 Yeah, we on Boss Talk 101. Yeah, you need to tell me how you met Al Green. Well, actually, no, I did not meet Al Green. So you didn't get to meet Al Green. But you met me again. But you said you had a story to tell about Al Green. Well, where he recorded all of his stuff, Royal Studio in Memphis, it was, I'm trying to think. I'm sorry. Damn, what was his producer, Willie Mitchell? Willie Mitchell. Willie Mitchell owned that studio. That was his spot. That's the one that Sir Charles was talking about. My number one award is the Sweet Willie Mitchell Award. OK. That's Pop's Mitchell out of Memphis, Tennessee. Now, women, what are you saying about the Muscle Show studio? Yeah, yeah, yeah, yeah. And Memphis, Pop's Mitchell got the biggest studio. OK. Inside of Memphis. And that's responsible for your Al Green's and stuff. And he the one to discover Al Green and made all of these classic records inside of that studio. Wow. So me coming up through the tulitch of the Memphis sound, I got a chance to know Pop Mitchell's grandchildren. Wow. Which run the studio now, which is Boo Mitchell. OK. And they gave me the blessings to let me learn things about the way they actually recorded and did that stuff. Really? Back in the day. OK, they broke in. They never gave me the secrets. Yeah, yeah, yeah, yeah. You know what I'm saying? So that's for I'm grateful and thankful to Pop Mitchell. Yeah, for opportunity. The opportunity to touch this stuff, you can touch an actual board that the Rolling Stones had. Yeah. And stuff. And he would like touch it. He would like, oh, and then that's interesting. And he'd see that look in your eyes. Pop Mitchell, see that look in your eyes. He's going to sit down with you and teach you how to operate that board. He'd be like, son, right here was this channel. He'd say, you see that cigarette stain right there? He said, Al Green put that right there. Or he might be like right here. Aberkeen did this right here. And like certain stuff like see with that, like how you got that entrepreneur hat. Yeah. Say if I threw that hat over there. And he'd be like, you know what, I'll never move that hat. That's what he would do to ever again. Because you always want everybody to know that Sir Child Jones actually threw that hat over there. That's a legendary corner. So man, you were like, wow, Aberkeen, this is just blinking. And you hear, you know what I'm saying? Wow, God, that's what I was saying. You'd be mesmerizing. He'd take you through there, man, and let you see how they actually did this stuff. And it trains you. It makes your hunger more just, man, than to know that. To know it. I'm loved by living legends. That when you walk in, you feel music. You don't even understand. Sir Child Jones came over and told me that. The same as it was. That's what he said, really. He said, threw a hat right there. The hat was right there. You remember he said that? That's what Sir Child Jones said. Pilling off the wall, y'all got to understand. The drums, the bonga, Al Green's mic, the organ, everything is exactly the same. Wow. Right? Boo Mitchell is a good friend of mine. That's Willie's son. And he runs everything now there. They actually did, what's the big Bruno Marson? I know what you're talking about. A town farm. Yeah, yeah, yeah. They recorded that there and all of that. Really? That's why it sounds like it sounds. They used the horn players from Al Green's horn players and all that. When I went in there, we used his piano player, his organ player, the horns, all of that came through and recorded. Wow. How did you feel? Charles is the organ player. He's like a big brother to me. Call him Uncle Charles. You were there doing that. I can't tell you, because it was so, OK, I got it right here. This is the one. Two things, because I don't like to, I know I get the stretching things out. My wife always tell me, stop talking. No. Listen to it. Two things, so you know at the beginning of love and happiness? Yeah. When you hear the, right, before it's done. So everybody think that might be the guitar or you're stopping, you know, something like that. That's a guitar, that's it. So I'm thinking it's a guitar. I go in there with Boo and him and the people that originally was there and I'm playing it because I know how to play the song on the guitar. And he was like, no, let me show you what it actually was. So he actually goes and get, you guys remember the old wooden Coca-Cola crates? Yeah. The wooden ones. He turned that upside down, said, stump your foot on that. The original one they used, that's what it was. Wow. I stumped my foot on there, it sounded just like this.