 All right, new clip here. It got sound. Hey man, that is all a myth. Drugs don't mess you up. Hello? Hello? That wrong number. That's a coffee! BAD DUCK! Well, like I said, that drug don't mess you up. Hey man, that is... All right, so the biggest... ...concern I have here... ...is this, how it really breaks the audio. That's just killing all the devils there. And in this... I don't know if that would kill, you know, a demoreal... ...in general, or just, to me, it kills the piece of it. I wish there was a different quality of that sound piece. That might just be me, but that's just a bit jarring. Apart from that... ...let's bring down the sound a bit. Hey man, that is... He's leaning heavily... That is all a myth. ...for the whole time. And it's almost to me, like, you could start the other way and go... Hey man. ...and that's when he goes over there. And because of that lean, he has to take steps... ...to then land and sit there. Even then, the watch out. This feels like you got a neck here and the head is over to the left... ...where you want to bring that head over a bit more. I mean, a sea line there, but it feels like we're just a bit over compared to what this is. But that's the main thing there. Also, in terms of like... I like this in terms of... ...you got your line with the hair, asymmetry in the face, but then we're kind of symmetrical and it's kind of like... It feels like we can go broader... ...not broader, but a bit more interesting. That's why I would... ...maybe you can have him like this, where... ...maybe he has like one hand on there and then he's about to say something and goes... Hey! And then with that gesture there, is like he pushed himself off and gets into that whole pose there. Watch out. Again, we're very twin. I would offset that a bit more, given that he is clearly on... ...you know, something's going on with his head here. We can push that a bit further and also that way you don't have that moment of... ...up arms going up and then they're locked and then it feels like it's mostly coming through the elbows there. A myth. I do like the timing of hold into this. A myth. Of what the arms are doing. This nice hand poses there. The drop, though, feels very harsh. I like that you have this stop and there's an impact on the head. Myth. But it just generally feels really... ...harsh. I'll probably soften that a little bit. That might just be me. And then on something like that... Watch out. That path is fairly straight. And then fairly straight down with a little pop there at the end where I think you can... ...be a bit more playful in your arcs of how that foot comes up. And even this one, it feels really... ...really broken there. You know, it's got such, you know... ...long, long skinny legs, I know, but maybe there's something where you can play this where maybe they're more out like that and then the foot has to be down. And then how he gets this out is... ...through the very end and then maybe, you know, the foot moving comes it out like that and then you can bring it down. But again, we hit then this pose where it's pretty much the same orientation of that foot till the end where I will play with that again a bit more in terms of what the feet are doing, what the arcs of the legs are doing. It's good to have a bit more of a... You know, a bit more of a relaxed little... ...little drop there and watch out. It feels a bit like hand and foot orbit in sync there and how they drop. And then just as an in-between careful when you have stuff like where it's right in front of the upper arm killing the silhouette where this could have been a bit of a... like a flourish plop there to give it a clean silhouette. Same thing there. At this point, I feel like his arms, almost like long spider legs, are doing something totally separate from what the upper body is doing. So if he's like this and he brings those legs up, I like that he also goes up a bit, but I think we could do a bit more to feel like that massive move of the legs influencing what the upper body is doing there. And watch out, it feels like, are we kind of drifting? Hello! No, it's okay. Hello! This is just me, but you got a tangent right there. I'm always looking at lines. That was tricky when you have prop lines, you know, sets and stuff like that. If you be careful where they're lined up, especially with the darkness here, I would clean up that negative space there a little bit, that finger right there on that upper arm there. It feels like there's a pinky intersection through there. That was a coffee! And the same thing here. Not that it's, you know, it moves over that lamp, but then it's kind of stuck right there. I don't know. This feels more like his head is being sucked up by a ginormous lamp vacuum or something. I know you want him to go crazy, but now we're suddenly, I feel like this is so stretched that it almost feels like we're off model. Again, you got a bit of a tangent there. You could free up that silhouette. That's just that sound kills me. That's like, that's the biggest bummer. And then at the end here, when he kind of goes, like I said, the couple of things here where it's, if you look at the beginning, it seems like he's talking. It will pass us a bit more on the right. Watch out. Now he's suddenly talking almost at me. Yes, he talks on the phone. And that's, I don't mind all of that. And then he says all of this, but then it's looking like way to the left over there and then way to the left down there and then back up there. And it feels like that eye has a bit of a drift. Watch out. Like those eyes a bit wonky through there. Then it gets a bit too separate to me how those arms are moving compared to what the upper body is doing. Again, this feels more like there's arms between your pose. There's a tangent right there between the finger and this and right the crotch. And the thing is there where I would have that go into like a different pose. Like he's out like this and goes like I said, then he could maybe straighten up a little bit. Because that is starting to like a heavy, heavy drift of what the root is doing before the sit down. But then again, just going back to your eyes bit wonky and slidey and I was suddenly looking and passed us up there and then he's like really cross-eyed which I know, maybe that's how you want to play this, but so watch out. There's eyeliner. What is he looking at? Who is he looking at? Is he by himself? Is this just something that he does to himself there? I was kind of looking at that. I do like that little head shake there. It just feels very strobie. I jittery fast, but like the idea for a little subtle thing. I would just slow down, like how quickly he does it and gives it a few more frames. Just soften a little bit, but I like the idea a lot there. But careful then we are, even though still wet-wise it's not, it just feels very twinned. It's just the same pose and he could do something else. This is a very lazy critique where I'm saying maybe something more original. Okay, well what then? But it could be something where like I said, maybe he wants to be playful and puts his hand back on the table. Maybe his fingers dance a bit around and they're like, I want to distract almost from what just happened. And then he kind of slides them back to that moment. I mean, something where maybe he's like, maybe he's stuck in this. Oh, and he uses this while I'm already hunched over. Might as well put my hand on there and then kind of pretend to be like with the shoulder up here like, eh, it's fine. I'm totally fine. Versus this. Got some more asymmetry there. You complain to like, I'm already leaning over. Might as well hold on to this as I'm sliding back into the chair and then I don't mind this. That's because now he wants to be, it's all fine. Like in terms of, I have control over this. This is where the twinning I don't mind. But this is almost reinforcing. I'm in control. This is all, you know, mirror. This is control. I'm fine. But then this destroys the image of like, nah, it's not, it's not fine. I'm not fine at all. Anyway, that's kind of that. As always, let me know what you think. Take whatever you want from this feedback and that's it until next time. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way a like and subscribe would be awesome. All right. Thank you.