 Yes, and we are back. I hope you are enjoying the show and with me I have a onesie in the building. He'll be telling us who he is, where he is from and we just get to know him. He is a Ugandan artist but he has lived in the country and he has worked with amazing people on the songs that you've just listened to. Amazing producer, amazing artist and amazing good music. Welcome to the show. Thank you. How are you? I'm pretty good in yourself. I'm good. You're feeling great. I'm feeling highly excited. Can we speak in Kisahili? How? Nice. But remember in Kisahili, so you should be knowing how to speak. I think it's a mix. It's a mix. So who is the onesie? So the onesie is Missa Ni and Baye. Missa Ni is Missa Ni in the States. Missa Ni is Ugandan. But there is a family in Kenya and Ugandan. So which one do you like more? Zote. Zote. So I think I will present Africa first. In terms of music, which country is best for you in terms of your production? US, Uganda or Kenya? In terms of music, because Nonga is Sweden, Nonga is Uganda. So I think it's for even farmers. So you haven't done anything in the US? In terms of music, production, everything? So my first project was Nature-Romantic Oil. What do you do in Uganda? We do it in the U.S. And then I put it in Indonesia. We do everything for you. So what are some of the challenges or maybe some of the good things you've experienced in these countries? Or some things that align when it comes to production of music? Challenges. Yes, challenges, good things that may be similar across all countries. I think challenges in Nonga, like for me, what happened in Uganda, Sikh wanga and connections were there. So I just walked up and did a song. And then after a few songs, I went to the club and I saw that was it. Yes, there's more. How many songs do you have to listen to? I listen to music on TV, radio, influencers. I listen to music on major stores. I listen to music on YouTube. And then you will become a star. Exactly. I listen to music on YouTube. Wow. And then by the time I realized, I had a lot of experience. You know, you get to know the DJ, you get to know what we are. What we are going to do on TV or presenters. Influencers, like TikToks, etc. So that's what I want to do. And then I think the other thing that I also came to realize is sometimes, you know, see what is not for them. We have some, you know, you get a song done. And then, you know, the producer doesn't give it all. Yes. Let's just hold it there on the producers. Don't give it their best. And I want to remind our fans back at home that our hit on this track is still up there. So head over there, cast your votes. Tell us whether the song is a hit or a miss. You know, story of producers to Mongolia. Mara Mingyani. One Zipiya in Mongolia. There's a problem. So you were saying? So I was saying that when I heard the song Namsei, and you know, you know, Anakwambia, this is my price. And you know, come and get your money. When you get the money, when you have the hassle to get the money. I love you. Get the money. You know, come and get your money. And then find your project. A, it's going to be like a long time when I release it every day. And then B, if he's working with you, he doesn't give you the full attention. Yeah, full attention. Let's say, let's say I'm already up there and he's working with me. And I'm sure he'll be happy to see me. He'll be happy to see me. But you know, like, when I release it, I'm not going to be half-baked. No, no. But with me, because of, you know, I have so many projects, almost over, you know, our two albums. So I'm going to make a, yeah, I'm going to make a with so many different producers. Two albums that are in the works. No, I already have like music that if I pile them up together, then it's going to be up to two albums. Yeah. And so, those are the things that I'm going to do. And you know, but when you, at the stage where I am right now, I know who I want to work with and I know who works for me and who doesn't work for me. I know what producers are professional in this game because professionalism doesn't mean that, you know, it doesn't mean that, you know, when an upcoming artist and a cooter wouldn't pay less of the time. But, you know, professionalism in this industry means, you know, it doesn't matter, you know, who's coming to your studio, if a big, you know, if a big artist comes, wouldn't pay the same energy as if, you know, you know, the rookie who doesn't know who to work with. Yes. Okay. So, like, they have to give their best. That is what it means being professional. Yeah, you know, they should be very professional. Yeah. And speaking of, you know who you want to work with and you now know people. You have worked with three of me on your new song. Yes. And the other song as well, Fatima and the other one is called... There is Jabba Limpoese. Yes, yes, Jabba Limpoese. Yeah. You have worked with King Fizzle on the beat on both songs. Yes. And that is you knowing who you want to work with. Yeah. Yes. So, tell us about your experience, you know, working with Kenyan producers, especially him and how it has helped boost your music. I think, so, I've known King Fizzle before I even started doing music and when I started to tap into the Kenyan market, it was easy for me. So, I just, you know, had to call him, you know, I told him what I wanted. I laughed with him and then we came up with the first project when I worked with Jabba Limpoese. And then, I wanted to do another song that I could suggest. What does Jabba Limpoese mean? So, Jabba Limpoese, I think it is what Kenyan people call Jabba. Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. But... So, here's the thing, though. To me, in the past, there were people who said there was a beat in the Kavizuri. Yes. So, they said the way Jabba flows, it's like somebody is twerking. Yes. So, that's what I had in my mind. Hey, Jabba. But then, you know, Sister Limpoese said, I couldn't tell her it's twerking. Yes. I said, Jabba, it means anything to attack. Yes. Yes. So, to me, I think, in Swahili, you know, the ones that I have to tell them what it is, it just means anything you want it to mean. Anything you want it to mean. But to me, it means twerking. Yes. So, you know, ladies out there, if you hear the song, Jabba, just know you got to twerk. Yes. Yes. So, to me, I think, in Swahili, you know, ladies out there, if you hear the song, Jabba, you got to twerk. Shake your bum back. Yes. All right. Yes. So, on the second song, Fatima, you've worked with three of you. Yes. Tell us a bit about that. So, once we did the project, Kwanzaa with Fizo, King Fizo Menere, you know, I want to do something else. And then, I can be a Fizo, I need to do something. But this time, I want to, you know, like, on that stage. Yes. You know, I just don't want to do, like, Jabba, and then Fanyi Gino solo. I wanted to, you know, to do something, something that, you know, when, you know, when Kenyans see me, I'm like, hey, I'm going to do something. You know, he can represent us. Yes. So, to go back and forth, I can connect with my trio. And then, me and trio were going back and forth with messages, with a vibe. So, appreciate it. So, are you planning to do more Kenyan music? Music? Yeah, of course. After Fatima and Jabba Lipoza, you're out. No, East or West, Tom is the best in my family, so after Fatima, of course, there is a video in circulation. There is a video, you know, the Jabba video is coming out. I have no idea when King Fizo is doing handling all that. I laugh, but all I know is that another project is coming. And this project, it's not only targeted to the Kenyan or Ugandan, but it's also targeted to anybody who doesn't know Kizungu. The entire thing is Kizungu Yote and Arusiako Kamau Jeffanyua It's more of a wedding song, birthday song. It's Kamau Yote. Yes. So, if you do decide to do more Kenyan music, are you still planning to do Kenyan music or not to produce that? I think I am King Fizo. You are. I am. You are. No, Fizo is this kind of person like, he's laid, you know, he can do anything. You know, like, you can do anything you want. So, unless, you know, let's say, maybe in the future I'm like, you know, of course I love King Fizo. Let me just try somebody else. Somebody, yes. Which, you know, I like different sounds. But, you know, because, you know, other producers are bad. No. Yeah, yeah. But it's because I've worked with very many producers. Because also of the relationship as well. Exactly. I've worked with so many producers and, at the end of the day you cut people off and then you start remaining with Wale Wenye. You know, they treat this industry like it's a business. Yes, like you said, professionalism and you know story. I say a lot I'm like from Watanabe. That's how I finish my relationship. You want to understand here. So, at the end of rosy I like many ways of expressing my feelings. At the end, they listed this example and played as manyανzi Yaar was culture, emoji, good kid, keep doing your thing. Hey, what do you mean? She don't know how to do it, but she knows how. She knows how, she knows how. Hey, my mom, shout out. Do a blank. I mean a blanket. King Fizzo, I know King Fizzo is a Samoese, he knows how to do it, but shout out King Fizzo, you're doing a great job. Keep doing you, you know, everyone watching, just subscribe by clicking to, you know, this is the vibe. Yes, so thank you so much for coming through. Thank you. You do appreciate your time and we hope to see more Kenyan music from you. We support Kenyan artists. We play Kenyan music all the way and we want to see more Kenyan vibes. Appreciate it. Yes, all right. So up next is, we are playing Fatima. Yes, Fatima by Wanzi and Trio Miu.