to do through the top you want to go the top view carly what i'm going to do through the top is just paint this like a regular touch up so we did all the zigzags through it now i just want to really create a nice soft color melt through the top um you could paint this you know just the level eight for me i want to keep the base kind of at that level five bring in some depth maybe a shadow root look to it so i'm going to paint that and then all the way through this top i'm just going to color melt the level eight in so just like this paint my five again and then i'll work the the entire ends michelle said i just want to thank you for the cut last week went into work the next day and so owned it came out absolutely stunning wait who's cut like i'm assuming the one that you did that video yeah oh oh she owned like doing it i was like whoa at least i think that's what jimmy and michelle yeah i think she does till okay sorry i'm a little slow she um i thought she meant i gave her a cut i'm like did i cut somebody's hair last week and uh she owned that that's what i thought all right so same thing this is going to be painting through those mid shaft ends blending that color keeping that level five at the base do these ends too what do you do when reds won't cover resistant gray hair and what is the best shampoo for reds since it lightens so quickly so um they make a lot of great red shampoos now but i also think that um with gray hair adding brown so i think a lot of people don't think about that but gray hair is there really no different than blonde hair and when you put red or any color on blonde hair or lighter hair a lot of times you need that filler for it to hold so um you i would just add some brown to it and then you won't really have a problem so you can see that's that depth at level five and then it works into my level eight to create that shadow root and now i'm just working my way through the top guys like not really uh changing things up too much just coloring the base normal touch up and then going through mid shaft ends with the lighter tone you could mix in a little bit that copper if you wanted to um if you had a guest that was looking for a little pop in the top i didn't even say that on purpose a little pop on the top but for me i like it to be nice and soft so um you know i'm more of a salon friendly kind of natural feel even though we use some of that copper in there it's still going to have a really nice natural fall to it any other questions carly would there be a difference if you first colored the root and then went back no no not at all so um that's a great question i i'm just doing it at the same time so i don't have to go back um and it helps me make sure that i'm you know saturating everything it just you know making sure that i cover everything so i take smaller sections because i'm doing the same thing all the way through and then i do the ends almost done ks asked if you travel um and have class in any salons um i used to teach classes in salons all the time but i no longer i'm doing it this way now um i just enjoy the digital way of teaching and um traveling is a bit scary right now too so so for now i'm doing this but uh but i do like i'm looking into doing virtual salon trainings for sure in some way or another we do really like these zoom so we've been doing hands-on zoom classes uh where you buy tickets for uh learning fundamentals of hair cutting and different things um and it's been really successful and honestly i think it's more beneficial than even a hands-on class because you're so um as long as you have the right equipment to do it like for us we can show multiple angles um i have a big screen so i can see people working um so i feel like i'm definitely equipped to do it and i can visually see everybody right in front of my face working so for that it's definitely uh it's it's kind of a it's become one of my favorite things is to do those classes because i like interacting with everybody and like right now it's it there's a chat going i can't really read it because i'm working so it's harder but on the zooms you can talk to me so it's just a different feeling anika said would you use any gloss at the end so i mean this color is real shiny so i don't really feel and conditioning like i don't feel like i need to um i guess it would depend um you could also do this technique with a gloss so instead of um doing it with hit permanent hair color you could do it with a gloss or demi uh things like that at the bowl like i talked about like doing this as more of a toner than doing it as a you know block color technique like we just did so it's really up to you guys what you want to do with it all right there's one thing i want to come through this five here bit bottom section and we're good so now once i get it done or applied then what i'll do is just kind of go through everything color dreaded a little bit if i see kind of melt some of these colors together if i want to just depending on the look you're going for um do you want to go to the side view carly so you can see all the different fun colors and levels and that's why we do the zig zags because it'll pull some of these higher and some of them lower than others well it's going to be super fun you can see that shadow root in there you see how much i painted her face it's always good too i love that this is the best part about pivot point mannequins they don't stain so when you make youtube videos you can make that go away and no one ever knows it happened not lives not lives all right so now we're gonna let that process also carly's gonna check it for any uh any little mistakes i made in there and it's going to come back in 35 minutes a brand new lady so here's the other thing that we're going to do and carly if i run over a little bit on this cut because we're doing a two for today two for two for one oh let me go here all right thank you so much surely appreciate that um all right i'm going to make this color formula go away for a little bit um five and six in the root and eight on the tips yeah pretty much aida that was that was about what we did um biggest difference in there uh is i did use that six cc as well in in a couple places just to pop some copper into the color from our color defender for the face for sure uh joyco makes a good color uh remover to for the face um all right who sweating already guys you're working me here good job good job all right so here we go let's do some dry cutting now so what we're gonna do is i've already got this pre colored lady here and what i'm thinking is we're gonna do a dry cut kind of long bob feel to this pet it's like a hair show today all right originally i was going to do a q and a during the processing time but uh today today's special so we're going to smooth this i'm just going to polish it a little bit here my hands are sticky from the gloves all right see here tiff no cut just color today lane you're wrong you're wrong lane we're cutting now we're cutting now all right you guys know i'm not just going to color here i have to like i'm going to cut it i have to cut so little iron let's get her smoothed out a bit and then i'm going to go in i'm going to cut a long bob using a really fun dry cutting technique here so if you guys are watching and you want to know when i go live send me a text uh 215 608 2612 that's my number just say hi and that'll activate you into me having your information and being able to text you when i'm about to go live so you never miss these live classes steven asked where can be uh so these are pivot point mannequins uh i'm not sure you can go to pivot point or pivot dash point dot com to pick them up i like using the guen which is the one i had before this is the diana i believe she's got a little bit thicker hair than guen so it just depends on what you're you're looking for and i also love the erica which has brown hair so they all have the same face it's weird but 215 oh you can hit this text yeah cool right so make me nervous that one and do this there it is so yeah just send me a text to that number below and it'll let you know anytime i go live on any of the channels also if you download our app fse now on the app store um you can um you'll get alerts of when the classes are coming up too i just wanted to smooth this out a little bit i was gonna cut it wavy and i change my mind that happens a lot so sorry for the delay here but we got 35 minutes so carly can you really like actually make sure that i didn't miss anything on that yeah did you look at it okay look good so now we can blame carly could you do like could you make this a side part haircut or are you doing yeah somebody asked for that yeah yeah your wish is my demand you got it all right cool so we'll base this off a side parting and we're gonna do a long bob who's excited put your hands up who's excited i'm gonna use my manurva blow dryer to uh power this to the side a little bit because she wants to be in the middle but all right so i'm gonna blow it dry a little bit can you turn my mic down a little bit number one yeah like further sharyl it was joyco she's staticky i'm gonna try to make this go away i might might be even changing my mind again oh there we go look at that bam here's a little fun tip for you guys if you want to make static go away in your hair here it's feeling a little fly away just grab a little blonde life brilliant glow all right let's cut a long bob together so we're going to start off in the back what i'm going to do this is going to be very simple sectioning because i don't want to over complicate anything for you guys and it's a dry haircut not a wet cut so we're doing things a little bit different i'm gonna get a wider tooth comb uh when you cut dry hair it's good to use wide teeth just for the ease of combing to be honest let's put the manurva logo back up that one and get rid of the text one hopefully you guys got that written down so it should say manurva there it is all right so i'm going to go straight down center back like that and i'm going to comb the rest of this hair over basically working that occipital bone area so i'll comb the hair over and i'll slide my clip up in there do the same thing on the opposite side here straight over and then i'll slide my clip up under okay so now i'm going to start working in this center back she's got a little bit thicker hair than the previous mannequin so let's just pretend like she's got pretty thick hair because she does so when i think about this haircut i'm going to think about it in a more thick hair way so i'm going to take a vertical section out of the back and i'm going to work a tease cutting technique from short to long so i want to work that tease cutting technique because that'll give me a soft line and you guys know this watching me for a while but if you're new to the show today here is oh my gosh just stepped in my own way okay so if you're new to the show you half open and then you push in and close so it's a half open or it's open and then half close and you're just teasing into the hair pushing into the hair and half closing through let me show you this i've got my vertical section here and i'm just going to work short to long just like that and that'll start my cut so then i grab another section of hair and bring that over to that center point like this and i'm going to work short to long you can just shut it off hit the power button and again bring it straight back to me i'm not over directing all the way to the center i'm just over directing slightly back uh towards the center towards the previously cut section is this the puffin so this isn't the puffin but it's very similar so this is mine actually uh it's not released at this point um but it's it's a similar so it's got my handle but the same kind of blade as the puffin so if you have the puffin very similar if you don't have the puffin you're looking for a dry cutting scissors just wait because it's coming so working my way through now i'm not worried about this outer perimeter line okay so that i'm going to iron again because this hair needs to be ironed again and then i'll cut the outer perimeter last but also in a long bob you kind of want that textured uh broken line so i'm not really that worried about it same thing on the opposite side here so comb the hair towards the center towards the previous section and i'm going to cut short and get a little bit longer it is and the same thing here so now i'm actually going to iron this so you guys can see what it really looks like because right now it's it's got that slight wave to it so let me iron it so i'll just give it a little bevel so you'll start to see it like how it starts to soften in uh once you start ironing it and that's because of that tease cutting it gives it a really soft line then obviously on the bottom here iron that okay so i'll let that be for now because that's good enough and then i'm going to go in and cut the next section up i'm just going to work this side and we're going to do a stroking technique now so we're changing from tease cutting to stroking so like this my guide's going to come from the bottom i'm going to take a diagonal slight diagonal forward section there's my guide it's going to fall out and then i'm just going to work this is a full close of the scissor all the way down now i move over bring this back to the previous watch it fall out still diagonal forward bring it back watch the guide fall and just keep working my way bringing the hair straight back and this is the part side so there's a lot less hair over here but because we're over directing back and we're getting further away as we move up on the head it's uh it's getting longer in the front back here there's my guide last little bit so now you got a nice textured side i'll smooth that out in a second you guys will really be able to see it and do the same thing on the opposite side here who's tried this put your hand up in the chat now i'm working top to bottom to top yeah for sure it's a good technique for curly hair i might go more tease technique but but you can always do this too uh just depends because with curly hair you don't want to hold it too tight um if they're going to wear it curly you don't want to pull the tension too much so i would just kind of pull individual hairs out and cut it this way not individual hairs but sections like smaller like i i might pinch a little bit of a section and just come in and cut it that way it's all coming back i'm really just cutting this at a basic stationary area not necessarily a guide but just bringing it back to start to see how it works its way forward it's hard to see it right let me start ironing then you guys can feel it coming together she's frizzy angelina said she is still afraid of doing the tease cutting what other techniques would you recommend um point cutting if you don't want to do the tease cutting is fine uh i think i like the tease cutting because i feel like it just gives me a real soft effect i think it's safer than point cutting to be honest but if you're more comfortable controlling your point cutting then do that there's nothing nothing wrong with it but and then this stroking technique which i was just doing you know that you could do point cutting as well i just kind of like the flow of of the stroking technique you'll start to see uh kind of that nice bevel and that smoothness to it we're going to cut this um using some pointing but that's what people like the uh the the way that you're able to cut with dry hair and cut a really nice long bob with this technique is really cool Lindsay asked how low should you go from the hairline at the back of this cut and also is this cut cut into a side parting and can you do a center and then move it to the side so we're doing a side parting because that was the request at the beginning um here's the here's the rule in my in my opinion you can't do the the bangs have to kind of go in the direction that that the client's going to wear them you can't really have the best of both worlds but you're better off cutting it like they were going to wear it in the center if they're going to wear it both ways like don't cut it to the side like we're doing if she's going to wear it in the center so to kind of answer that you can't you can't cut it i can't cut it to the side and then have her put it in the middle but vice versa is okay like it would just be a little weighty i'm going to cut a side bang in a second with that technique though yeah long it's been carly jeez look at that it's like salon reality haircutting almost done doing a cut while my color process is like the old days not the covid days peg asked if this is better for thick hair or thin hair i would say i like doing it on thick hair thin hair it does create a really nice texture but you want to be very careful about soft lines and taking out too much weight in in thin fine hair so so i would probably use a little more point cutting something i can control a little bit here's where i want you guys to start to see it here like this shape that we're building kind of dark in that but tippany asked how you are liking your iron um i like it a lot it is a little bulky in the hand when you have a comb and this um it's one thing i'm kind of noticing but weight wise i thought it was gonna be a lot heavier it's heavy but it's not that heavy um i love the plates um out of any iron i've ever used the plates in this thing are really good uh very smooth so when i first got it they were very sticky but that's pretty typical of an iron until you get it broke in a little bit uh and then once it was broken in now like it glides over the hair better than any any iron i've i've used and i also really love the curls that it creates like i can i can't even feel that i'm you know how like when you put an iron on the hair and you feel it on there you feel like somewhere where it might feel a little crunchy or whatever like it doesn't feel it feels so smooth like almost like you don't have a section of hair in there so definitely plus just so you guys know dyson didn't sponsor this video but they did send this to me for free for a different video so you know i think technically that means they paid me paid me off i'd tell you guys the truth though it is like bulky like in this feeling right here trying to pinch a comb in between my fingers if you had small hands i think that would be a problem that'd be harder so i think you'd have to take your section maybe put your comb down i don't know almost there guys would have thought she was already dry you'd have to do this much styling so now i'm going to cut the side fringe it also does this really annoying thing where it yells at you if you don't turn it off i wonder if you can turn that off i don't know but all right so the side fringe pretty simple to diagonal forward parting here and i'm just going to bring this hair over to me and i'm going actually i'm going to i'll do the stroking technique with it so just like this and then i'll pick a point where do i want that to to begin and then i have that section in my hands and i'm just going to work across you could point cut this to you could blunt cut this whatever you want to do i just like doing that stroking technique across so another diagonal section bring it over to me see that guide fall out and i just work my way across you go the top view carly really dark does right all right one more section here over to me so i should really just go to this fringe area so when we talk about like the fundamentals uh where the hairline meets i don't want to go any further than that for the fringe that starts to turn into a face frame or side burns depending on how you cut it i'll work my way across all right now let's go to the front view now this is what you guys are going to love so well let me connect so i'll grab a little piece here there's not much to cut on this side it's the weak side so just a little bit but watch how light this fringe is now after we cut it so when i bring it over here so light weight and layered it's a very light hairspray because i want to be able to comb it out in a you can see how soft that falls obviously you can blow dry it with more volume than that if you want to but it's got a really nice feel to it yes youtube it's in her eyes i know but i blew it dry to be like that for dry cutting when she blows it dry she'll give it a little more volume all right so now i want to cut into the perimeter real quick and then we'll be almost ready to see our our color you spin her around so now you can see this shape here that's what my focus is and then this outer perimeter i haven't cut at all so i'm going to go into it kind of just like this and softly point into the edge of this cut so you'll start to see it turning into more of a you know looking like a shape because the outer perimeter starts to go and match it and then here slide a little bit remove any pieces that are not matching up and then i'm going to do a little blow drying real quick so loud hold on that microphone all right a little bit of blow drying so what do we think still got our color to go through almost there have turned up a mic a little bit cool phone number to get text is 215-608-2612 here's kind of our you can see that build up of weight in the back that kind of long bob feel it's very organic it's not a normal bob right so it has that kind of movement very textured line you can make that as precise as you want but doing that kind of stroking tease cutting technique really gives it that organic lived in appearance so glad you guys like it i can see it in the chat uh let's talk for a minute carly's working on getting that mannequin ready so that we can showcase it all right let's see now i can see here you're chatting what type of shear to use for this cut i'm new uh is it loves loves um let's see let me show you used today so everything that we used on the on the class except for the minerva blow dryer and obviously these cutting stools and all that uh get at minerva beauty dot com salon furniture all that stuff uh tools scissors combs clips everything i used in that aspect you can get on shop fsc which is our online store um this is a five and a half inch dry cutting scissor um i sell all misatani scissors uh the one that would look for on there would be called the puffin um this is exclusive to me this one um because i'm designing it right now so if you want to wait a little while you can wait but i don't know when it's coming so uh but misatani puffin is a good dry cutting scissor that i have on there um all right so that's that let's see oops all right thank you so much all right you guys are all awesome let's see what's the country code two country code is probably i don't know it's probably one sweating uh thank you steven i appreciate that uh thank you tiffani thank you lin any tips you can give a student to be successful uh when first starting out practice so um one of the biggest things i think for me is uh if this is your career there's something you love to do you have to obsess over it a little bit to learn it um being in these kind of classes is a good start i think too many people get complacent in this industry um they start taking for granted that clients are gonna come uh that covid's not gonna happen like all these different things i was just never satisfied with i just wanted to keep pushing in my career i think that's that's really the the key thing if you're really truly doing it because you love it then you'll be successful at doing hair for sure if you're doing it as a job uh because you couldn't figure out what else to do then you're gonna have a hard time because it's a people business um it's something that you have to uh it takes a lot more than just knowing a good haircut to be a successful behind the chair stylist um so good luck andrea good luck thank you so much not sure who that is but that's hopefully a good thing let's see thank you Adele all right cool all right guys soon we are going to unveil the color that we did earlier so if you guys haven't um if you weren't here let's recap it uh we did a hair color technique multi-dimensional we pull up the formula it should be in there oh here it is so here's the formula that we did how's it look did i miss anything all right good so the base mid-shaft we did five NC base so we did a five NC five natural copper from joyco lume shine uh we put 20 volume in there you can use 10 volume it was all deposit on blonde hair uh i just did a mannequin so i used 20 volume to try to push that color in a little bit more um then i use the six cc as an accent color in there it's just pop some copper we use zigzag partings to create depth and then the very top we did five NC shadow root uh with an eight n w b and the eight and c uh mid-shaft to ends so let's see so here is so far so let's blow it dry and hopefully it looks beautiful there's and if it did to it's a success today it's a success and if you didn't like today you'll like next week even more all right we're going to blow dry i'm going to use a manerva blow dryer um use a manova i cannot say manerva today hi all right here we go combed it out carly this might be the mannequin that gets all tangled up oh no this is a good one this is going this is a different now i'm feeling the work now i'm here it is so it's iron this thing i'm glad to see in the chat you guys are liking it so far super fun and lin just so you know i saw saw you uh in the chat there this is the haircut we did in class yesterday in the virtual class so should look pretty familiar you guys can see that shadow root and then it goes into that depth obviously shadow root is the depth pop of six cc coming through does anybody have any questions let's start posting that in the chat type q put your question we know how much time left on here uh longest live stream on the planet we've ever done i'm actually not sure what time we're at right now but it's almost two o'clock so i think we're about an hour 45 right now so those of you guys that have hung in this whole time let me know in the chat if you've hung in this whole time so i can say thank you and then also it's impressive hopefully you're booked with clients after this right surely the great thing about this hair color is that it's attainable for everyone some not so much this one you can have it oh coming back let's cover gray hair so in my opinion and i don't know i'm not like a color expert for joyco they just sent me some color to play around with and i've used their color for a while but and i've never had a problem with gray coverage i'm gonna say the uh the ncs and the nwb's you shouldn't have any challenges i would say the cc is going to pop very vibrant it might cover but uh it's going to be real vibrant just like it is here so just depending on what you're looking for what your goal is um just definitely be aware that things with a brown pigment in them are going to cover gray better uh just theoretically then something that doesn't have brown in it needs that filler those filler pigments browns made up of red yellow and blue so it already has those fillers of red and yellow and orange tone in it so it will fill the hair and cover the gray if it's lacking any of those pigments it might not cover the gray what i love about this uh little technique here is that the subtleness of the copper even though it's so vibrant um when it lays flat it's very subtle and then when the hair moves you see it appear and it's super vibrant so it's just kind of a fun little peekaboo technique all right here we go guys final countdown home over her little fringe area funny she's kind of similar to what we just cut except for she still has a length pieceiness around face frame there pieces it's right really right that's really why cannot talk today um it's really why i like having that pop of copper through and you'll see that in a second is because when you look at these little face frame pieces you see that vibrancy of like that pop of tone through it and that all is the copper that little strap of zigzag that we put through there is shooting out around this face frame it wouldn't be there if we didn't do it and then in the back here start to see let me see if I can brighten this so in the back here it's just pretty pretty neutral we have our shadow root and then we have our lighter tone but then when you look under here you see how vibrant that copper is and it just shoots out so as the hair moves it it works because you get to see some of that just kind of pop out of it if it if they had layers in there I might not do such a big panel of that brightness I might paint it through just subtly but because she doesn't have layers back here it's just kind of like oh and then as her hair moves or blows in the wind or whatever you can kind of see it pop through if it wasn't that much then you probably wouldn't see it because of how much layering or how much thick hair she has back there so there it is so if you guys have questions post them right now in the chat type q and put your question here is our end result I hope you guys enjoyed today's class we went over a ton of stuff plethora I would like to say lots of it um let's see and yeah so what do you think let me know in the chat Karen thank you so much appreciate it actually Dave used to call it flash color yeah for sure actually what's up thank you so much thank you Alfredo uh what was the portions good question uh here sherry uh what was the portions of the 8nwb and the 8nc um I did equal parts so I did equal parts um both so for me I did like a total of four ounces so an ounce an ounce and two ounces of developer thanks Adele to me thank you cool cool it's a beautiful multi-dimensional color thank you so much thank you all right can you put this on already colored hair with a red tone for sure so people get too afraid I think of um the whole theory of color doesn't lift color when you're just trying to alter tones it works really well and if you're just trying to lift maybe a level or two um you got to think about your client probably if they're a level six and they get a touch up uh every four weeks or every three weeks or whatever by the time they come back in they have lighter ends and they need another touch up so if you did the depth for your touch up maybe you did different tones for your lighter uh pulled some of that depth through had some of the lighter in there like there's different ways of mixing up your client's color even if they're just an all over you know level six level five whatever um do you use lighter browns or darker browns it depends um Steven been here for the entire time you win my friend you win Tiffany I'm from Iowa no I'm not really I went to beauty school in Iowa um I don't have gray I went straight to white you're lucky you're lucky Mary Ann I hope mine does that starting to in my beard all right cool I think we're good I'm going to piece my 6cc throughout love that this is the thing guys I'm not telling you what to do I'm telling you different ideas that might spark something that you could do something totally different but at least have fun with it maybe you just use the zigzag partings maybe use uh these colors in a different way um you know maybe you tone the hair or do whatever like there's so many options um it would be silly to mimic exactly what I did all right thank you so much appreciate it all right cool so uh just so you guys know uh all of this is available thank you Lynn for letting everybody know that as well um Lynn's uh OG user on the app if you go to the fsc now app and download it um you can see you can see all of these all the past classes that we've done uh tons of videos you get exclusive videos you get alerts when I put a video on the app uh there's a social media group on there so Lynn's on there you guys can build your profile you can share your work on it so it's uh it's an app that we built from scratch um that we're really proud of and we just keep kind of evolving it so uh get on there download it it's free it's all free at this point I mean you never know in the future so sign up now all right cool please this please add this to the fsc app it's on there actually it's on there upcoming classes it'll be the first one on the top today and then also um it'll be if you go to the full classes section on the app all the past uh shows are on there so just look for full classes um all right cool you guys have been the best really appreciate all of you guys being on here uh being a part of today being a part of every Tuesday we'll be back here live uh next week as well I'll also probably be back on here live this week so just make sure you send me a text to uh 215-608-2612 just say hi you'll get onto our text alert we got hundreds of stylists on there already so I'll give you an alert uh whenever I go live so that you don't miss anything because YouTube Facebook all of them they don't really let you guys know what's going on so uh shoot me the text and then also thank you to MinervaBeauty.com all of you guys that were on there today I appreciate uh you're you know hanging out with us being a part of it hopefully you can come back next week want to grow that audience over on Minerva so um let's do it let's do it all right guys thank you so much I'll see you on the next class thanks so much