 Mikiira na kuna ilesmashawamatsu, sez na kuru always watchingi, and remember to do like you, and use the hashtag BounceNation. Alright, so, oh, thank you Benjamin Kira. Yashu shuid, yashu shuid. Anyway, we have another interview, and it's a physical interview. Najeyo story, atatutu tzeka aroboi. Let me santanize you na na na now. Wuuu, wuuu. Nemi magavizuri. I'm learning. Ya. I was a learner, but kutiseka ni kwa muda. Hai, sir, how are you? I'm good. Here we santanize you. So that's the message. Aha, ya. We lead by example. Sure. What is your good name sir? I'm called a doctor. Wa, wa, wa. Doctor Bobokra. Wa, wa. So you can cure COVID-19? Doctor? Ya, we have come to cure. We have a strong team here. After King's the Plane Datu. Aha. The National Behave, ma'am. You have healing powers? No, it's just the music. We are going to make sure everything reaches outside the Kenya. Wa. Wa. This song is amazing, but we have a message of hope. I hope it's future. No, it is. Ya, true. But also Nyashinski said that sometimes kwa kanisa people go home with hope and the preacher goes home with money. So I don't know who's benefiting there. The scenario is different. If it was the church, I'd side myself. But this music, you know, music is power. Music is hope. Music changes the world. That's what I'm saying. This music is going to sing right away. It's going to play right away. It's going to give hope and heal the world. The other message. Like Michael Jackson. Heal the world. Sure, sure. It's a very nice tune. It's just... It's just fun. I just have some kind of, those similar in a similar... Vibe. Kind of. Sure. But you haven't even told us your name and why you look so nice. Where are you going? Sure, sure. I'm called... Doctor Bobo Pro. I'm a music doctor, music genius. In those who know me very well, they know the dress. We are from Jital. You know Jital? No. We name Shamba. You know Jital? Not Gashororo. Jital is Gashi. Gashi. Ya, Gashi. There's another place called Gashororo. No. It's also called Jital. Okay. But the bigger Jital is Gashi. Ya, you know why? Ya. Why are you so proud of coming from Gashi? What's so good about Gashi? Everything I brought for you, amazing artist. You have everything there good. How have you been there? I have been in Gashi. Sure. That's a very good place. Some people turn inside. Have night too? Yes, night. What's so good about Gashi at night? Clabbing. Clabbing. Okay. Is there a place where you'd like to... Let's do this. No, unfortunately it was closed down so Ken sent a shout out. We are getting excited here at the studio. We are about to give you hope. Ya, we are going to give you a cure. I'm not too sure, but we're going to take a very short break. We'll be right back. Why 254? Imagine. Me imagine. Imagine you are just on your favorite show. Just imagine. And hashtag is Pounce Nation. Now in the middle of a very important interview, as we wait for our performance as we are ready to hit you with some sauce because today is a spotlight day. My name is Valentin. In case you don't know where you are or who am I, but the president... What is your name? My name is Kings Lee. Ladies and gentlemen, we are fully represented. Ya. All right. So, sir, you were telling about... We are going to give you hope. Okay. Here, behind on the screen, we have your song playing. And I can see there's quite a number of you in the actual track. So, how... Is it hard managing all these artists in one track? Ya, sure, sure. It's hard. Imagine. It's not even, you know, difficulty leading the groups. This was a project. It was like the ministry through the 100 stimulus package about the president. They requested that they set a certain kind of conditions or kind of criteria for an artist to meet that... to get that cash, to get a point. So, as a team, we said, we have a studio. We have a producer. Why can't we do this? And one of the conditions they give one has to... that you must be around six people. Ya. That's how you figure six. It has to be a package. So, we did a project. I did a bit. I called artists one by one. I did everything. I was telling, we did a video within one or two days. We are good. Wow. And you submitted the project. So, we are waiting and we see. All right. That's tough. So, sure? Yes. Ya, we shall chew that money. It's already there. DJ Zolimbo wa 2 mimi. DJ was also participating, sure. Ya. So, it's a project. Wow. Just the kids' projects admitted. Apart from minds and power, this music, so it has to reach out to the people even as we wait for that. True. Ya, sure. Okay. So, now the way you called them one by one because it's not like the people were two by two. I want you to ask them to come one by one so that you just show face and if they are wearing things that make them jump, they will jump a little bit. Sure. We have Amasai, we have Ajalo there. No, no, no. We want to fiskali see them, but because we must respect fiskali distancing, we must have one at a time. So, call one. I'll start with Amasai. I wait. Come, come, come. Come, come and talk to your people. You can even come jumping. It's okay. Ya. So, there we go. Because they are good artists, but they are good. Just stand over there. He's an amazing artist. I think there's a track he featured where I remember it. Yeah. Then he... You know that track? He has the talent. That's why I had to look for him when he was in the village to do this track. All right. I hope you are seeing his attire itabidi nani. Ya. Khaosa. Ya ni yosus are matching your trousers and matching your mask? Oh, okay. Ya, very good. Next. Ya, the number two, she's a lady from Lua. Wewe. Very cute, eh? Why isn't that voice just amazing? There she is. I present to you. So, we are just looking at face now. Everything. She can even turn if you want to. Would you like to turn now? Na ringa. Umtu. Umtu fanyafanya iwi nani. Kukwa TV. Ya. Ya. All right. She's a month of joy, eh? Aha. She just even looks joyous and joyful. So, when you come to music, the voice is there. You can't even put her side there. Eh. I just follow her music, someone's a joy, and everything is amazing. She could have talked a lot, but the time later, try to accept it. Ina uma, but inbidi. Next time, you and her. I got you. Next. Uhum. On the talk next, it's me. I came, but I'm ready to talk. No, no, no, wait. Wait for the lady. The lady should come. The lady from Mingo. Ya, the lady from Mingo. Where? Mingo. Kaka Mega. Ah, ah, ah, ah. Wanyu wana kula chips na kuku. You look on the beauty. Alafu anaitisha wu gali kuskuma. Eh, eh, eh. Kuku sasa. Eh, eh, eh. Look on the beauty. Hi. Not. Senjere, Weryinga, I know things that are expensive. That dress is expensive. You see? I want to come to the voice. Mmhmm. I tell you. I just give. I just give the best time on this truck. I don't want to give money to DJ and Jua on the 3D. Ah. Tambia Sirkali. Mr. President, I hope you are seeing 100 million where it should be going. In the face of the nation. Eh. Ya, you have seen a Masai, you have seen Aluo and Aluya. Aha. Now let me introduce another Akamba. Ha, ha, ha. Usiniroge. Imagine. All that Kenya is in the house. Usiniroge. The whole Kenya is in the house. Mmhmm. And the project went for four minutes. Why? Imagine the producer working within the whole nation within that project. Hi. So it's called Keneso music. Why? If you don't know him, he has been doing his music. He does gospel music. This is not a mugshot. Can you just be free sir? This is your camera and I want you to look as handsome as you are looking here in the studio. Okay? This is Jela Nani. Flex it. Ata gilka. I want you to watch your work. Ah. Punza pukwa bomba. Bumpa bomba. But then it's called. I told you. It's called Gita look master. Gita look master. Luku master. To make a look what I see. All right. Next. Next one is a man from Caledol. I don't. Ebu kimbia. When him Caledol. Woo. Hi. He's from Caledol. They college in nation. Mm. Mm. To kiamzatuna maniweres. Hi sir. Okay. Nice you ring up here. Feel something. Feel it. Feel it. Ah. Helmstone. To sanitize those. What's his name? No, no. You're the one. Calvo Brown is happy. He's forgotten. Sorry. Calvo Brown is happy. Mm. He's one of the most authentic Calingin. Aha. Bongo artist. They do Calingin. Well, well. But in Bongo style. You get a point. You sing. Yeah. In a Bongo beat. Well, well. That's what he's carrying. The last guy who is taking the ad lips. Is the guy from the. So you have brought the languages of love. Kikale. Kikale. Kikale. Kikale. Kikale. Kikale. All right. So now that we are finishing with you. Thank you sir. Thank you. So now we want to actually play the song. Is it okay? You have to play it until I see that Calingin guy taking those ad lips. I just beg for that tune. Thank you so very much for coming through. You don't go away because we have another. Still have a continuation of the virtual interview with Tamali. And it's going to give us a performance. And then we have a spotlight. Because today is a special day. All Thursdays we try and bring to you spotlight. We highlight one Kenyan artist manihashtag. Play K.E. Na sitafazali. And our spotlight of the day is Antifemiu. Shiko. Radha. Mi nifandem. Tango wanzizi Mr. Riza fom. Fom today. Okay. Umonagotu kakuna mashavu. Nilikuna skeo song. Janiyote by the whole night. So nikuwatu na take notes. Ati badu na shikaji wa back then. Sujui Mr. Riz. Back bench. Na hako front row. Hell. Na nikuwatu maze high school mystery. Kama mystery. Kama ilikuna faku itimu. Shikuwa mystery. Na zi mengende kiyo back bench. La zi mazima. La zi mazima. Ukeande kiyo mbelu utashikuwa. Jumoda ta kujetriwa nangaliki tabiha kama he. Na deka misetriwa nangaliki somi. Ta kujiwa na makofi pa. Jwana na kujaka misnik. Misetri nomaziu ande kiyo back bench.