 The way that she makes work is from a very personal place. The result is something unique and compelling because it feels very genuine and real. It changes your perception of something that you think is a truth. You think a little bit more about being pressed to try to figure out what sound means to you given the tools that she kind of provides with her work. If you're given a truth that this tastes like this, this feels like this, this sounds like this, it is kind of a radical redistribution of what your concept is of that sense. And I think when you kind of understand that idea can be changed in your head, I think it's really groundbreaking. Her audience, both deaf and hearing, would work to understand the questions that she was posing with her without being only a disabled artist, but rather being an artist with an extra ability to see things in ways that others couldn't.