 But the minute you step outside that, the minute you go to a non-Muslim, he says, who are you? I say, oh, I'm Nuisau, that right, poetry about Ehlbate. It doesn't mean anything to them, right? He's asking, how are you impacting the world? What are you doing to help me? So I thought that, and it was a very scary place for me to be in, because I had never really dabbled in spoken word poetry. I think that I'm still very horrible at it as well. But at the same time, I felt like I had to not exchange what I had for spoken word poetry, but expand my horizons and try and do things that had an impact on the outside world. So I did it. Did you feel like you had to learn something totally new? Yeah, it was very scary. But I thought, you know, unless I try it, I'm going to be stuck in the same circle. Yeah, just for the same thing. Yeah, it's the same thing for the rest of my life. And you need to progress. I mean, we're veering off topic. I know a lot of people in the other side as well. They reveal people like Basim, right? As you know. But the one thing we always forget about Basim is the reason he is Basim is because he kept challenging the status quo because he kept doing something new. He kept innovating. Everyone keeps trying to be Basim, but people are forgetting that Basim is continuing to be someone else, right? So in that sense, what I did was, and I went out and did this spoken word piece about the Muslim ban by Trump, about Grenfell Tower, I did one. And really, I just wanted to tackle issues that weren't necessarily about the ill-bates, but were important to me, things that I believed in, things that I cared about, things that I was passionate about and essentially expand my horizons. So when Muharram came, I... So how long, just before you get to Muharram, so how long had this process of contemplation been going on? Grenfell Tower, for example, the ban, the Muslim ban, how long is that going on from the traditional to the... In terms of the creative aspect, I would say...